viernes, 31 de diciembre de 2021

Song for the New Year - Eliza Cook - Christmas Poems

Classic christmas poems, Poesías en inglés navidad

Recursos Educativos en Inglés - Poems in English - Christmas Poems

Song for the New Year by Eliza Cook - Poesías en inglés Navidad

Old Time has turned another page
Of eternity and truth;
He reads with a warning voice to age,
And whispers a lesson to youth.
A year has fled o’er heart and head
Since last the yule log burnt;
And we have a task to closely ask,
What the bosom and brain have learnt?
Oh! let us hope that our sands have run
With wisdom’s precious grains;
Oh! may we find that our hands have done
Some work of glorious pains.
Then a welcome and cheer to the merry new year,
While the holly gleams above us;
With a pardon for the foes who hate,
And a prayer for those who love us.

We may have seen some loved ones pass
To the land of hallow’d rest;
We may miss the glow of an honest brow
And the warmth of a friendly breast:
But if we nursed them while on earth,
With hearts all true and kind,
Will their spirits blame the sinless mirth
Of those true hearts left behind?
No, no! it were not well or wise
To mourn with endless pain;
There’s a better world beyond the skies,
Where the good shall meet again.
Then a welcome and cheer to the merry new year,
While the holly gleams above us;
With a pardon for the foes who hate,
And a prayer for those who love us.

Have our days rolled on serenely free
From sorrow’s dim alloy?
Do we still possess the gifts that bless
And fill our souls with joy?
Are the creatures dear still clinging near?
Do we hear loved voices come?
Do we gaze on eyes whose glances shed
A halo round our home?
Oh, if we do, let thanks be pour’d
To Him who hath spared and given,
And forget not o’er the festive board
The mercies held from heaven.
Then a welcome and cheer to the merry new year,
While the holly gleams above us;
With a pardon for the foes who hate,
And a prayer for those who love us.

curso ingles principiante desde cero

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New Year's - January

New Year's - January

Recursos Educativos en Inglés - Poems in English

New Year's - January - Poesías en inglés Año Nuevo

January
Now is here......

A fine new start
For a whole new year.

Thanks so much to Dennis, for sending in this poem

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jueves, 30 de diciembre de 2021

Past perfect - El pasado perfecto o pluscuamperfecto

¿Cuándo usamos El pluscuamperfecto el pasado perfecto en inglés?

El pasado perfecto o pretérito pluscuamperfecto en inglés

El pasado perfecto, también llamado pluscuamperfecto, es un tiempo pasado que se construye con el auxiliar HAVE. Su construcción es bastante similar a la del presente perfecto, excepto que aquí se utiliza HAD (HAVE en el pretérito) + participio pasado.

Construcción del pasado perfecto en inglés

La construcción de este tiempo es, por tanto, : HAD + participio pasado

Louise had told us not to be late. Louise nos había dicho que no llegáramos tarde.
Somebody had left the window open. Alguien había dejado la ventana abierta.
If I had known, I wouldn’t have come. Si lo hubiera sabido, no habría venido.

¿Cuándo se usa?

El pasado perfecto expresa una conexión entre un momento del pasado y otro momento aún más lejano. Es el "pasado en el pasado".

Es una especie de "tiempo pasado de la narración", que se utiliza cuando toda la historia está en tiempo pasado y se quiere hablar de una acción aún más en el pasado.

Por ejemplo:

Last month, my mother wasn't at home, so I organised a party with my colleagues. My mother HAD TOLD me not to invite colleagues at home, but I didn’t care, and I invited them anyway. - El mes pasado, mi madre no estaba en casa, así que organicé una fiesta con mis amigos. Mi madre me dijo que no invitara a mis amigos, pero no me importó y los invité de todos modos.

“My mother had told me…” es una acción que tuvo lugar más allá de la organización de la fiesta. Por lo tanto, se utiliza el pasado perfecto.

Otro ejemplo: He said that he had never been so happier. - Dijo que nunca había sido tan feliz.

Ten en cuenta que el pasado perfecto no es el tiempo pasado más utilizado en inglés. A diferencia del pretérito y el presente perfecto, se puede mantener una conversación básica sin saberlo de memoria.

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  • DO y MAKE en inglés ¿Cuáles son las diferencias?
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  • The Gerund - El gerundio en inglés
  • El Imperativo en Inglés - Imperative
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  • Preguntas con WH-Questions 02 - When, Which, Whose, How
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  • Present perfect - El presente perfecto inglés
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  • Simple past - El pretérito o pasado simple en inglés
  • Presente continuo - Forma Afirmativa - English grammar
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  • Puntuación en inglés - All about punctuation in English
  • Los verbos Auxiliares en inglés - Auxiliary Verbs
  • Verbos irregulares en inglés, la lista que debes conocer
  • Cómo decir la fecha en inglés - How to say the date in English
  • Construir frases simples - To build a simple sentence
  • Nombres contables e incontables en inglés
  • Presente continuo - Forma Interrogativa
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Present Perfect Progressive - Presente perfecto progresivo

¿Cuándo usamos El presente perfecto progresivo en inglés?

El presente perfecto progresivo o continuo en inglés

El presente perfecto progresivo, o continuo, es un tiempo pasado en inglés, que se forma con el auxiliar to be (en el tiempo presente perfecto) + el verbo terminado en ING. Se utiliza para enfatizar la duración de una acción. ¿Cómo construirlo y cómo utilizarlo?

¿Cómo se construye el presente perfecto progresivo?

BE (presente perfecto) + ING

Después de haber visto el tiempo presente, pudimos ver que hay un tiempo presente continuo en BE + ING.

Después de haber visto el pretérito, pudimos ver que hay un pretérito continuo en BE (pretérito) + ING.

I have been waiting for four hours. Llevo cuatro horas esperando.

Have been= auxiliar BE en el presente perfecto

Waiting = verbo WAIT, esperar, + ING.

¿Qué significa exactamente poner una frase en presente perfecto progresivo?

Ejemplo:

He (drive) for one day. ⇒ He has been driving for one day. - Lleva un día conduciendo.
They (read) until now. ⇒ They have been reading until now. - Han estado leyendo hasta ahora.

Cómo utilizar el presente perfecto progresivo

Al igual que el presente perfecto, se utiliza para hablar de una acción que tiene un vínculo entre el pasado y el presente. De hecho, el presente perfecto progresivo sigue siendo una forma de presente perfecto.

Su principal diferencia con el presente perfecto normal es que se utiliza más para enfatizar la duración de la acción o la acción en sí misma, mientras que en el presente perfecto queremos ver los resultados de la acción. Esto queda en el ámbito del matiz en comparación con el presente perfecto, así que con un ejemplo, seguramente será más claro:

Si yo digo:

I have cleaned my car (presente perfecto normal). Esto significa que acabo de limpiar mi coche y ahora el resultado visible es que mi coche está limpio. El presente perfecto se centra en el resultado.

Ahora, si digo la misma frase en la forma progresiva:

I have been cleaning my car. (presente perfecto progresivo). Esto significa que he pasado mucho tiempo limpiando mi coche. Por eso solemos añadir una duración, como aquí: for three hours]. Lo que quiero decir no es necesariamente que mi coche está limpio, sino que he pasado mucho tiempo limpiándolo. Así que no estamos seguros de que haya terminado de limpiar mi coche, pero sí de que he pasado algún tiempo haciéndolo.

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  • Many more, a lot more y Much more. Usos en inglés
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  • Cómo expresar opiniones en inglés
  • Uso de whose en inglés - Pronombres relativos
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  • DO y MAKE en inglés ¿Cuáles son las diferencias?
  • Cuándo usar Since, For, Ago: ¿Cuáles son las diferencias?
  • The Gerund - El gerundio en inglés
  • El Imperativo en Inglés - Imperative
  • El comparativo y el superlativo en inglés
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  • Preguntas con WH-Questions 02 - When, Which, Whose, How
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  • Adjectives - Los Adjetivos en Inglés
  • Uso de some / any acompañando nombres contables/incontables
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  • El tiempo futuro en inglés
  • Present Perfect Progressive - Presente perfecto progresivo
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  • Pretérito progresivo o continuo en inglés
  • Simple past - El pretérito o pasado simple en inglés
  • Presente continuo - Forma Afirmativa - English grammar
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  • Construir frases simples - To build a simple sentence
  • Nombres contables e incontables en inglés
  • Presente continuo - Forma Interrogativa
  • Cómo Preguntar y decir el precio en inglés

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Present perfect - El presente perfecto inglés

¿Cuándo usamos el presente perfecto en inglés?

En inglés hay un tiempo extraño, a medio camino entre el presente y el pasado... ¡Lo que necesitas saber sobre el presente perfecto inglés!

El presente perfecto es un tiempo pasado que se utiliza a menudo en inglés. Se construye con el auxiliar HAVE y el participio pasado. Se utiliza principalmente para hablar de una acción pasada relacionada con el presente, como una declaración, o una acción que podemos ver la continuidad en el presente.

A continuación te contamos: Cómo construir el presente perfecto y cómo utilizarlo.

Present perfect - ¿Cómo se construye el presente perfecto en inglés?

HAVE + participio pasado

Por ejemplo:

I have drunk all the water. He bebido toda el agua.
He has influenced my decision. Ha influido en mi decisión.

A veces, sobre todo en el discurso, se utilizan contracciones. Siguiendo con los dos ejemplos anteriores, se obtiene :

I’ve drunk all the water.
He’s influenced my decision.

Atención: nos damos cuenta de que suena un poco como is del verbo to be.

He is cool / He’s cool. Él es genial, verbo to be. He’s taken a Kiss Cool

‘s taken significa has taken. Así que ten cuidado de no confundirlos. Cuando hay un participio pasado después de la 's, es el presente perfecto y el auxiliar HAVE en la tercera persona: HAS.

El participio pasado:

En consecuencia, es necesario conocer el participio pasado de los verbos: para los verbos regulares, es sencillo, sólo hay que añadir ED al final del verbo, es lo mismo que para el pretérito. Para los verbos irregulares, en cambio, tendrás que aprenderlos uno a uno con la ayuda de una lista de verbos irregulares. Tomemos por ejemplo el verbo SEE (ver) en el pretérito da SAW y en el participio pasado da SEEN. Así que no puedes adivinarlos, tienes que aprenderlos. Lista de verbos irregulares en inglés

Present perfect - ¿Cómo se utiliza el presente perfecto en inglés?

El presente perfecto se utiliza para hablar de una acción que acaba de ocurrir recientemente, o de una acción pasada que podemos ver un vínculo con el presente (como en una declaración de hecho, por ejemplo). Como su nombre indica, el presente perfecto siempre tiene la idea de una continuidad o un vínculo, aunque sea sutil, con el presente.

Por ejemplo, si digo:

Oh! I’ve lost my book!

Esto implica que ahora veo que lo he perdido. La acción de haberlo perdido está en el pasado, pero la observación de esto es ahora, en el presente. Si tomo el mismo ejemplo en tiempo pretérito para ver la diferencia, sería:

I lost my book yesterday. Ayer perdí mi libro. (Pretérito)

Aquí, hay un marcador de tiempo muy específico, ayer, por lo que ya ha pasado un tiempo desde que lo notamos, es una acción pasada en el pasado.

El presente perfecto también se utiliza para hablar de tu experiencia vital en general, sin entrar en detalles. Por ejemplo, si alguien te dice
I have been through many troubles in my life. He pasado por muchos problemas en mi vida.

Aquí tienes que usar el presente perfecto, porque estás hablando de tu experiencia de forma general, sin entrar en detalles.

¿Cómo diferenciar el pretérito del presente perfecto?

Para decidir, pregúntate lo siguiente: ¿es una acción pasada? ¿Hay un marcador de tiempo? Si es así ⇒ pretérito.

Pregúntate también: ¿hay un vínculo con el presente? ¿Es una observación, un estado presente resultante de una acción pasada? ¿Se trata de una experiencia vital que se cuenta? Si la respuesta es sí a alguna de estas preguntas ⇒ presente perfecto.

Por otra parte, hay una serie de palabras que conducen necesariamente al presente perfecto. Estas palabras son :

Ever, already, yet, just…

Cuando veas estas palabras en un ejercicio, sabrás que es el presente perfecto lo que tienes que utilizar.

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miércoles, 29 de diciembre de 2021

The Minister's Black Veil - Nathaniel Hawthorne

The Minister's Black Veil by Nathaniel Hawthorne

Recursos Educativos en Inglés - Stories in English

Cuentos clásicos en inglés

The Minister's Black Veil - Nathaniel Hawthorne (1804-1864)

A parable

The sexton stood in the porch of Milford meetinghouse, pulling busily at the bell rope. The old people of the village came stooping along the street. Children, with bright faces, tripped merrily beside their parents, or mimicked a graver gait, in the conscious dignity of their Sunday clothes. Spruce bachelors looked sidelong at the pretty maidens, and fancied that the Sabbath sunshine made them prettier than on weekdays. When the throng had mostly streamed into the porch, the sexton began to toll the bell, keeping his eye on the Reverend Mr. Hooper's door. The first glimpse of the clergyman's figure was the signal for the bell to cease its summons.

"But what has good Parson Hooper got upon his face?" cried the sexton in astonishment.

All within hearing immediately turned about, and beheld the semblance of Mr. Hooper, pacing slowly his meditative way toward the meetinghouse. With one accord they started, expressing more wonder than if some strange minister were coming to dust the cushions of Mr. Hooper's pulpit.

"Are you sure it is our parson?" inquired Goodman Gray of the sexton.

"Of a certainty it is good Mr. Hooper," replied the sexton. "He was to have exchanged pulpits with Parson Shute, of Westbury; but Parson Shute sent to excuse himself yesterday, being to preach a funeral sermon."

The cause of so much amazement may appear sufficiently slight. Mr. Hooper gentlemanly person, of about thirty, though still a bachelor, was dressed with due clerical neatness, as if a careful wife had starched his band, and brushed the weekly dust from his Sunday's garb. There was but one thing remarkable in his appearance. Swathed about his forehead, and hanging down over his face, so low as to be shaken by his breath Mr. Hooper had on a black veil. On a nearer view it seemed to consist of two folds of crepe, which entirely concealed his features, except the mouth and chin, but probably did not intercept his sight, further than to give a darkened aspect to all living and inanimate things. With this gloomy shade before him, goad Mr. Hooper walked onward, at a slow and quiet pace, stooping somewhat, and looking on the ground, as is customary with abstracted men, yet nodding kindly to those of his parishioners who still waited on the meetinghouse steps. But so wonderstruck were they that his greeting hardly met with a return.

"I can't really feel as if good Mr. Hooper's face was behind that piece of crape," said the sexton.

"I don't like it," muttered an old woman, as she hobbled into the meetinghouse. "He has changed himself into something awful, only by hiding his face."

"Our parson has gone mad!" cried Goodman Gray, following him across the threshold.

A rumor of some unaccountable phenomenon had preceded Mr. Hooper into the meetinghouse, and set all the congregation astir. Few could refrain from twisting their heads toward the door; many stood upright, and turned directly about while several little boys clambered upon the seats, and came down again with a terrible racket. There was a general bustle, a rustling of the women's gowns and shuffling of the men's feet, greatly at variance with that hushed repose which should attend the entrance of the minister. But Mr. Hooper appeared not to notice the perturbation of his people. He entered with an almost noiseless step, bent his head mildly to the pews on each side, and bowed as he passed his oldest parishioner, a whitehaired great-grandsire, who occupied an armchair in the center of the aisle. It was strange to observe how slowly this venerable man became conscious of something singular in the appearance of his pastor. He seemed not fully to partake of the prevailing wonder, till Mr. Hooper had ascended the stairs, and showed himself in the pulpit, face to face with his congregation, except for the black veil. That mysterious emblem was never once withdrawn. It shook with his measured breath, as he gave out the psalm; it threw its obscurity between him and the holy page, as he read the Scriptures; and while he prayed, the veil lay heavily on his uplifted countenance. Did he seek to hide it from the dread Being whom he was addressing?

Such was the effect of this simple piece of crepe, that more than one woman of delicate nerves was forced to leave the meetinghouse. Yet perhaps the pale-faced congregation was almost as fearful a sight to the minister, as his black veil to them.

Mr. Hooper had the reputation of a good preacher, but not an energetic one; he strove to win his people heavenward by mild, persuasive influences, rather than to drive them thither by the thunders of the Word. The sermon which he now delivered was marked by the same characteristics of style and manner as the general series of his pulpit oratory. But there was something, either in the sentiment of the discourse itself, or in the imagination of the auditors, which made it greatly the most powerful effort that they had ever heard from their pastor's lips. It was tinged, rather more darkly than usual, with the gentle gloom of Mr. Hooper's temperament. The subject had reference to secret sit, and those sad mysteries which we hide from our nearest and dearest and would fain conceal from our own consciousness, even forgetting that the Omniscient can de tect them. A subtle power was breathed into his words. Each member of the congregation, the most innocent girl, and the man of hardened breast, felt as if the preacher had crept upon them, behind his awful veil, and discovered their hoarded iniquity of deed or thought. Many spread their clasped hands on their bosoms. There was nothing terrible in what Mr. Hooper said, at least no violence; and yet, with every tremor of his melancholy voice, the hearers quaked. An unsought pathos came hand in hand with awe. So sensible were the audience of some unwonted attribute in their minister, that they longed for a breath of wind to blow aside the veil, almost believing that a stranger's visage would be discovered, though the form, gesture, and voice were those of Mr. Hooper.

At the close of the services, the people hurried out with indecorous confusion, eager to communicate their pent-up amazement, and conscious of lighter spirits the moment they lost sight of the black veil. Some gathered in little circles, huddled closely together, with their mouths all whispering in the center; some went homeward alone, wrapt in silent meditation; some talked loudly, and profaned the Sabbath day with ostentatious laughter. A few shook, their sagacious heads, intimating that they could penetrate the mystery; while one or two affirmed that there was no mystery at all, but only that Mr. Hooper's eyes were so weakened by the midnight lamp as to require a shade. After a brief interval, forth came good Mr. Hooper also, in the rear of his flock. Turning his veiled face from one group to another, he paid due reverence to the hoary heads, saluted the middle-aged with kind dignity as their friend and spiritual guide, greeted the young with mingled authority and love, and laid his hands on the little children's heads to bless them. Such was always his custom on the Sabbath day. Strange and bewildered looks repaid him for his courtesy. None, as on former occasions, aspired to the honor of walking by their pastor's side. Old Squire Saunders, doubtless by an accidental lapse of memory, neglected to invite Mr. Hooper to his table, where the good clergyman had been wont to bless the food, almost every Sunday since his settlement. He returned, therefore, to the parsonage, and, at the moment of closing the door, was observed to look back upon the people, all of whom had their eyes fixed upon the minister. A sad smile gleamed faintly from beneath the black veil, and flickered about his mouth, glimmering as he disappeared.

"How strange," said a lady, "that a simple black veil, such as any woman might wear on her bonnet, should become such a terrible thing on Mr. Hooper's face."

"Something must surely be amiss with Hooper's intellects," observed her husband, the physician of the village. "But the strangest part of the affair is the effect of this vagary, even on a sober-minded man like myself. The black veil, though it covers only our pastor's face, throws its influence over his whole person, and makes him ghostlike from head to foot. Do you not feel it so?"

"Truly do I," replied the lady; "and I would not be alone with him for the world. I wonder he is not afraid to be alone with himself!"

"Men sometimes are so," said her husband.

The afternoon service was attended with similar circumstances. At its conclusion, the bell tolled for the funeral of a young lady. The relatives and friends were assembled in the house, and the more distant acquaintances stood about the door, speaking of the good qualities of the deceased, when their talk was interrupted by the appearance of Mr. Hooper, still covered with his black veil. It was now an appropriate emblem. The clergyman stepped into the room where the corpse was laid, and bent over the coffin, to take a last farewell of his deceased parishioner. As he stooped, the veil hung straight down from his forehead, so that, if her eyelids had not been dosed forever, the dead maiden might have seen his face. Could Mr. Hooper be fearful of her glance, that he so hastily caught back the black veil? A person who watched the interview between the dead and the living scrupled not to affirm, that, at the instant when the clergyman's features were disclosed, the corpse had slightly shuddered, rustling the shroud and muslin cap, though the countenance retained the composure of death. A superstitious old woman was the only witness of this prodigy. From the coffin Mr. Hooper passed into the chamber of the mourners, and thence to the head of the staircase, to make the funeral prayer. It was a tender and heart-dissolving prayer, full of sorrow, yet so imbued with celestial hopes, that the music of a heavenly harp, swept by the fingers of the dead, seemed faintly to be heard among the saddest accents of the minister. The people trembled, though they but darkly understood him when he prayed that they, and himself, and all of mortal race, might be ready, as he trusted this young maiden had been, for the dreadful hour that should snatch the veil from their faces. The bearers went heavily forth, and the mourners followed, saddening all the street, with the dead before them, and Mr. Hooper in his black veil behind.

"Why do- you look back?" said one in the procession to his partner. "I had a fancy," replied she, "that the minister and the maiden's spirit were walking hand in hand."

"And so had I, at the same moment," said the other.

That night, the handsomest couple in Milford village were to be joined in wedlock. Though reckoned a melancholy man, Mr. Hooper had a placid cheerfulness for such occasions, which often excited a sympathetic smile where livelier merriment would have been thrown away. There was no quality of his disposition which made him more beloved than this. The company at the wedding awaited his arrival with impatience, trusting that the strange awe, which had gathered over him throughout the day, would now be dispelled. But such was not the result. When Mr. Hooper came, the first thing that their eyes rested on was the same horrible black veil, which had added deeper gloom to the funeral, and could portend nothing but evil to the wedding. Such was its immediate effect on the guests that a cloud seemed to have rolled duskily from beneath the black crepe, and dimmed the light of the candles. The bridal pair stood up before the minister. But the bride's cold fingers quivered in the tremulous hand of the bridegroom, and her deathlike paleness caused a whisper that the maiden who had been buried a few hours before was come from her grave to be married. If ever another wedding were so dismal, it was that famous one where they tolled the wedding knell. After performing the ceremony, Mr. Hooper raised a glass of wine to his lips, wishing happiness to the new-married couple in a strain of mild pleasantry that ought to have brightened the features of the guests, like a cheerful gleam from the hearth. At that instant, catching a glimpse of his figure in the looking glass, the black veil involved his own spirit in the horror with which it overwhelmed all others. His frame shuddered his lips grew white, he spilt the untasted wine upon the carpet, and rushed forth into the darkness. For the Earth, too, had on her Black Veil.

The next day, the whole village of Milford talked of little else than Parson Hooper's black veil. That, and the mystery concealed behind it, supplied a topic for discussion between acquaintances meeting in the street, and good women gossiping at their open windows. It was the first item of news that the tavernkeeper told to his guests. The children babbled of it on their way to school. One imitative little imp covered his face with an old black handkerchief, thereby so affrighting his playmates that the panic seized himself, and he well-nigh lost his wits by his own waggery.

It was remarkable that of all the busybodies and impertinent people in the parish, not one ventured to put the plain question to Mr. Hooper, wherefore he did this thing. Hitherto, whenever there appeared the slightest call for such interference, he had never lacked advisers, nor shown himself averse to be guided by their judgment. If he erred at all, it was by so painful a degree of self-distrust, that even the mildest censure would lead him to consider an indifferent action as a crime. Yet, though so well acquainted with this amiable weakness, no individual among his parishioners chose to make the black veil a subject of friendly remonstrance. There was a feeling of dread, neither plainly confessed nor carefully concealed, which caused each to shift the responsibility upon another, till at length it was found expedient to send a deputation of the church, in order to deal with Mr. Hooper about the mystery, before it should grow into a scandal. Never did an embassy so ill discharge its duties. The minister received them with friendly courtesy, but remained silent, after they were seated, leaving to his visitors the whole burden of introducing their important business. The topic, it might be supposed, was obvious enough. There was the black veil swathed round Mr. Hooper's forehead, and concealing every feature above his placid mouth, on which, at times, they could perceive the glimmering of a melancholy smile. But that piece of crepe, to their imagination, seemed to hang down before his heart, the symbol of a fearful secret between him and them. Were the veil but cast aside, they might speak freely of it, but not till then. Thus they sat a considerable time, speechless, confused, and shrinking uneasily from Mr. Hooper's eye, which they felt to be fixed upon them with an invisible glance. Finally, the deputies returned abashed to their constituents, pronouncing the matter too weighty to be handled, except by a council of the churches, if, indeed, it might not require a general synod.

But there was one person in the village unappalled by the awe with which the black veil had impressed all besides herself. When the deputies returned without an explanation, or even venturing to demand one, she, with the calm energy of her character, determined to chase away the strange cloud that appeared to be settling round Mr. Hooper, every moment more darkly than before. As his plighted wife, it should be her privilege to know what the black veil concealed. At the minister's first visit, therefore, she entered upon the subject with a direct simplicity, which made the task easier both for him and her, After he had seated himself, she fixed her eyes steadfastly upon the veil, but could discern nothing of the dreadful gloom that had so overawed the multitude; it was but a double fold of crepe, hanging down from his forehead to his mouth, and slightly stirring with his breath.

"No," said she aloud, and smiling, "there is nothing terrible in this piece of crepe, except that it hides a face which I am always glad to look upon. Come, good sir, let the sun shine from behind the cloud. First lay aside your black veil; then tell me why you put it on."

Mr. Hooper's smile glimmered faintly.

"There is an hour to come," said he, "when all of us shall cast aside our veils. Take it not amiss, beloved friend, if I wear this piece of crepe till then."

"Your words are a mystery, too," returned the young lady. "Take away the veil from them, at least."

"Elizabeth, I will," said he, "so far as my vow may suffer me. Know, then, this veil is a type and a symbol, and I am bound to wear it ever, both in light and darkness, in solitude and before the gaze of multitudes, and as with strangers, so with my familiar friends. No mortal eye will see it withdrawn. This dismal shade must separate me from the world; even you, Elizabeth, can never come behind it!"

"What grievous affliction hath befallen you," she earnestly inquired, "that you should thus darken your eyes forever?"

"If it be a sign of mourning," replied Mr. Hooper, "I, perhaps, like. most other mortals, have sorrows dark enough to be typified by a black veil."

"But what if the world will not believe that it is the type of an innocent sorrow?" urged Elizabeth. "Beloved and respected: as you are, there may be whispers that you hide your face under the consciousness of secret sin. For the sake of your holy office, do away this scandal!"

The color rose into her cheeks as she intimated the nature of the rumors that were already abroad in the village. But Mr. Hooper's mildness did not forsake him. He even smiled again--that same sad smile, which always appeared like a faint glimmering of light, proceeding from the obscurity beneath the veil.

"If I hide my face for sorrow, there is cause enough;" he merely replied; "and if I cover it for secret sin, what mortal might not do the same?"

And with this gentle, but unconquerable obstinacy did he resist her entreaties. At length Elizabeth sat silent. For a few momeets she appeared lost in thought, considering, probably, what new methods might be tried to withdraw her foyer from so dark a fantasy, which, if it had no other meaning, was perhaps a symptom of mental disease. Though of a firmer character than his own, the tears rolled down her cheeks. But, in an instant, as it were, a new feeling took the place of sorrow; her eyes were fixed insensibly on the black veil, when, like a sudden twilight in the air, its terrors: fell around her. She arose, and stood trembling before him.

"And do you feel it then, at last?" said he, mournfully.

She made no reply, but covered her eyes with her hand, and turned to leave the room. He rushed forward and caught her arm.

"Have patience with me, Elizabeth!" cried he, passionately. "Do not desert me, though this veil must be between us here on earth. Be mine, and hereafter there shall be no veil over my face, no darkness between our souls! It is but a mortal veil--it is not for eternity! O! you know not how lonely I am, and how frightened, to be alone behind my black veil. Do not leave me in this miserable obscurity forever!"

"Lift the veil but once, and look me in the face," said she.

"Never! It cannot be!" replied Mr. Hooper.

"Then farewell!" said Elizabeth.

She withdrew her arm from his grasp, and slowly departed, pausing at the door, to give one long shuddering gaze, that seemed almost to penetrate the mystery of the black veil. But, even amid his grief, Mr. Hooper smiled to think that only a material emblem had separated him from happiness, though the horrors which it shadowed forth must be drawn darkly between the fondest of lovers.

From that time no attempts were made to remove Mr. Hooper's black veil, or, by a direct appeal, to discover the secret which it was supposed to hide. By persons who claimed a superiority to popular prejudice, it was reckoned more an eccentric whim, such as often mingles with the sober actions of men otherwise rational, and tinges them all with its own semblance of insanity. But with the multitude, good Mr. Hooper was irreparably a bugbear. He could not walk the street with any peace of mind, so conscious was he that the gentle and timid would turn aside to avoid him, and that others would make it a point of hardihood to throw themselves in his way. The impertinence of the latter class compelled him to give up his customary walk at sunset to the burial ground; for when he leaned pensively over the gate, there would always be faces behind the gravestones, peeping at his black veil. A fable went the rounds that the stare of the dead people drove him thence. It grieved him, to the very depth of his kind heart, to observe how the children fled from his approach, breaking up their merriest sports, while his melancholy figure was yet afar off. Their instinctive dread caused him to feel more strongly than aught else that a preternatural horror was interwoven with l the threads of the black crape. In truth, his own antipathy to the veil was known to be l so great, that he never willingly passed before a mirror, nor stooped to drink at a still fountain, lest, in its peaceful bosom, he should be affrighted by himself. This was what gave plausibility to the whispers, that Mr. Hooper's conscience tortured him for some great crime too horrible to be entirely concealed, or. Otherwise than so obscurely intimated. Thus, from beneath the black veil, there rolled a cloud into the sunshine, an ambiguity of sin or sorrow, which enveloped the poor minister, so that love or sympathy could never reach him. It was said that ghost and fiend consorted with him there. With self-shudderings and outward terrors, he walked continually in its l shadow, groping darkly within his own soul, or gazing through a medium that saddened the whole world. Even the lawless wind, it was believed, respected his dreadful secret, and never blew aside the veil. But still good Mr. Hooper sadly smiled at the pale visages of the worldly throng as he passed by.

Among all its bad influences, the black veil had the one desirable effect, of making its wearer a very efficient clergyman. By the aid of his mysterious emblem--for there was no other apparent cause--he became a man of awful power over souls that were in agony of sin. His converts always regarded him with a dread peculiar to themselves, affirming, though but figuratively, that, before he brought them to celestial light, they had been with him behind the black veil. Its gloom, indeed, enabled him to sympathize with all dark affections. Dying sinners cried aloud for Mr. Hooper, and would not yield their breath till he appeared; though ever, as he stooped to whisper consolation, they shuddered at the veiled face so near their own. Such were the terrors of the black veil, even when Death had bared his visage! Strangers came long distances to attend service at his church, with the mere idle purpose of gazing at his figure, because it was forbidden them to behold his face. But many were made to quake ere they departed! Once, during Governor Belcher's administration, Mr. Hooper was appointed to preach the election sermon. Covered with his black veil, he stood before the chief magistrate, the council, and the representatives, and wrought so deep an impression, that the legislative measures of that year were characterized by all the gloom and piety of our earliest ancestral sway.

In this manner Mr. Hooper spent a long life, irreproachable in outward act, yet shrouded in dismal suspicions; kind and loving, though unloved, and dimly feared; a man apart from men, shunned in their health and joy, but ever summoned to their aid in mortal anguish. As years wore on, shedding their snows above his sable veil, he acquired a name throughout the New England churches, and they called him Father Hooper. Nearly all his parishioners, who were of mature age when he was settled, had been borne away by many a funeral; he had one congregation in the church, and a more crowded one in the churchyard; and having wrought so late into the evening, and done his work so well, it was now good Father Hooper's turn to rest.

Several persons were visible by the shaded candlelight, in the death chamber of the old clergyman. Natural connections he had none. But there was the decorously grave, though unmoved physician, seeking only to mitigate the last pangs of the patient whom he could not save. There were the deacons, and other eminently pious members of his church. There, also, was the Reverend Mr. Clark, of Westbury, a young and zealous divine, who had ridden in haste to pray by the bedside of the expiring minister. There was the nurse, no hired handmaiden of death, but one whose calm affection had endured thus long in secrecy, in solitude, amid the chill of age, and would not perish, even at the dying hour. Who, but Elizabeth! And there lay the hoary head of good Father Hooper upon the death pillow, with the black veil still swathed about his brow, and reaching down over his face, so that each more difficult gasp of his faint breath caused it to stir. All through life that piece of crepe had hung between him and the world; it had separated him from cheerful brotherhood and woman's love, arid kept him in that saddest of all prisons, his own heart; and still it lay upon his face, as if to deepen the gloom of his darksome chamber, and shade him from the sunshine of eternity.

For some time previous, his mind had been confused, wavering doubtfully between the past and the present, and hovering forward, as it were, at intervals, into the indistinctness of the world to come. There had been feverish turns, which tossed him from side to side, and wore away what little strength he had. But in his most convulsive struggles, and in the wildest vagaries of his intellect, when no other thought retained its sober influence, he still showed an awful solicitude lest the black veil should slip aside. Even if his bewildered soul could have forgotten, there was a faithful woman at his pillow, who, with averted eyes, would have covered that aged face, which she had last beheld in the comeliness of manhood. At length the deathstricken old man lay quietly in the torpor of mental and bodily exhaustion, with an imperceptible pulse, and breath that grew fainter and fainter, except when a long, deep, and irregular inspiration seemed to prelude the flight of his spirit.

The minister of Westbury approached the bedside.

"Venerable Father Hooper," said he, "the moment of your release is at hand. Are you ready for the lifting of the veil that shuts in time from eternity?" Father Hooper at first replied merely by a feeble motion of his head; then, apprehensive, perhaps, that his meaning might be doubtful, he exerted himself to speak.

"Yea," said he, in faint accents, "my soul hath a patient weariness until that veil be lifted."

"And is it fitting," resumed the Reverend Mr. Clark, "that a man so given to prayer, of such a blameless example, holy in deed and thought, so far as mortal judgment may pronounce; is it fitting that a father in the church should leave a shadow on his memory, that may seem to blacken a life so pure? I pray you, my venerable brother, let not this thing be! Suffer us to be gladdened by your triumphant aspect as you go to your reward. Before the veil of eternity be lifted, let me cast aside this black veil from your face!"

And thus speaking the Reverend Mr. Clark bent forward to reveal the mystery of so many years. But, exerting a sudden energy, that made all the beholders stand aghast, Father Hooper snatched both his hands from beneath the bedclothes, and pressed them strongly on the black veil, resolute to struggle, if the minister of Westbury would contend with a dying man.

"Never!" cried the veiled clergyman. "On earth, never!"

"Dark old men!" exclaimed the affrighted minister, "with what horrible crime upon your soul are you now passing to the judgment?"

Father Hooper's breath heaved; it rattled in his throat; but, with a mighty effort, grasping forward with his hands, he caught hold of life, and held it back till he should speak, He even raised himself in bed; and there he sat, shivering with the arms of death around him, while the black veil hung down, awful, at that last moment, in the gathered terrors of a lifetime. And yet the faint, sad smile, so often there, now seemed to glimmer from its obscurity, and linger on Father Hooper's lips.

"Why do you tremble at me alone?" cried he, turning his veiled face round the circle of pale spectators. "Tremble also at each others Have men avoided me, and women shown no pity, and children screamed and fled, only for my black veil? What, but the mystery which it obscurely typifies, has made this piece of crepe so awful? When the friend shows his inmost heart to his friend; the lover to his best beloved; when man does not vainly shrink from the eye of his Creator, loathsomely treasuring up the secret of his sin; then deem me a monster, for the symbol beneath which I have lived, and die! I look around me, and, lo! on every visage a Black Veil."

While his auditors shrank from one another, in mutual affright, Father Hooper fell back upon his pillow, a veiled corpse, with a faint smile lingering on the lips. Still veiled, they laid him in his coffin, and a veiled corpse they bore. him to the grave. The grass of many years has sprung up and withered on that grave, the burial stone is moss-grown, and good Mr. Hooper's face is dust; but awful is still the thought that it moldered beneath the Black Veil!

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A Blackjack Bargainer - O. Henry

A Blackjack Bargainer by O. Henry

Recursos Educativos en Inglés - Stories in English

Cuentos clásicos en inglés

Blackjack Bargainer - O. Henry (1862-1910)

The most disreputable thing in Yancey Goree's law office was Goree himself, sprawled in his creaky old arm-chair. The rickety little office, built of red brick, was set flush with the street -- the main street of the town of Bethel.

Bethel rested upon the foot-hills of the Blue Ridge. Above it the mountains were piled to the sky. Far below it the turbid Catawba gleamed yellow along its disconsolate valley.

The June day was at its sultriest hour. Bethel dozed in the tepid shade. Trade was not. It was so still that Goree, reclining in his chair, distinctly heard the clicking of the chips in the grand-jury room, where the "court- house gang" was playing poker. From the open back door of the office a well-worn path meandered across the grassy lot to the court-house. The treading out of that path had cost Goree all he ever had -- first inheritance of a few thousand dollars, next the old family home, and, latterly the last shreds of his self-respect and manhood. The "gang" had cleaned him out. The broken gambler had turned drunkard and parasite; he had lived to see this day come when the men who had stripped him denied him a seat at the game. His word was no longer to be taken. The daily bouts at cards had arranged itself accordingly, and to him was assigned the ignoble part of the onlooker. The sheriff, the county clerk, a sportive deputy, a gay attorney, and a chalk-faced man hailing "from the valley," sat at table, and the sheared one was thus tacitly advised to go and grow more wool.

Soon wearying of his ostracism, Goree had departed for his office, muttering to himself as he unsteadily traversed the unlucky pathway. After a drink of corn whiskey from a demijohn under the table, he had flung himself into the chair, staring, in a sort of maudlin apathy, out at the mountains immersed in the summer haze. The little white patch he saw away up on the side of Blackjack was Laurel, the village near which he had been born and bred. There, also, was the birthplace of the feud between the Gorees and the Coltranes. Now no direct heir of the Gorees survived except this plucked and singed bird of misfortune. To the Coltranes, also, but one male supporter was left -- Colonel Abner Coltrane, a man of substance and standing, a member of the State Legislature, and a contemporary with Goree's father. The feud had been a typical one of the region; it had left a red record of hate, wrong and slaughter. But Yancey Goree was not thinking of feuds. His befuddled brain was hopelessly attacking the problem of the future maintenance of himself and his favourite follies. Of late, old friends of the family had seen to it that he had whereof to eat and a place to sleep -- but whiskey they would not buy for him, and he must have whiskey. His law business was extinct; no case had been intrusted to him in two years. He had been a borrower and a sponge, and it seemed that if he fell no lower it would be from lack of opportunity. One more chance -- he was saying to himself -- if he had one more stake at the game, he thought he could win; but he had nothing left to sell, and his credit was more than exhausted.

He could not help smiling, even in his misery, as he thought of the man to whom, six months before, he had sold the old Goree homestead. There had come from "back yan'" in the mountains two of the strangest creatures, a man named Pike Garvey and his wife. "Back yan'," with a wave of the hand toward the hills, was understood among the mountaineers to designate the remotest fastnesses, the unplumbed gorges, the haunts of lawbreakers, the wolf's den, and the boudoir of the bear. In the cabin far up on Blackjack's shoulder, in the wildest part of these retreats, this odd couple had lived for twenty years. They had neither dog nor children to mitigate the heavy silence of the hills. Pike Garvey was little known in the settlements, but all who had dealt with him pronounced him "crazy as a loon." He acknowledged no occupation save that of a squirrel hunter, but he "moonshined" occasionally by way of diversion. Once the "revenues" had dragged him from his lair, fighting silently and desperately like a terrier, and he had been sent to state's prison for two years. Released, he popped back into his hole like an angry weasel.

Fortune, passing over many anxious wooers, made a freakish flight into Blackjack's bosky pockets to smile upon Pike and his faithful partner.

One day a party of spectacled, knickerbockered, and altogether absurd prospectors invaded the vicinity of the Garvey's cabin. Pike lifted his squirrel rifle off the hooks and took a shot at them at long range on the chance of their being revenues. Happily he missed, and the unconscious agents of good luck drew nearer, disclosing their innocence of anything resembling law or justice. Later on, they offered the Garveys an enormous quantity of ready, green, crisp money for their thirty-acre patch of cleared land, mentioning, as an excuse for such a mad action, some irrelevant and inadequate nonsense about a bed of mica underlying the said property.

When the Garveys became possessed of so many dollars that they faltered in computing them, the deficiencies of life on Blackjack began to grow prominent. Pike began to talk of new shoes, a hogshead of tobacco to set in the corner, a new lock to his rifle; and, leading Martella to a certain spot on the mountain-side, he pointed out to her how a small cannon -- doubtless a thing not beyond the scope of their fortune in price -- might be planted so as to command and defend the sole accessible trail to the cabin, to the confusion of revenues and meddling strangers forever.

But Adam reckoned without his Eve. These things represented to him the applied power of wealth, but there slumbered in his dingy cabin an ambition that soared far above his primitive wants. Somewhere in Mrs. Garvey's bosom still survived a spot of femininity unstarved by twenty years of Blackjack. For so long a time the sounds in her ears had been the scaly-barks dropping in the woods at noon, and the wolves singing among the rocks at night, and it was enough to have purged her of vanities. She had grown fat and sad and yellow and dull. But when the means came, she felt a rekindled desire to assume the perquisites of her sex -- to sit at tea tables; to buy futile things; to whitewash the hideous veracity of life with a little form and ceremony. So she coldly vetoed Pike's proposed system of fortifications, and announced that they would descend upon the world, and gyrate socially.

And thus, at length, it was decided, and the thing done. The village of Laurel was their compromise between Mrs. Garvey's preference for one of the large valley towns and Pike's hankering for primeval solitudes. Laurel yielded a halting round of feeble social distractions comportable with Martella's ambitions, and was not entirely without recommendation to Pike, its contiguity to the mountains presenting advantages for sudden retreat in case fashionable society should make it advisable.

Their descent upon Laurel had been coincident with Yancey Goree's feverish desire to convert property into cash, and they bought the old Goree homestead, paying four thousand dollars ready money into the spendthrift's shaking hands.

Thus it happened that while the disreputable last of the Gorees sprawled in his disreputable office, at the end of his row, spurned by the cronies whom he had gorged, strangers dwelt in the halls of his fathers.

A cloud of dust was rolling, slowly up the parched street, with something travelling in the midst of it. A little breeze wafted the cloud to one side, and a new, brightly painted carryall, drawn by a slothful gray horse, became visible. The vehicle deflected from the middle of the street as it neared Goree's office, and stopped in the gutter directly in front of his door.

On the front seat sat a gaunt, tall man, dressed in black broadcloth, his rigid hands incarcerated in yellow kid gloves. On the back seat was a lady who triumphed over the June heat. Her stout form was armoured in a skintight silk dress of the description known as "changeable," being a gorgeous combination of shifting hues. She sat erect, waving a much-ornamented fan, with her eyes fixed stonily far down the street. However Martella Garvey's heart might be rejoicing at the pleasures of her new life, Blackjack had done his work with her exterior. He had carved her countenance to the image of emptiness and inanity; had imbued her with the stolidity of his crags, and the reserve of his hushed interiors. She always seemed to hear, whatever her surroundings were, the scaly-barks falling and pattering down the mountainside. She could always hear the awful silence of Blackjack sounding through the stillest of nights.

Goree watched this solemn equipage, as it drove to his door, with only faint interest; but when the lank driver wrapped the reins about his whip, awkwardly descended, and stepped into the office, he rose unsteadily to receive him, recognizing Pike Garvey, the new, the transformed, the recently civilized.

The mountaineer took the chair Goree offered him. They who cast doubts upon Garvey's soundness of mind had a strong witness in the man's countenance. His face was too long, a dull saffron in hue, and immobile as a statue's. Pale-blue, unwinking round eyes without lashes added to the singularity of his gruesome visage. Goree was at a loss to account for the visit.

"Everything all right at Laurel, Mr. Garvey?" he inquired.

"Everything all right, sir, and mighty pleased is Missis Garvey and me with the property. Missis Garvey likes yo' old place, and she likes the neighbourhood. Society is what she 'lows she wants, and she is getting' of it. The Rogerses, the Hapgoods, the Pratts and the Troys hev been to see Missis Garvey, and she hev et meals to most of thar houses. The best folks hev axed her to differ'nt kinds of doin's. I cyan't say, Mr. Goree, that sech things suits me -- fur me, give me them thar." Garvey's huge, yellow-gloved hand flourished in the direction of the mountains. "That's whar I b'long, 'mongst the wild honey bees and the b'ars. But that ain't what I come fur to say, Mr. Goree. Thar's somethin' you got what me and Missis Garvey wants to buy."

"Buy!" echoed Goree. "From me?" Then he laughed harshly. "I reckon you are mistaken about that. I reckon you are mistaken about that. I sold out to you, as you yourself expressed it, 'lock, stock and barrel.' There isn't even a ramrod left to sell."

"You've got it; and we 'uns want it. 'Take the money,' says Missis Garvey, 'and buy it fa'r and squared'.'"

Goree shook his head. "The cupboard's bare," he said.

"We've riz," pursued the mountaineer, undetected from his object, "a heap. We was pore as possums, and now we could hev folks to dinner every day. We been recognized, Missis Garvey says, by the best society. But there's somethin' we need we ain't got. She says it ought to been put in the 'ventory ov the sale, but it tain't thar. 'Take the money, then,' says she, 'and buy it fa'r and squar'."'

"Out with it," said Goree, his racked nerves growing impatient.

Garvey threw his slouch bat upon the table, and leaned forward, fixing his unblinking eyes upon Goree's.

"There's a old feud," he said distinctly and slowly, "'tween you 'uns and the Coltranes."

Goree frowned ominously. To speak of his feud to a feudist is a serious breach of the mountain etiquette. The man from "back yan'" knew it as well as the lawyer did.

"Na offense," he went on "but purely in the way of business. Missis Garvey hev studied all about feuds. Most of the quality folks in the mountains hev 'em. The Settles and the Goforths, the Rankins and the Boyds, the Silers and the Galloways, hev all been cyarin' on feuds f'om twenty to a hundred year. The last man to drap was when yo' uncle, Jedge Paisley Goree, 'journed co't and shot Len Coltrane f'om the bench. Missis Garvey and me, we come f'om the po' white trash. Nobody wouldn't pick a feud with we 'uns, no mo'n with a fam'ly of tree-toads. Quality people everywhar, says Missis Garvey, has feuds. We 'uns ain't quality, but we're uyin' into it as fur as we can. 'Take the money, then,' says Missis Garvey, 'and buy Mr. Goree's feud, fa'r and squar'.'"

The squirrel hunter straightened a leg half across the room, drew a roll of bills from his pocket, and threw them on the table.

"Thar's two hundred dollars, Mr. Goree; what you would call a fa'r price for a feud that's been 'lowed to run down like yourn hev. Thar's only you left to cyar' on yo' side of it, and you'd make mighty po' killin'. I'll take it off yo' hands, and it'll set me and Missis Garvey up among the quality. Thar's the money."

The little roll of currency on the table slowly untwisted itself, writhing and jumping as its folds relaxed. In the silence that followed Garvey's last speech the rattling of the poker chips in the court-house could be plainly heard. Goree knew that the sheriff had just won a pot, for the subdued whoop with which he always greeted a victory floated across the square upon the crinkly heat waves. Beads of moisture stood on Goree's brow. Stooping, he drew the wicker-covered demijohn from under the table, and filled a tumbler from it.

"A little corn liquor, Mr. Garvey? Of course you are joking about what you spoke of? Opens quite a new market, doesn't it? Feuds. Prime, two-fifty to three. Feuds, slightly damaged -- two hundred, I believe you said, Mr. Garvey?"

Goree laughed self-consciously.

The mountaineer took the glass Goree handed him, and drank the whisky without a tremor of the lids of his staring eyes. The lawyer applauded the feat by a look of envious admiration. He poured his own drink, and took it like a drunkard, by gulps, and with shudders at the smell and taste.

"Two hundred," repeated Garvey. "Thar's the money."

A sudden passion flared up in Goree's brain. He struck the table with his fist. One of the bills flipped over and touched his hand. He flinched as if something had stung him.

"Do you come to me," he shouted, "seriously with such a ridiculous, insulting, darned-fool proposition?"

"It's fa'r and squar'," said the squirrel hunter, but he reached out his hand as if to take back the money; and then Goree knew that his own flurry of rage had not been from pride or resentment, but from anger at himself, knowing that he would set foot in the deeper depths that were being opened to him. He turned in an instant from an outraged gentleman to an anxious chafferer recommending his goods.

"Don't be in a hurry, Garvey," he said, his face crimson and his speech thick. "I accept your p-p-proposition, though it's dirt cheap at two hundred. A t-trade's all right when both p-purchaser and b-buyer are s-satisfied. Shall I w-wrap it up for you, Mr. Garvey?"

Garvey rose, and shook out his broadcloth. "Missis Garvev will be pleased. You air out of it, and it stands Coltrane and Garvey. Just a scrap ov writin', Mr. Goree, you bein' a lawyer, to show we traded."

Goree seized a sheet of paper and a pen. The money was clutched in his moist hand. Everything else suddenly seemed to grow trivial and light.

"Bill of sale, by all means. 'Right, title, and interest in and to' . . . 'forever warrant and -- ' No, Garvey, we'll have to leave out that 'defend,'" said Goree with a loud laugh. "You'll have to defend this title yourself."

The mountaineer received the amazing screed that the lawyer handed him, folded it with immense labour, and laced it carefully in his pocket.

Goree was standing near the window. "Step here, said, raising his finger, "and I'll show you your recently purchased enemy. There he goes, down the other side of the street."

The mountaineer crooked his long frame to look through the window in the direction indicated by the other. Colonel Abner Coltrane, an erect, portly gentleman of about fifty, wearing the inevitable long, double-breasted frock coat of the Southern lawmaker, and an old high silk hat, was passing on the opposite sidewalk. As Garvey looked, Goree glanced at his face. If there be such a thing as a yellow wolf, here was its counterpart. Garvey snarled as his unhuman eyes followed the moving figure, disclosing long, amber-coloured fangs.

"Is that him? Why, that's the man who sent me to the penitentiary once!"

"He used to be district attorney," said Goree carelessly. "And, by the way, he's a first-class shot."

"I kin hit a squirrel's eye at a hundred yard," said Garvey. "So that thar's Coltrane! I made a better trade than I was thinkin'. I'll take keer ov this feud, Mr. Goree, better'n you ever did!"

He moved toward the door, but lingered there, betraying a slight perplexity.

"Anything else to-day?" inquired Goree with frothy sarcasm. "Any family traditions, ancestral ghosts, or skeletons in the closet? Prices as low as the lowest."

"Thar was another thing," replied the unmoved squirrel hunter, "that Missis Garvey was thinkin' of. 'Tain't so much in my line as t'other, but she wanted partic'lar that I should inquire, and ef you was willin', 'pay fur it,' she says, 'fa'r and squar'.' Thar's a buryin' groun', as you know, Mr. Goree, in the yard of yo' old place, under the cedars. Them that lies thar is yo' folks what was killed by the Coltranes. The monyments has the names on 'em. Missis Garvev says a fam'ly buryin' groun'- is a sho' sign of quality. She says ef we git the feud thar's somethin' else ought to go with it. The names on them moiivments is 'Goree,' but they can be changed to ourn by -- "

"Go. Go!" screamed Goree, his face turning purple. He stretched out both hands toward the mountaineer, his fingers hooked and shaking. "Go, you ghoul! Even a Ch-Chinaman protects the g-graves of his ancestors -- go!"

The squirrel hunter slouched out of the door to his carryall. While he was climbing over the wheel Goree was collecting, with feverish celerity, the money that had fallen from his hand to the floor. As the vehicle slowly turned about, the sheep, with a coat of newly grown wool, was hurrying, in indecent haste, along the path to the court-house.

At three o'clock in the morning they brought him back to his office, shorn and unconscious. The sheriff, the sportive deputy, the county clerk, and the gay attorney carried him, the chalk-faced man "from the valley" acting as escort.

"On the table," said one of them, and they deposited him there among the litter of his unprofitable books and papers.

"Yance thinks a lot of a pair of deuces when he's liquored up," sighed the sheriff reflectively.

"Too much," said the gay attorney. "A man has no business to play poker who drinks as much as he does. I wonder how much he dropped to-night."

"Close to two hundred. What I wonder is whar he got it. Yance ain't had a cent fur over a month, I know."

"Struck a client, maybe. Well, let's get home before daylight. He'll be all right when he wakes up, except for a sort of beehive about the cranium."

The gang slipped away through the early morning twilight. The next eye to gaze upon the miserable Goree was the orb of day. He peered through the uncurtained window, first deluging the sleeper in a flood of faint gold, but soon pouring upon the mottled red of his flesh a searching, white, summer heat. Goree stirred, half unconsciously, among the table's débris, and turned his face from the window. His movement dislodged a heavy law book, which crashed upon the floor. Opening his eyes, he saw, bending over him, a man in a black frock coat. Looking higher, he discovered a well-worn silk hat, and beneath it the kindly, smooth face of Colonel Abner Coltrane.

A little uncertain of the outcome, the colonel waited for the other to make some sign of recognition. Not in twenty years had male members of these two families faced each other in peace. Goree's eyelids puckered as he strained his blurred sight toward this visitor, and then he smiled serenely.

"Have you brought Stella and Lucy over to play?" he said calmly.

"Do you know me, Yancey?" asked Coltrane.

"Of course I do. You brought me a whip with a whistle in the end."

So he had -- twenty-four years ago; when Yancey's father was his best friend.

Goree's eyes wandered about the room. The colonel understood. "Lie still, and I'll bring you some," said he. There was a pump in the yard at the rear, and Goree closed his eyes, listening with rapture to the click of its handle, and the bubbling of the falling stream. Coltrane brought a pitcher of the cool water, and held it for him to drink. Presently Goree sat up -- a most forlorn object, his summer suit of flax soiled and crumpled, his discreditable head tousled and unsteady. He tried to wave one of his hands toward the colonel.

"Ex-excuse-everything, will you?" he said. "I must have drunk too much whiskey last night, and gone to bed on the table." His brows knitted into a puzzled frown.

"Out with the boys awhile?" asked Coltrane kindly.

"No, I went nowhere. I haven't had a dollar to spend in the last two months. Struck the demijohn too often. I reckon, as usual."

Colonel Coltrane touched him on the shoulder.

"A little while ago, Yancey," he began, "you asked me if I had brought Stella and Lucy over to play. You weren't quite awake then, and must have been dreaming you were a boy again. You are awake now, and I want you to listen to me. I have come from Stella and Lucy to their old playmate, and to my old friend's son. They know that I am going to bring you home with me, and you will find them as ready with a welcome as they were in the old days. I want you to come to my house and stay until you are yourself again, and as much longer as you will. We heard of your being down in the world, and in the midst of temptation, and we agreed that you should come over and play at our house once more. Will you come, my boy? Will you drop our old family trouble and come with me?"

"Trouble!" said Goree, opening his eyes wide. "There was never any trouble between us that I know of. I'm sure we've always been the best friends. But, good Lord, Colonel, how could I go to your home as I am -- a drunken wretch, a miserable, degraded spendthrift and gambler -- "

He lurched from the table into his armchair, and began to weep maudlin tears, mingled with genuine drops of remorse and shame. Coltrane talked to him persistently and reasonably, reminding him of the simple mountain pleasures of which he had once been so fond, and insisting upon the genuineness of the invitation.

Finally he landed Goree by telling him he was counting upon his help in the engineering and transportation of a large amount of felled timber from a high mountain-side to a waterway. He knew that Goree had once invented a device for this purpose -- a series of slides and chutes- upon which he had justly prided himself. In an instant the poor fellow, delighted at the idea of his being of use to any one, had paper spread upon the table, and was drawing rapid but pitifully shaky lines in demonstration of what he could and would do.

The man was sickened of the husks; his prodigal heart was turning again toward the mountains. His mind was yet strangely clogged, and his thoughts and memories were returning to his brain one by one, like carrier pigeons over a stormy sea. But Coltrane was satisfied with the progress he had made.

Bethel received the surprise of its existence that afternoon when a Coltrane and a Goree rode amicably together through the town. Side by side they rode, out from the dusty streets and gaping townspeople, down across the creek bridge, and up toward the mountain. The prodigal had brushed and washed and combed himself to a more decent figure, but he was unsteady in the saddle, and he seemed to be deep in the contemplation of some vexing problem. Coltrane left him in his mood, relying upon the influence of changed surroundings to restore his equilibrium.

Once Goree was seized with a shaking fit, and almost came to a collapse. He had to dismount and rest at the side of the road. The colonel, foreseeing such a condition, had provided a small flask of whisky for the journey but when it was offered to him Goree refused it almost with violence, declaring he would never touch it again. By and by he was recovered, and went quietly enough for a mile or two. Then he pulled up his horse suddenly, and said:

"I lost two hundred dollars last night, playing poker. Now, where did I get that money?"

"Take it easy, Yancey. The mountain air will soon clear it up. We'll go fishing, first thing, at the Pinnacle Falls. The trout are jumping there like bullfrogs. We'll take Stella and Lucy along, and have a picnic on Eagle Rock. Have you forgotten how a hickory-cured-ham sandwich tastes, Yancey, to a hungry fisherman?"

Evidently the colonel did not believe the story of his lost wealth; so Goree retired again into brooding silence.

By late Afternoon they had travelled ten of the twelve miles between Bethel and Laurel. Half a mile this side of Laurel lay the old Goree place; a mile or two beyond the village lived the Coltranes. The road was now steep and laborious, but the compensations were many. The tilted aisles of the forest were opulent with leaf and bird and bloom. The tonic air put to shame the pharmacopæia. The glades were dark with mossy shade, and bright with shy rivulets winking from the ferns and laurels. On the lower side they viewed, framed in the near foilage, exquisite sketches of the far valley swooning in its opal haze.

Coltrane was pleased to see that his companion was yielding to the spell of the hills and woods. For now they had but to skirt the base of Painter's Cliff; to cross Elder Branch and mount the hill beyond, and Goree would have to face the squandered home of his fathers. Every rock he passed, every tree, every foot of the rocky way, was familiar to him. Though he hid forgotten the woods, they thrilled him like the music of "Home, Sweet Home."

They rounded the cliff, decended into Elder Branch, and paused there to let the horses drink and splash in the swift water. On the right was a rail fence that cornered there, and followed the road and stream. Inclosed by it was the old apple orchard of the home place; the house was yet concealed by the brow of the steep hill. Inside and along the fence, pokeberries, elders, sassafras, and sumac grew high and dense. At a rustle of their branches, both Goree and Coltrane glanced up, and saw a long, yellow, wolfish face above the fence, staring at them with pale, unwinking eyes. The head quickly disappeared; there was a violent swaying of the bushes, and an ungainly figure ran up through the apple orchard in the direction of the house, zigzagging among the trees.

"That's Garvey," said Coltrane; "the man you sold out to. There's no doubt but he's considerably cracked. I had to send him up for moonshining, once, several years ago, in spite of the fact that I believed him irresponsible. Why, what's the matter, Yancey?"

Goree was wiping his forehead, and his face had lost its colour. "Do I look queer, too?" he asked, trying to smile. "I'm just remembering a few more things." Some of the alcohol had evaporated from his brain. "I recollect now where I got that two hundred dollars."

"Don't think of it," said Coltrane cheerfully. "Later on we'll figure it all out together."

They rode out of the branch, and when they reached the foot of the hill Goree stopped again.

"Did you ever suspect I was a very vain kind of fellow, Colonel" he asked. "Sort of foolish proud about appearances?"

The colonel's eyes refused to wander to the soiled, sagging suit of flax and the faded slouch hat.

"It seems to me," he replied, mystified, but humouring him, "I remember a young buck about twenty, with the tightest coat, the sleekest hair, and the prancingest saddle horse in the Blue Ridge."

"Right you are," said Goree eagerly. "And it's in me yet, though it don't show. Oh, I'm as vain as a turkey gobbler, and as proud as Lucifer. I'm going to ask you to indulge this weakness of mine in a little matter."

"Speak out, Yancey. We'll create you Duke of Laurel and Baron of Blue Ridge, if you choose; and you shall have a feather out of Stella's peacock's tail to wear in your hat."

"I'm in earnest. In a few minutes we'll pass the house up there on the hill where I was born, and where my people have lived for nearly a century. Strangers live there now -- and look at me! I am about to show myself to them ragged and poverty-stricken, a wastrel and a beggar. Colonel Coltrane, I'm ashamed to do it. I want you to let me wear your coat and hat until we are out of sight beyond. I know you think it a foolish pride, but I want to make as good a showing as I can when I pass the old place."

"Now, what does this mean?" said Coltrane to himself, as he compared his companion's sane looks and quiet demeanour with his strange request. But he was already unbuttoning the coat, assenting readily, as if the fancy were in no wise to be considered strange.

The coat and hat fitted Goree well. He buttoned the former about him with a look of satisfaction and dignity. He and Coltrane were nearly the same size -- rather tall, portly, and erect. Twenty-five years were between them, but in appearance they might have been brothers. Goree looked older than his age; his face was puffy and lined; the colonel had the smooth, fresh complexion of a temperate liver. He put on Goree's disreputable old flax coat and faded slouch hat.

"Now," said Goree, taking up the reins, "I'm all right. I want you to ride about ten feet in the rear as we go by, Colonel, so that they can get a good look at me. They'll see I'm no back number yet, by any means. I guess I'll show up pretty well to them once more, anyhow. Let's ride on."

He set out up the hill at a smart trot, the colonel following, as he had been requested.

Goree sat straight in the saddle, with head erect, but his eyes were turned to the right, sharply scanning every shrub and fence and hiding-place in the old homestead yard. Once he muttered to himself, "Will the crazy fool try it, or did I dream half of it?"

It was when he came opposite the little family burying ground that he saw what he had been looking for -- a puff of white smoke, coming from the thick cedars in one corner. He toppled so slowly to the left that Coltrane had time to urge his horse to that side, and catch him with one arm.

The squirrel hunter had not overpraised his aim. He had sent the bullet where he intended, and where Goree had expected that it would pass - through the breast of Colonel Abner Coltrane's black frock coat.

Goree leaned heavily against Coltrane, but he did not fall. The horses kept pace, side by side, and the Colonel's arm kept him steady. The little white houses of Laurel shone through the trees, half a mile away. Goree reached out one hand and groped until it rested upon Coltrane's fingers, which held his bridle.

"Good friend," he said, and that was all.

Thus did Yancey Goree, as be rode past his old home, make, considering all things, the best showing that was in his power.

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