sábado, 20 de noviembre de 2021

Uso de whose en inglés - Pronombres relativos

Whose cuándo se usa - Pronombres Relativos en inglés

Gramática Inglesa - English Grammar - Recursos Educativos en inglés

Whose - Pronombres relativos en inglés

En este artículo, nos centraremos en el uso de whose en inglés. Te recomiendo que antes leas: Who, which y that - Pronombres Relativos en inglés

¿Cuándo utilizar el pronombre relativo whose?

Whose puede usarse como pronombre relativo y también para hacer una pregunta. Aquí sólo veremos whose como pronombre relativo. Si quieres utilizarlo para hacer una pregunta, puedes leerlo en Preguntas con WH-Questions 02 - When, Which, Whose, How.

Como pronombre relativo, whose se traduce como "cuyo". Whose indica una relación de pertenencia o parentesco.

The woman, whose cat is black, is my mother - La mujer, cuyo gato es negro, es mi madre.

WHOSE se utiliza como pronombre relativo en inglés, cuando conecta dos cosas (o personas) que están relacionadas por posesión, parentesco o pertenencia.

Características de whose como pronombre relativo

Whose debe ir seguido del sustantivo al que se refiere. No se pone un artículo o un sujeto, sino directamente el sustantivo (o grupo nominal).

Después de whose simplemente se pone el nombre.

A person whose father…

Sustituir "whose" por " of which" en algunos casos:

Para las cosas, se puede utilizar of which en lugar de whose. La mayor parte de las veces, esto se hace en el lenguaje escrito.

Cuando whose NO es un pronombre relativo: para hacer una pregunta

Cuando no se trata de un pronombre relativo, whose, when, where, why, etc., se utiliza para formular una pregunta. Para saber más sobre este tema, consulta ⇒ Preguntas con WH-Questions 01 - What, where, why, who y Preguntas con WH-Questions 02 - When, Which, Whose, How

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Was going to - El futuro en el pasado

What tense is was going to? Uso de was going to

"Sí, iba a hacer la comida, pero finalmente alguien me vino a visitar".

En esta frase "Iba a hacer la comida", es una acción planificada, una intención. Fue una pequeña frase en la que usaste el tiempo futuro en el pasado.

Ahora, lo que aprenderemos es a expresar el mismo tipo de frases en inglés, especialmente con Was going to.

Was going to y el tiempo futuro en el pasado

Podemos utilizar "was going to" para hablar del futuro a partir de un momento del pasado: cuando hablamos de cosas que estaban previstas o de intenciones:

I was going to visit our London house, but my train was delayed. - Iba a visitar nuestra casa de Londres, pero mi tren se retrasó.

*** Es la intención que está en el pasado y que ha cambiado. El tiempo al que se refiere la intención puede ser tanto en el futuro como en el pasado:

Tomorrow we were going to go to the cinema but our car has broken down. Mañana íbamos a ir al cine pero nuestro coche se ha estropeado.

On Monday I was going to meet Anna, but she didn't show up. El lunes iba a quedar con Anna, pero no apareció.

Esta estructura también se utiliza para explicar por qué no se ha producido un hecho, para pedir una disculpa, para explicar un cambio de proyecto, para explicar un contexto:

I was going to invite Anna tonight. Do you think it’s a good idea? - Iba a invitar a Anna esta noche. ¿Crees que es una buena idea?

Hello Anna, I was going to send you a message today, but I totally forgot. Hola Anna, iba a enviarte un mensaje hoy, pero se me olvidó por completo.

We were going to have breakfast together, but we decided to meet for lunch instead. Íbamos a desayunar juntos, pero decidimos reunirnos para almorzar.

Was going to es una forma fácil de recordar para expresar una intención que tenías, o una acción que habías planeado. Por supuesto, hay otras formas de hablar del futuro en el pasado (veremos dos de ellas a continuación), pero si sólo recuerdas Was going to, ya serás capaz de expresarte en la mayoría de las situaciones.

También podemos utilizar los tiempos perfectos con "going to" para expresar diferentes perspectivas en el pasado:

He has been going to clean the garage for months. I don’t think he ever will.

Hay otras estructuras que pueden utilizarse para hablar del futuro en el pasado. El pretérito continuo puede usarse para arreglos en el pasado:

I was meeting the lawyer at 5pm. He quedado con el abogado a las 17h.

En el estilo más formal, "was/were to" puede utilizarse para hablar de planes y acuerdos:

We were to hold a live interview this day, but some technical problems prevented us from doing so. Este día íbamos a realizar una entrevista en directo, pero algunos problemas técnicos nos lo impidieron.

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viernes, 19 de noviembre de 2021

Beware of the Dog - Roald Dahl

Beware of the Dog by Roald Dahl

Recursos Educativos en Inglés - Stories in English

Cuentos clásicos en inglés

Beware of the Dog - Roald Dahl (1916-1990)

Down below there was only a vast white undulating sea of cloud. Above there was the sun, and the sun was white like the clouds, because it is never yellow when one looks at it from high in the air.

He was still flying the Spitfire. His right hand was on the stick, and he was working the rudder bar with his left leg alone. It was quite easy. The machine was flying well, and he knew what he was doing.

Everything is fine, he thought. I'm doing all right. I'm doing nicely. I know my way home. I'll be there in half an hour. When I land I shall taxi in and switch off my engine and I shall say, help me to get out, will you. I shall make my voice sound ordinary and natural and none of them will take any notice. Then I shall say, someone help me to get out. I can't do it alone because I've lost one of my legs. They'll all laugh and think that I'm joking, and I shall say, all right, come and have a look, you unbelieving bastards. Then Yorky will climb up onto the wing and look inside. He'll probably be sick because of all the blood and the mess. I shall laugh and say, for God's sake, help me out.

He glanced down again at his right leg. There was not much of it left. The cannon shell had taken him on the thigh, just above the knee, and now there was nothing but a great mess and a lot of blood. But there was no pain. When he looked down, he felt as though he were seeing something that did not belong to him. It had nothing to do with him. It was just a mess which happened to be there in the cockpit; something strange and unusual and rather interesting. It was like finding a dead cat on the sofa.

He really felt fine, and because he still felt fine, he felt excited and unafraid.

I won't even bother to call up on the radio for the blood wagon, he thought. It isn't necessary. And when I land I'll sit there quite normally and say, some of you fellows come and help me out, will you, because I've lost one of my legs. That will be funny. I'll laugh a little while I'm saying it; I'll say it calmly and slowly, and they'll think I'm joking. When Yorky comes up onto the wing and gets sick, I'll say, Yorky, you old son of a bitch, have you fixed my car yet? Then when I get out I'll make my report and later I'll go up to London. I'll take that half bottle of whisky with me and I'll give it to Bluey. We'll sit in her room and drink it. I'll get the water out of the bathroom tap. I won't say much until it's time to go to bed, then Ill say, Bluey, I've got a surprise for you. I lost a leg today. But I don't mind so long as you don't. It doesn't even hurt.

We'll go everywhere in cars. I always hated walking, except when I walked down the street of the coppersmiths in Bagdad, but I could go in a rickshaw. I could go home and chop wood, but the head always flies off the ax. Hot water, that's what it needs; put it in the bath and make the handle swell. I chopped lots of wood last time I went home, and I put the ax in the bath. . . .

Then he saw the sun shining on the engine cowling of his machine. He saw the rivets in the metal, and he remembered where he was. He realized that he was no longer feeling good; that he was sick and giddy. His head kept falling forward onto his chest because his neck seemed no longer to have any strength. But he knew that he was flying the Spitfire, and he could feel the handle of the stick between the fingers of his right hand.

I'm going to pass out, he thought. Any moment now I'm going to pass out.

He looked at his altimeter. Twenty-one thousand. To test himself he tried to read the hundreds as well as the thousands. Twenty-one thousand and what? As he looked the dial became blurred, and he could not even see the needle. He knew then that he must bail out; that there was not a second to lose, otherwise he would become unconscious. Quickly, frantically, he tried to slide back the hood with his left hand, but he had not the strength. For a second he took his right hand off the stick, and with both hands he managed to push the hood back. The rush of cold air on his face seemed to help. He had a moment of great clearness, and his actions became orderly and precise. That is what happens with a good pilot. He took some quick deep breaths from his oxygen mask, and as he did so, he looked out over the side of the cockpit. Down below there was only a vast white sea of cloud, and he realized that he did not know where he was.

It'll be the Channel, he thought. I'm sure to fall in the drink.

He throttled back, pulled off his helmet, undid his straps, and pushed the stick hard over to the left. The Spitfire dripped its port wing, and turned smoothly over onto its back. The pilot fell out.

As he fell he opened his eyes, because he knew that he must not pass out before he had pulled the cord. On one side he saw the sun; on the other he saw the whiteness of the clouds, and as he fell, as he somersaulted in the air, the white clouds chased the sun and the sun chased the clouds. They chased each other in a small circle; they ran faster and faster, and there was the sun and the clouds and the clouds and the sun, and the clouds came nearer until suddenly there was no longer any sun, but only a great whiteness. The whole world was white, and there was nothing in it. It was so white that sometimes it looked black, and after a time it was either white or black, but mostly it was white. He watched it as it turned from white to black, and then back to white again, and the white stayed for a long time, but the black lasted only for a few seconds. He got into the habit of going to sleep during the white periods, and of waking up just in time to see the world when it was black. But the black was very quick. Sometimes it was only a flash, like someone switching off the light, and switching it on again at once, and so whenever it was white, he dozed off.

One day, when it was white, he put out a hand and he touched something. He took it between his fingers and crumpled it. For a time he lay there, idly letting the tips of his fingers play with the thing which they had touched. Then slowly he opened his eyes, looked down at his hand, and saw that he was holding something which was white. It was the edge of a sheet. He knew it was a sheet because he could see the texture of the material and the stitchings on the hem. He screwed up his eyes, and opened them again quickly. This time he saw the room. He saw the bed in which he was lying; he saw the grey walls and the door and the green curtains over the window. There were some roses on the table by his bed.

Then he saw the basin on the table near the roses. It was a white enamel basin, and beside it there was a small medicine glass.

This is a hospital, he thought. I am in a hospital. But he could remember nothing. He lay back on his pillow, looking at the ceiling and wondering what had happened. He was gazing at the smooth greyness of the ceiling which was so clean and gray, and then suddenly he saw a fly walking upon it. The sight of this fly, the suddenness of seeing this small black speck on a sea of gray, brushed the surface of his brain, and quickly, in that second, he remembered everything. He remembered the Spitfire and he remembered the altimeter showing twenty-one thousand feet. He remembered the pushing back of the hood with both hands, and he remembered the bailing out. He remembered his leg.

It seemed all right now. He looked down at the end of the bed, but he could not tell. He put one hand underneath the bedclothes and felt for his knees. He found one of them, but when he felt for the other, his hand touched something which was soft and covered in bandages.

Just then the door opened and a nurse came in.

"Hello," she said. "So you've waked up at last."

She was not good-looking, but she was large and clean. She was between thirty and forty and she had fair hair. More than that he did not notice.

"Where am I?"

"You're a lucky fellow. You landed in a wood near the beach. You're in Brighton. They brought you in two days ago, and now you're all fixed up. You look fine."

"I've lost a leg," he said.

"That's nothing. We'll get you another one. Now you must go to sleep. The doctor will be coming to see you in about an hour." She picked up the basin and the medicine glass and went out.

But he did not sleep. He wanted to keep his eyes open because he was frightened that if he shut them again everything would go away. He lay looking at the ceiling. The fly was still there. It was very energetic. It would run forward very fast for a few inches, then it would stop. Then it would run forward again, stop, run forward, stop, and every now and then it would take off and buzz around viciously in small circles. It always landed back in the same place on the ceiling and started running and stopping all over again. He watched it for so long that after a while it was no longer a fly, but only a black speck upon a sea of gray, and he was still watching it when the nurse opened the door, and stood aside while the doctor came in. He was an Army doctor, a major, and he had some last war ribbons on his chest. He was bald and small, but he had a cheerful face and kind eyes.

"Well, well," he said. "So you've decided to wake up at last. How are you feeling?"

"I feel all right."

"That's the stuff. You'll be up and about in no time."

The doctor took his wrist to feel his pulse.

"By the way," he said, "some of the lads from your squadron were ringing up and asking about you. They wanted to come along and see you, but I said that they'd better wait a day or two. Told them you were all right, and that they could come and see you a little later on. Just lie quiet and take it easy for a bit. Got something to read?" He glanced at the table with the roses. "No. Well, nurse will look after you. She'll get you anything you want." With that he waved his hand and went out, followed by the large clean nurse.

When they had gone, he lay back and looked at the ceiling again. The fly was still there and as he lay watching it he heard the noise of an airplane in the distance. He lay listening to the sound of its engines. It was a long way away. I wonder what it is, he thought. Let me see if I can place it. Suddenly he jerked his head sharply to one side. Anyone who has been bombed can tell the noise of a Junkers 88. They can tell most other German bombers for that matter, but especially a Junkers 88. The engines seem to sing a duet. There is a deep vibrating bass voice and with it there is a high pitched tenor. It is the singing of the tenor which makes the sound of a JU-88 something which one cannot mistake.

He lay listening to the noise, and he felt quite certain about what it was. But where were the sirens, and where the guns? That German pilot certainly had a nerve coming near Brighton alone in daylight.

The aircraft was always far away, and soon the noise faded away into the distance. Later on there was another. This one, too, was far away, but there was the same deep undulating bass and the high singing tenor, and there was no mistaking it. He had heard that noise every day during the battle.

He was puzzled. There was a bell on the table by the bed. He reached out his hand and rang it. He heard the noise of footsteps down the corridor, and the nurse came in.

"Nurse, what were those airplanes?"

"I'm sure I don't know. I didn't hear them. Probably fighters or bombers. I expect they were returning from France. Why, what's the matter?"

"They were JU-88's. I'm sure they were JU-88's. I know the sound of the engines. There were two of them. What were they doing over here?"

The nurse came up to the side of his bed and began to straighten out the sheets and tuck them in under the mattress.

"Gracious me, what things you imagine. You mustn't worry about a thing like that. Would you like me to get you something to read?"

"No, thank you."

She patted his pillow and brushed back the hair from his forehead with her hand.

"They never come over in daylight any longer. You know that. They were probably Lancasters or Flying Fortresses."

"Nurse."

"Yes."

"Could I have a cigarette?"

"Why certainly you can."

She went out and came back almost at once with a packet of Players and some matches. She handed one to him and when he had put it in his mouth, she struck a match and lit it.

"If you want me again," she said, "just ring the bell," and she went out.

Once toward evening he heard the noise of another aircraft. It was far away, but even so he knew that it was a single-engined machine. But he could not place it. It was going fast; he could tell that. But it wasn't a Spit, and it wasn't a Hurricane Fighter Air Craft. It did not sound like an American engine either. They make more noise. He did not know what it was, and it worried him greatly. Perhaps I am very ill, he thought. Perhaps I am imagining things. Perhaps I am a little delirious. I simply do not know what to think.

That evening the nurse came in with a basin of hot water and began to wash him.

"Well," she said, "I hope you don't still think that we're being bombed."

She had taken off his pajama top and was soaping his right arm with a flannel. He did not answer.

She rinsed the flannel in the water, rubbed more soap on it, and began to wash his chest.

"You're looking fine this evening," she said. "They operated on you as soon as you came in. They did a marvelous job. You'll be all right. I've got a brother in the RAF," she added. "Flying bombers."

He said, "I went to school in Brighton."

She looked up quickly. "Well, that's fine," she said. "I expect you'll know some people in the town."

"Yes," he said, "I know quite a few."

She had finished washing his chest and arms, and now she turned back the bedclothes, so that his left leg was uncovered. She did it in such a way that his bandaged stump remained under the sheets. She undid the cord of his pajama trousers and took them off. There was no trouble because they had cut off the right trouser leg, so that it could not interfere with the bandages. She began to wash his left leg and the rest of his body. This was the first time he had had a bed bath, and he was embarrassed. She laid a towel under his leg, and she was washing his foot with the flannel. She said, "This wretched soap won't lather at all. It's the water. It's as hard as nails."

He said, "None of the soap is very good now and, of course, with hard water it's hopeless." As he said it he remembered something. He remembered the baths which he used to take at school in Brighton, in the long stone-floored bathroom which had four baths in a room. He remembered how the water was so soft that you had to take a shower afterwards to get all the soap off your body, and he remembered how the foam used to float on the surface of the water, so that you could not see your legs underneath. He remembered that sometimes they were given calcium tablets because the school doctor used to say that soft water was bad for the teeth.

"In Brighton," he said, "the water isn't . . ."

He did not finish the sentence. Something had occurred to him; something so fantastic and absurd that for a moment he felt like telling the nurse about it and having a good laugh.

She looked up. "The water isn't what?" she said.

"Nothing," he answered. "I was dreaming.

She rinsed the flannel in the basin, wiped the soap off his leg, and dried him with a towel.

"It's nice to be washed," he said. "I feel better." He was feeling his face with his hands. "I need a shave."

"We'll do that tomorrow," she said. "Perhaps you can do it yourself then."

That night he could not sleep. He lay awake thinking of the Junkers 88's and of the hardness of the water. He could think of nothing else. They were JU-88's, he said to himself. I know they were. And yet it is not possible, because they would not be flying around so low over here in broad daylight. I know that it is true, and yet I know that it is impossible. Perhaps I am ill. Perhaps I am behaving like a fool and do not know what I am doing or saying. Perhaps I am delirious. For a long time he lay awake thinking these things, and once he sat up in bed and said aloud, "I will prove that I am not crazy. I will make a little speech about something complicated and intellectual. I will talk about what to do with Germany after the war." But before he had time to begin, he was asleep.

He woke just as the first light of day was showing through the slit in the curtains over the window. The room was still dark, but he could tell that it was already beginning to get light outside. He lay looking at the grey light which was showing through the slit in the curtain, and as he lay there he remembered the day before. He remembered the Junkers 88's and the hardness of the water; he remembered the large pleasant nurse and the kind doctor, and now the small grain of doubt took root in his mind and it began to grow.

He looked around the room. The nurse had taken the roses out the night before, and there was nothing except the table with a packet of cigarettes, a box of matches and an ash tray. Otherwise, it was bare. It was no longer warm or friendly. It was not even comfortable. It was cold and empty and very quiet.

Slowly the grain of doubt grew, and with it came fear, a light, dancing fear that warned but did not frighten; the kind of fear that one gets not because one is afraid, but because one feels that there is something wrong. Quickly the doubt and the fear grew so that he became restless and angry, and when he touched his forehead with his hand, he found that it was damp with sweat. He knew then that he must do something; that he must find some way of proving to himself that he was either right or wrong, and he looked up and saw again the window and the green curtains. From where he lay, that window was right in front of him, but it was fully ten yards away. Somehow he must reach it and look out. The idea became an obsession with him, and soon he could think of nothing except the window. But what about his leg? He put his hand underneath the bedclothes and felt the thick bandaged stump which was all that was left on the right-hand side. It seemed all right. It didn't hurt. But it would not be easy.

He sat up. Then he pushed the bedclothes aside and put his left leg on the floor. Slowly, carefully, he swung his body over until he had both hands on the floor as well; and then he was out of bed, kneeling on the carpet. He looked at the stump. It was very short and thick, covered with bandages. It was beginning to hurt and he could feel it throbbing. He wanted to collapse, lie down on the carpet and do nothing, but he knew that he must go on.

With two arms and one leg, he crawled over towards the window. He would reach forward as far as he could with his arms, then he would give a little jump and slide his left leg along after them. Each time he did, it jarred his wound so that he gave a soft grunt of pain, but he continued to crawl across the floor on two hands and one knee. When he got to the window he reached up, and one at a time he placed both hands on the sill. Slowly he raised himself up until he was standing on his left leg. Then quickly he pushed aside the curtains and looked out.

He saw a small house with a gray tiled roof standing alone beside a narrow lane, and immediately behind it there was a plowed field. In front of the house there was an untidy garden, and there was a green hedge separating the garden from the lane. He was looking at the hedge when he saw the sign. It was just a piece of board nailed to the top of a short pole, and because the hedge had not been trimmed for a long time, the branches had grown out around the sign so that it seemed almost as though it had been placed in the middle of the hedge. There was something written on the board with white paint, and he pressed his head against the glass of the window, trying to read what it said. The first letter was a G, he could see that. The second was an A, and the third was an R. One after another he managed to see what the letters were. There were three words, and slowly he spelled the letters out aloud to himself as he managed to read them. G-A-R-D-E A-U C-H-I-E-N. Garde au chien. That is what it said.

He stood there balancing on one leg and holding tightly to the edges of the window sill with his hands, staring at the sign and at the whitewashed lettering of the words. For a moment he could think of nothing at all. He stood there looking at the sign, repeating the words over and over to himself, and then slowly he began to realize the full meaning of the thing. He looked up at the cottage and at the plowed field. He looked at the small orchard on the left of the cottage and he looked at the green countryside beyond. "So this is France," he said. "I am France."

Now the throbbing in his right thigh was very great. It felt as though someone was pounding the end of his stump with a hammer, and suddenly the pain became so intense that it affected his head and for a moment he thought he was going to fall. Quickly he knelt down again, crawled back to the bed and hoisted himself in. He pulled the bedclothes over himself and lay back on the pillow, exhausted. He could still think of nothing at all except the small sign by the hedge, and the plowed field and the orchard. It was the words on the sign that he could not forget.

It was some time before the nurse came in. She came carrying a basin of hot water and she said, "Good morning, how are you today?"

He said, "Good morning, nurse."

The pain was still great under the bandages, but he did not wish to tell this woman anything. He looked at her as she busied herself with getting the washing things ready. He looked at her more carefully now. Her hair was very fair. She was tall and big-boned, and her face seemed pleasant. But there was something a little uneasy about her eyes. They were never still. They never looked at anything for more than a moment and they moved too quickly from one place to another in the room. There was something about her movements also. They were too sharp and nervous to go well with the casual manner in which she spoke.

She set down the basin, took off his pajama top and began to wash him.

"Did you sleep well?"

"Yes."

"Good," she said. She was washing his arms and his chest.

"I believe there's someone coming down to see you from the Air Ministry after breakfast," she went on. "They want a report or something. I expect you know all about it. How you got shot down and all that. I won't let him stay long, so don't worry."

He did not answer. She finished washing him, and gave him a toothbrush and some tooth powder. He brushed his teeth, rinsed his mouth and spat the water out into the basin.

Later she brought him his breakfast on a tray, but he did not want to eat. He was still feeling weak and sick, and he wished only to lie still and think about what had happened. And there was a sentence running through his head. It was a sentence which Johnny, the Intelligence Officer of his squadron, always repeated to the pilots every day before they went out. He could see Johnny now, leaning against the wall of the dispersal hut with his pipe in his hand, saying, "And if they get you, don't forget, just your name, rank and number. Nothing else. For God's sake, say nothing else."

"There you are," she said as she put the tray on his lap. "I've got you an egg. Can you manage all right?"

"Yes."

She stood beside the bed. "Are you feeling all right?"

"Yes."

"Good. If you want another egg I might be able to get you one."

"This is all right."

"Well, just ring the bell if you want any more." And she went out.

He had just finished eating, when the nurse came in again.

She said, "Wing Commander Roberts is here. I've told him that he can only stay for a few minutes."

She beckoned with her hand and the Wing Commander came in.

"Sorry to bother you like this," he said.

He was an ordinary RAF officer, dressed in a uniform which was a little shabby, and he wore wings and a DFC. He was fairly tall and thin with plenty of black hair. His teeth, which were irregular and widely spaced, stuck out a little even when he closed his mouth. As he spoke he took a printed form and a pencil from his pocket, and he pulled up a chair and sat down.

"How are you feeling?"

There was no answer.

"Tough luck about your leg. I know how you feel. I hear you put up a fine show before they got you."

The man in the bed was lying quite still, watching the man in the chair.

The man in the chair said, "Well, let's get this stuff over. I'm afraid you'll have to answer a few questions so that I can fill in this combat report. Let me see now, first of all, what was your squadron?"

The man in the bed did not move. He looked straight at the Wing Commander and he said, "My name is Peter Williamson. My rank is Squadron Leader and my number is nine seven two four five seven."

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Man From the South - Roald Dahl

Man From the South by Roald Dahl

Recursos Educativos en Inglés - Stories in English

Cuentos clásicos en inglés

Man From the South - Roald Dahl (1916-1990)

It was getting on toward six o'clock so I thought I'd buy myself a beer and go out and sit in a deck chair by the swimming pool and have a little evening sun.

I went to the bar and got the beer and carried it outside and wandered down the garden toward the pool.

It was a fine garden with lawns and beds of azaleas and tall coconut palms, and the wind was blowing strongly through the tops of the palm trees making the leaves hiss and crackle as though they were on fire. I could see the clusters of big brown nuts handing down underneath the leaves.

There were plenty of deck chairs around the swimming pool and there were white tables and huge brightly colored umbrellas and sunburned men and women sitting around in bathing suits. In the pool itself there were three or four girls and about a dozen boys, all splashing about and making a lot of noise and throwing a large rubber ball at one another.

I stood watching them. The girls were English girls from the hotel. The boys I didn't know about, but they sounded American and I thought they were probably naval cadets who'd come ashore from the U.S. naval training vessel which had arrived in the harbor that morning.

I went over and sat down under a yellow umbrella where there were four empty seats, and I poured my beer and settled back comfortably with a cigarette.

It was very pleasant sitting there in the sunshine with beer and a cigarette. It was pleasant to sit and watch the bathers splashing about in the green water.

The American sailors were getting on nicely with the English girls. They'd reached the stage where they were diving under the water and tipping them up by their legs.

Just then I noticed a small, oldish man walking briskly around the edge of the pool. He was immaculately dressed in a white suit and he walked very quickly with little bouncing strides, pushing himself high up onto his toes with each step. He had on a large creamy Panama hat, and he came bouncing along the side of the pool, looking at the people and the chairs.

He stopped beside me and smiled, showing two rows of very small, uneven teeth, slightly tarnished. I smiled back.

"Excuse pleess, but may I sit here?"

"Certainly," I said. "Go ahead."

He bobbed around to the back of the chair and inspected it for safety, then he sat down and crossed his legs. His white buckskin shows had little holes punched all over them for ventilation.

"A fine evening," he said. "They are all evenings fine here in Jamaica." I couldn't tell if the accent were Italian or Spanish, but I felt fairly sure he was some sort of a South American. And old too, when you saw him close. Probably around sixty-eight or seventy.

"Yes," I said. "It is wonderful here, isn't it."

"And who, might I ask are all dese? Dese is no hotel people." He was pointing at the bathers in the pool.

"I think they're American sailors," I told him. "They're Americans who are learning to be sailors."

"Of course dey are Americans. Who else in de world is going to make as much noise as dat? You are not American, no?"

"No," I said. "I am not."

Suddenly one of the American cadets was standing in front of us. He was dripping wet from the pool and one of the English girls was standing there with him.

"Are these chairs taken?" he said.

"No," I answered.

"Mind if I sit down?"

"Go ahead."

"Thanks," he said. He had a towel in his hand and when he sat down he unrolled it and produced a pack of cigarettes and a lighter. He offered the cigarettes to the girl and she refused; then he offered them to me and I took one. The little man said, "Tank you, no, but I tink I have a cigar." He pulled out a crocodile case and got himself a cigar, then he produced a knife which had a small scissors in it and he snipped the end off the cigar.

"Here, let me give you a light." The American boy held up his lighter.

"Dat will not work in dis wind."

"Sure, it'll work. It always works."

The little man removed his unlighted cigar from his mouth, cocked his head on one side and looked at the boy.

"All-ways?" he said softly.

"Sure, it never fails. Not with me anyway."

The little man's head was still cocked over on one side and he was still watching the boy. "Well, well. So you say dis famous lighter it never fails. Iss dat you say?"

"Sure," the boy said. "That's right." He was about nineteen or twenty with a long freckled face and a rather sharp birdlike nose. His chest was not very sunburned and there were freckles there too, and a few wisps of pale-reddish hair. He was holding the lighter in his right hand, ready to flip the wheel. "It never fails," he said, smiling now because he was purposely exaggerating his little boast. "I promise you it never fails."

"One momint, pleess." The hand that held the cigar came up high, palm outward, as though it were stopping traffic. "Now juss one momint." He had a curiously soft, toneless voice and he kept looking at the boy all the time.

"Shall we not perhaps make a little bet on dat?" He smiled at the boy. "Shall we not make a little bet on whether your lighter lights?"

"Sure, I'll bet," the boy said. "Why not?"

"You like to bet?"

"Sure, I'll always bet."

The man paused and examined his cigar, and I must say I didn't much like the way he was behaving. It seemed he was already trying to make something out of this, and to embarrass the boy, and at the same time I had the feeling he was relishing a private little secret all his own.

He looked up again at the boy and said slowly, "I like to bet, too. Why we don't have a good bet on dis ting? A good big bet?

"Now wait a minute," the boy said. "I can't do that. But I'll bet you a dollar, or whatever it is over here-some shillings, I guess."

The little man waved his hand again. "Listen to me. Now we have some fun. We make a bet. Den we go up to my room here in de hotel where iss no wind and I bet you you cannot light dis famous lighter of yours ten times running without missing once."

"I'll bet I can," the boy said.

"All right. Good. We make a bet, yes?"

"Sure. I'll bet you a buck."

"No, no. I make you very good bet. I am rich man and I am sporting man also. Listen to me. Outside de hotel iss my car. Iss very fine car. American car from your country. Cadillac-"

"Hey, now. Wait a minute." The boy leaned back in his deck chair and he laughed. "I can't put up that sort of property. This is crazy."

"Not crazy at all. You strike lighter successfully ten times running and Cadillac is yours. You like to have dis Cadillac, yes?"

"Sure, I'd like to have a Cadillac." The boy was still grinning.

"All right. Fine. We make a bet and I put up my Cadillac."

"And what do I put up?"

"The little man carefully removed the red band from his still unlighted cigar. "I never ask you, my friend, to bet something you cannot afford. You understand?"

"Then what do I bet?"

"I make it very easy for you, yes?"

"Okay. You make it easy."

"Some small ting you can afford to give away, and if you did happen to lose it you would not feel too bad. Right?"

"Such as what?"

"Such as, perhaps, de little finger of your left hand."

"My what! The boy stopped grinning.

"Yes. Why not? You win, you take de car. You looss, I take de finger."

"I don't get it. How d'you mean, you take the finger?"

"I chop it off."

"Jumping jeepers! That's a crazy bet. I think I'll just make it a dollar."

The man leaned back, spread out his hands palms upward and gave a tiny contemptuous shrug of the shoulders. "Well, well, well," he said. "I do not understand. You say it lights but you will not bet. Den we forget it, yes?"

The boy sat quite still, staring at the bathers in the pool. Then he remembered suddenly he hadn't lighted his cigarette. He put it between his lips, cupped his hands around the lighter and flipped the wheel. The wick lighted and burned with a small, steady, yellow flame and the way he held his hands the wind didn't get to it at all.

"Could I have a light, too?" I said.

"Gee, I'm sorry. I forgot you didn't have one."

I held out my hand for the lighter, but he stood up and came over to do it for me.

"Thank you," I said, and he returned to his seat.

"You having a good time?" I asked.

"Fine," he answered. "It's pretty nice here."

There was a silence then, and I could see that the little man has succeeded in disturbing the boy with his absurd proposal. He was sitting there very still, and it was obvious that a small tension was beginning to build up inside him. Then he started shifting about in his seat, and rubbing his chest, and stroking the back of his neck, and finally he placed both hands on his knees and began tapping his fingers against his knee-caps. Soon he was tapping with one of his feet as well.

"Now just let me check up on this bet of yours," he said at last. "You say we go up to your room and if I make this lighter light ten times running I win a Cadillac. If it misses just once then I forfeit the little finger of my left hand. Is that right?"

"Certainly. Dat is de bet. But I tink you are afraid."

"What do we do if I lose? Do I have to hold my finger out while you chop it off?"

"Oh, no! Dat would be no good. And you might be tempted to refuse to hold it out. What I should do I should tie one of your hands to de table before we started and I should stand dere with a knife ready to go chop de momint your lighter missed."

"What year is the Cadillac?" the boy asked.

"Excuse. I not understand."

"What year-how old is the Cadillac?"

"Ah! How old? Yes. It is last year. Quite now car. But I see you are not betting man. Americans never are."

The boy paused for just a moment and he glanced first at the English girl, then at me. "Yes," he said sharply. "I'll bet you."

"Good!" The little man clapped his hands together quietly, once. "Fine," he said. "We do it now. And you, sir," he turned to me, "you would perhaps be good enough to, what you call it, to-to referee." He had pale, almost colorless eyes with tiny bright black pupils.

"Well," I said. "I think it's a crazy bet. I don't think I like it very much."

"Nor do I," said the English girl. It was the first time she'd spoken. "I think it's a stupid, ridiculous bet."

"Are you serious about cutting off this boy's finger if he loses?" I said.

"Certainly I am. Also about cutting off this boy's finger if he loses?" I said.

"Certainly I am. Also about giving him Cadillac if he win. Come now. We go to my room."

He stood up. "You like to put on some clothes first?" he said.

"No," the boy answered. "I'll come like this." Then he turned to me. "I'd consider it a favor if you'd come along and referee."

"All right," I said. "I'll come along, but I don't like the bet."

"You come too," he said to the girl. "You come and watch.

The little man led the way back through the garden to the hotel. He was animated now, and excited, and that seemed to make him bounce up higher than ever on his toes as he walked along.

"I live in annex," he said. "You like to see car first? Iss just here."

He took us to where we could see the front driveway of the hotel and he stopped and pointed to a sleek pale-green Cadillac parked close by.

"Dere she iss. De green one. You like?"

"Say, that's a nice car," the boy said.

"All right. Now we go up and see if you can win her."

We followed him into the annex and up one flight of stairs. He unlocked his door and we all trooped into what was a large pleasant double bedroom. There was a woman's dressing gown lying across the bottom of one of the beds.

"First," he said, "we'ave a little Martini."

The drinks were on a small table in the far corner, all ready to be mixed, and there was a shaker and ice and plenty of glasses. He began to make the Martini, but meanwhile he'd rung the bell and now there was a knock on the door and a colored maid came in.

"Ah!" he said, putting down the bottle of gin, taking a wallet from his pocket and pulling out a pound note. "You will do something for me now, pleess." He gave the maid the pound.

"You keep dat," he said. "And now we are going to play a little game in here and I want you to go off and find for me two-no three tings. I want some nails; I want a hammer, and I want a chopping knife, a butcher's chipping knife which you can borrow from de kitchen. You can get, yes?"

"A chopping knife!" The maid opened her eyes wide and clasped her hands in front of her. "You mean a real chopping knife?"

"Yes, yes, of course. Come on now, pleess. You can find dose tings surely for me."

"Yes, sir, I'll try, sir. Surely I'll try to get them." And she went.

The little man handed round the Martinis. We stood there and sipped them, the boy with the long freckled face and the pointed nose, bare-bodied except for a pair of faded brown bathing shorts; the English girl, a large-boned, fair-haired girl wearing a pale blue bathing suit, who watched the boy over the top of her glass all the time; the little man with the colorless eyes standing there in his immaculate white suit drinking his Martini and looking at the girl in her pale blue bathing dress. I didn't know what to make of it all. The man seemed serious about the bet and he seemed serious about the business of cutting off the finger. But hell, what if the boy lost? Then we'd have to rush him to the hospital in the Cadillac that he hadn't won. That would be a fine thing. Now wouldn't that be a really find thing? It would be a damn silly unnecessary thing so far as I could see.

"Don't you think this is rather a silly bet?" I said.

"I think it's a fine bet," the boy answered. He had already downed one large Martini.

"I think it's a stupid, ridiculous bet," the girl said. "What'll happen if you lose?"

"It won't matter. Come to think of it, I can't remember ever in my life having had any use for the little finger on my left hand. Here he is." The boy took hold of the finger. "Here he is and he hasn't ever done a thing for me yet. So why shouldn't I bet him. I think it's a fine bet."

The little man smiled and picked up the shaker and refilled our glasses.

"Before we begin," he said, "I will present to de-to de referee de key of de car." He produced a car key from his pocket and gave it to me. "De papers," he said, "de owning papers and insurance are in de pocket of de car."

Then the colored maid came in again. In one hand she carried a small chopper, the kind used by butchers for chopping meat bones, and in the other a hammer and a bag of nails.

"Good! You get dem all. Tank you, tank you. Now you can go." He waited until the maid had closed the door, then he put the implements on one of the beds and said, "Now we prepare ourselves, yes?" And to the boy "Help me, pleess, with dis table. We carry it out a little."

It was the usual kind of hotel writing desk, just a plain rectangular table about four feet by three with a blotting pad, ink, pens and paper. They carried it out into the room away from the wall, and removed the writing things.

"And now," he said, "a chair." He picked up a chair and placed it beside the table. He was very brisk and very animated, like a person organizing games at a children's party. "And now de nails. I must put in de nails." He fetched the nails and he began to hammer them into the top of the table.

We stood there, the boy, the girl, and I, holding Martinis in out hands, watching the little man at work. We watched him hammer two nails into the table, about six inches apart. He didn't hammer them right home; he allowed a small part of each one to stick up. Then he tested them for firmness with his fingers.

Anyone would think the son of a bitch had done this before, I told myself. He never hesitates. Table, nails, hammer, kitchen chopper. He knows exactly what he needs and how to arrange it.

"And now," he said, "all we want is some string." He found some string. "All right, at last we are ready. Will you pleess to sit here at de table," he said to the boy.

The boy put his glass away and sat down.

"Now place de left hand between dese two nails. De nails are only so I can tie your hand in place. All right, good. Now I tie your hand secure to de table-so,"

He wound the string around the boy's wrist, then several times around the wide part of the hand, then he fastened it tight to the nails. He made a good job of it and when he'd finished there wasn't any question about the boy being able to draw his hand away. But he could move his fingers.

"Now pleess, clench de fist, all except for de little finger. You must leave de little finger sticking out, lying on de table."

"Ex-cellent! Ex-cellent! Now we are ready. Wid your right hand you manipulate de lighter. But one momint, pleess."

He skipped over to the bed and picked up the chopper. He came back and stood beside the table with the chopper in his hand.

"We are all ready?" he said. "Mister referee, you must say to begin."

The English girl was standing there in her pale blue bathing costume right behind the boy's chair. She was just standing there, not saying anything. The boy was sitting quite still, holding the lighter in his right hand, looking at the chopper. The little man was looking at me.

"Are you ready?" I asked the boy.

"I'm ready."

"And you?" to the little man.

"Quite ready," he said and he lifted the chopper up in the air and held it there about two feet above the boy's finger, ready to chop. The boy watched it, but he didn't flinch and his mouth didn't move at all. He merely raised his eyebrows and frowned.

"All right," I said. "Go ahead."

The boy said, "Will you please count aloud the number of times I light it."

"Yes," I said. "I'll do that."

With his thumb he raised the top of the lighter, and again with the thumb he gave the wheel a sharp flick. The flint sparked and the wick caught fire and burned with a small yellow flame.

"One!" I called.

He didn't blow the flame out; he closed the top of the lighter on it and he waited for perhaps five seconds before opening it again.

He flicked the wheel very strongly and once more there was a small flame burning on the wick.

"Two!"

No one else said anything. The boy kept his eyes on the lighter. The little man held the chipper up in the air and he too was watching the lighter.

"Three!"

"Four!"

"Five!"

"Six!"

"Seven!" Obviously it was one of those lighters that worked. The fling gave a big spark and the wick was the right length. I watched the thumb snapping the top down onto the flame. Then a pause. Then the thumb raising the top once more. This was an all-thumb operation. The thumb did everything. I took a breath, ready to say eight. The thumb flicked the wheel. The flint sparked. The little flame appeared.

"Eight!" I said, and as I said it the door opened. We all turned and we saw a woman standing in the doorway, a small, black-haired woman, rather old, who stood there for about two seconds then rushed forward shouting, "Carlos! Carlos!" She grabbed his wrist, took the chopper from him, threw it on the bed, took hold of the little man by the lapels of his white suit and began shaking him very vigorously, talking to him fast and loud and fiercely all the time in some Spanish-sounding language. She shook him so fast you couldn't see him any more. He became a faint, misty, quickly moving outline, like the spokes of a turning wheel.

Then she slowed down and the little man came into view again and she hauled him across the room and pushed him backward onto one of the beds. He sat on the edge of it blinking his eyes and testing his head to see if it would still turn on his neck.

"I am so sorry," the woman said. "I am so terribly sorry that this should happen." She spoke almost perfect English.

"It is too bad," she went on. "I suppose it is really my fault. For ten minutes I leave him alone to go and have my hair washed and I come back and he is at it again." She looked sorry and deeply concerned.

The boy was untying his hand from the table. The English girl and I stood there and said nothing.

"He is a menace," the woman said. "Down where we live at home he has taken altogether forty-seven fingers from different people, and he has lost eleven cars. In the end they threatened to have him put away somewhere. That's why I brought him up here."

"We were only having a little bet," mumbled the little man from the bed.

"I suppose he bet you a car," the woman said.

"Yes," the boy answered. "A Cadillac."

"He has no car. It's mine. And that makes it worse," she said, "that he should bet you when he has nothing to bet with. I am ashamed and very sorry about it all." She seemed an awfully nice woman.

"Well," I said, "then here's the key of your car." I put it on the table.

"We were only having a little bet," mumbled the little man.

"He hasn't anything left to bet with," the woman said. "He hasn't a thing in the world. Not a thing. As a matter of fact I myself won it all from him a long while ago. It took time, a lot of time, and it was hard work, but I won it all in the end." She looked up at the boy and she smiled, a slow sad smile, and she came over and put out a hand to take the key from the table.

I can see it now, that hand of hers; it had only one finger on it, and a thumb.

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Lamb to the Slaughter - Roald Dahl

Lamb to the Slaughter by Roald Dahl

Recursos Educativos en Inglés - Stories in English

Cuentos clásicos en inglés

Lamb to the Slaughter - Roald Dahl (1916-1990)

The room was warm and clean, the curtains drawn, the two table lamps alight-hers and the one by the empty chair opposite. On the sideboard behind her, two tall glasses, soda water, whiskey. Fresh ice cubes in the Thermos bucket.

Mary Maloney was waiting for her husband to come home from work.

Now and again she would glance up at the clock, but without anxiety, merely to please herself with the thought that each minute gone by made it nearer the time when he would come. There was a slow smiling air about her, and about everything she did. The drop of a head as she bent over her sewing was curiously tranquil. Her skin--for this was her sixth month with child--had acquired a wonderful translucent quality, the mouth was soft, and the eyes, with their new placid look, seemed larger darker than before. When the clock said ten minutes to five, she began to listen, and a few moments later, punctually as always, she heard the tires on the gravel outside, and the car door slamming, the footsteps passing the window, the key turning in the lock. She laid aside her sewing, stood up, and went forward to kiss him as he came in.

"Hullo darling," she said.

"Hullo darling," he answered.

She took his coat and hung it in the closet. Then she walked over and made the drinks, a strongish one for him, a weak one for herself; and soon she was back again in her chair with the sewing, and he in the other, opposite, holding the tall glass with both hands, rocking it so the ice cubes tinkled against the side.

For her, this was always a blissful time of day. She knew he didn't want to speak much until the first drink was finished, and she, on her side, was content to sit quietly, enjoying his company after the long hours alone in the house. She loved to luxuriate in the presence of this man, and to feel-almost as a sunbather feels the sun-that warm male glow that came out of him to her when they were alone together. She loved him for the way he sat loosely in a chair, for the way he came in a door, or moved slowly across the room with long strides. She loved intent, far look in his eyes when they rested in her, the funny shape of the mouth, and especially the way he remained silent about his tiredness, sitting still with himself until the whiskey had taken some of it away.

"Tired darling?"

"Yes," he said. "I'm tired," And as he spoke, he did an unusual thing. He lifted his glass and drained it in one swallow although there was still half of it, at least half of it left.. She wasn't really watching him, but she knew what he had done because she heard the ice cubes falling back against the bottom of the empty glass when he lowered his arm. He paused a moment, leaning forward in the chair, then he got up and went slowly over to fetch himself another.

"I'll get it!" she cried, jumping up.

"Sit down," he said.

When he came back, she noticed that the new drink was dark amber with the quantity of whiskey in it.

"Darling, shall I get your slippers?"

"No."

She watched him as he began to sip the dark yellow drink, and she could see little oily swirls in the liquid because it was so strong.

"I think it's a shame," she said, "that when a policeman gets to be as senior as you, they keep him walking about on his feet all day long."

He didn't answer, so she bent her head again and went on with her sewing; but each time he lifted the drink to his lips, she heard the ice cubes clinking against the side of the glass.

"Darling," she said. "Would you like me to get you some cheese? I haven't made any supper because it's Thursday."

"No," he said.

"If you're too tired to eat out," she went on, "it's still not too late. There's plenty of meat and stuff in the freezer, and you can have it right here and not even move out of the chair."

Her eyes waited on him for an answer, a smile, a little nod, but he made no sign.

"Anyway," she went on, "I'll get you some cheese and crackers first."

"I don't want it," he said.

She moved uneasily in her chair, the large eyes still watching his face. "But you must eat! I'll fix it anyway, and then you can have it or not, as you like."

She stood up and placed her sewing on the table by the lamp.

"Sit down," he said. "Just for a minute, sit down."

It wasn't till then that she began to get frightened.

"Go on," he said. "Sit down."

She lowered herself back slowly into the chair, watching him all the time with those large, bewildered eyes. He had finished the second drink and was staring down into the glass, frowning.

"Listen," he said. "I've got something to tell you."

"What is it, darling? What's the matter?"

He had now become absolutely motionless, and he kept his head down so that the light from the lamp beside him fell across the upper part of his face, leaving the chin and mouth in shadow. She noticed there was a little muscle moving near the corner of his left eye.

"This is going to be a bit of a shock to you, I'm afraid," he said. "But I've thought about it a good deal and I've decided the only thing to do is tell you right away. I hope you won't blame me too much."

And he told her. It didn't take long, four or five minutes at most, and she say very still through it all, watching him with a kind of dazed horror as he went further and further away from her with each word.

"So there it is," he added. "And I know it's kind of a bad time to be telling you, bet there simply wasn't any other way. Of course I'll give you money and see you're looked after. But there needn't really be any fuss. I hope not anyway. It wouldn't be very good for my job."

Her first instinct was not to believe any of it, to reject it all. It occurred to her that perhaps he hadn't even spoken, that she herself had imagined the whole thing. Maybe, if she went about her business and acted as though she hadn't been listening, then later, when she sort of woke up again, she might find none of it had ever happened.

"I'll get the supper," she managed to whisper, and this time he didn't stop her.

When she walked across the room she couldn't feel her feet touching the floor. She couldn't feel anything at all- except a slight nausea and a desire to vomit. Everything was automatic now-down the steps to the cellar, the light switch, the deep freeze, the hand inside the cabinet taking hold of the first object it met. She lifted it out, and looked at it. It was wrapped in paper, so she took off the paper and looked at it again.

A leg of lamb.

All right then, they would have lamb for supper. She carried it upstairs, holding the thin bone-end of it with both her hands, and as she went through the living-room, she saw him standing over by the window with his back to her, and she stopped.

"For God's sake," he said, hearing her, but not turning round. "Don't make supper for me. I'm going out."

At that point, Mary Maloney simply walked up behind him and without any pause she swung the big frozen leg of lamb high in the air and brought it down as hard as she could on the back of his head.

She might just as well have hit him with a steel club.

She stepped back a pace, waiting, and the funny thing was that he remained standing there for at least four or five seconds, gently swaying. Then he crashed to the carpet.

The violence of the crash, the noise, the small table overturning, helped bring her out of he shock. She came out slowly, feeling cold and surprised, and she stood for a while blinking at the body, still holding the ridiculous piece of meat tight with both hands.

All right, she told herself. So I've killed him.

It was extraordinary, now, how clear her mind became all of a sudden. She began thinking very fast. As the wife of a detective, she knew quite well what the penalty would be. That was fine. It made no difference to her. In fact, it would be a relief. On the other hand, what about the child? What were the laws about murderers with unborn children? Did they kill then both-mother and child? Or did they wait until the tenth month? What did they do?

Mary Maloney didn't know. And she certainly wasn't prepared to take a chance.

She carried the meat into the kitchen, placed it in a pan, turned the oven on high, and shoved t inside. Then she washed her hands and ran upstairs to the bedroom. She sat down before the mirror, tidied her hair, touched up her lops and face. She tried a smile. It came out rather peculiar. She tried again.

"Hullo Sam," she said brightly, aloud.

The voice sounded peculiar too.

"I want some potatoes please, Sam. Yes, and I think a can of peas."

That was better. Both the smile and the voice were coming out better now. She rehearsed it several times more. Then she ran downstairs, took her coat, went out the back door, down the garden, into the street.

It wasn't six o'clock yet and the lights were still on in the grocery shop.

"Hullo Sam," she said brightly, smiling at the man behind the counter.

"Why, good evening, Mrs. Maloney. How're you?"

"I want some potatoes please, Sam. Yes, and I think a can of peas."

The man turned and reached up behind him on the shelf for the peas.

"Patrick's decided he's tired and doesn't want to eat out tonight," she told him. "We usually go out Thursdays, you know, and now he's caught me without any vegetables in the house."

"Then how about meat, Mrs. Maloney?"

"No, I've got meat, thanks. I got a nice leg of lamb from the freezer."

"Oh."

"I don't know much like cooking it frozen, Sam, but I'm taking a chance on it this time. You think it'll be all right?"

"Personally," the grocer said, "I don't believe it makes any difference. You want these Idaho potatoes?"

"Oh yes, that'll be fine. Two of those."

"Anything else?" The grocer cocked his head on one side, looking at her pleasantly. "How about afterwards? What you going to give him for afterwards?"

"Well-what would you suggest, Sam?"

The man glanced around his shop. "How about a nice big slice of cheesecake? I know he likes that."

"Perfect," she said. "He loves it."

And when it was all wrapped and she had paid, she put on her brightest smile and said, "Thank you, Sam. Goodnight."

"Goodnight, Mrs. Maloney. And thank you."

And now, she told herself as she hurried back, all she was doing now, she was returning home to her husband and he was waiting for his supper; and she must cook it good, and make it as tasty as possible because the poor man was tired; and if, when she entered the house, she happened to find anything unusual, or tragic, or terrible, then naturally it would be a shock and she'd become frantic with grief and horror. Mind you, she wasn't expecting to find anything. She was just going home with the vegetables. Mrs. Patrick Maloney going home with the vegetables on Thursday evening to cook supper for her husband.

That's the way, she told herself. Do everything right and natural. Keep things absolutely natural and there'll be no need for any acting at all.

Therefore, when she entered the kitchen by the back door, she was humming a little tune to herself and smiling.

"Patrick!" she called. "How are you, darling?"

She put the parcel down on the table and went through into the living room; and when she saw him lying there on the floor with his legs doubled up and one arm twisted back underneath his body, it really was rather a shock. All the old love and longing for him welled up inside her, and she ran over to him, knelt down beside him, and began to cry her heart out. It was easy. No acting was necessary.

A few minutes later she got up and went to the phone. She know the number of the police station, and when the man at the other end answered, she cried to him, "Quick! Come quick! Patrick's dead!"

"Who's speaking?"

"Mrs. Maloney. Mrs. Patrick Maloney."

"You mean Patrick Maloney's dead?"

"I think so," she sobbed. "He's lying on the floor and I think he's dead."

"Be right over," the man said.

The car came very quickly, and when she opened the front door, two policeman walked in. She know them both-she know nearly all the man at that precinct-and she fell right into a chair, then went over to join the other one, who was called O'Malley, kneeling by the body.

"Is he dead?" she cried.

"I'm afraid he is. What happened?"

Briefly, she told her story about going out to the grocer and coming back to find him on the floor. While she was talking, crying and talking, Noonan discovered a small patch of congealed blood on the dead man's head. He showed it to O'Malley who got up at once and hurried to the phone.

Soon, other men began to come into the house. First a doctor, then two detectives, one of whom she know by name. Later, a police photographer arrived and took pictures, and a man who know about fingerprints. There was a great deal of whispering and muttering beside the corpse, and the detectives kept asking her a lot of questions. But they always treated her kindly. She told her story again, this time right from the beginning, when Patrick had come in, and she was sewing, and he was tired, so tired he hadn't wanted to go out for supper. She told how she'd put the meat in the oven-"it's there now, cooking"- and how she'd slopped out to the grocer for vegetables, and come back to find him lying on the floor.

Which grocer?" one of the detectives asked.

She told him, and he turned and whispered something to the other detective who immediately went outside into the street.

In fifteen minutes he was back with a page of notes, and there was more whispering, and through her sobbing she heard a few of the whispered phrases-"...acted quite normal...very cheerful...wanted to give him a good supper...peas...cheesecake...impossible that she..."

After a while, the photographer and the doctor departed and two other men came in and took the corpse away on a stretcher. Then the fingerprint man went away. The two detectives remained, and so did the two policeman. They were exceptionally nice to her, and Jack Noonan asked if she wouldn't rather go somewhere else, to her sister's house perhaps, or to his own wife who would take care of her and put her up for the night.

No, she said. She didn't feel she could move even a yard at the moment. Would they mind awfully of she stayed just where she was until she felt better. She didn't feel too good at the moment, she really didn't.

Then hadn't she better lie down on the bed? Jack Noonan asked.

No, she said. She'd like to stay right where she was, in this chair. A little later, perhaps, when she felt better, she would move.

So they left her there while they went about their business, searching the house. Occasionally on of the detectives asked her another question. Sometimes Jack Noonan spoke at her gently as he passed by. Her husband, he told her, had been killed by a blow on the back of the head administered with a heavy blunt instrument, almost certainly a large piece of metal. They were looking for the weapon. The murderer may have taken it with him, but on the other hand he may have thrown it away or hidden it somewhere on the premises.

"It's the old story," he said. "Get the weapon, and you've got the man."

Later, one of the detectives came up and sat beside her. Did she know, he asked, of anything in the house that could've been used as the weapon? Would she mind having a look around to see if anything was missing-a very big spanner, for example, or a heavy metal vase.

They didn't have any heavy metal vases, she said.

"Or a big spanner?"

She didn't think they had a big spanner. But there might be some things like that in the garage.

The search went on. She knew that there were other policemen in the garden all around the house. She could hear their footsteps on the gravel outside, and sometimes she saw a flash of a torch through a chink in the curtains. It began to get late, nearly nine she noticed by the clock on the mantle. The four men searching the rooms seemed to be growing weary, a trifle exasperated.

"Jack," she said, the next tome Sergeant Noonan went by. "Would you mind giving me a drink?"

"Sure I'll give you a drink. You mean this whiskey?"

"Yes please. But just a small one. It might make me feel better."

He handed her the glass.

"Why don't you have one yourself," she said. "You must be awfully tired. Please do. You've been very good to me."

"Well," he answered. "It's not strictly allowed, but I might take just a drop to keep me going."

One by one the others came in and were persuaded to take a little nip of whiskey. They stood around rather awkwardly with the drinks in their hands, uncomfortable in her presence, trying to say consoling things to her. Sergeant Noonan wandered into the kitchen, come out quickly and said, "Look, Mrs. Maloney. You know that oven of yours is still on, and the meat still inside."

"Oh dear me!" she cried. "So it is!"

"I better turn it off for you, hadn't I?"

"Will you do that, Jack. Thank you so much."

When the sergeant returned the second time, she looked at him with her large, dark tearful eyes. "Jack Noonan," she said.

"Yes?"

"Would you do me a small favor-you and these others?"

"We can try, Mrs. Maloney."

"Well," she said. "Here you all are, and good friends of dear Patrick's too, and helping to catch the man who killed him. You must be terrible hungry by now because it's long past your suppertime, and I know Patrick would never forgive me, God bless his soul, if I allowed you to remain in his house without offering you decent hospitality. Why don't you eat up that lamb that's in the oven. It'll be cooked just right by now."

"Wouldn't dream of it," Sergeant Noonan said.

"Please," she begged. "Please eat it. Personally I couldn't tough a thing, certainly not what's been in the house when he was here. But it's all right for you. It'd be a favor to me if you'd eat it up. Then you can go on with your work again afterwards."

There was a good deal of hesitating among the four policemen, but they were clearly hungry, and in the end they were persuaded to go into the kitchen and help themselves. The woman stayed where she was, listening to them speaking among themselves, their voices thick and sloppy because their mouths were full of meat.

"Have some more, Charlie?"

"No. Better not finish it."

"She wants us to finish it. She said so. Be doing her a favor."

"Okay then. Give me some more."

"That's the hell of a big club the gut must've used to hit poor Patrick," one of them was saying. "The doc says his skull was smashed all to pieces just like from a sledgehammer."

"That's why it ought to be easy to find."

"Exactly what I say."

"Whoever done it, they're not going to be carrying a thing like that around with them longer than they need."

One of them belched.

"Personally, I think it's right here on the premises."

"Probably right under our very noses. What you think, Jack?"

And in the other room, Mary Maloney began to giggle.

🔆 Otros cuentos:

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jueves, 18 de noviembre de 2021

Acción de gracias - Thanksgiving - Fechas Especiales

Acción de gracias en inglés, Free resources and materials in English for Thanksgiving

Acción de gracias - Thanksgiving - Celebraciones - Celebrations

Every year, Americans celebrate Thanksgiving on the 4th Thursday of November. Would you like to learn more about this extremely popular holiday on the other side of the Atlantic? Read more!

Why is Thanksgiving celebrated in the USA?

The last Thursday in November Americans gather as a family to share the traditional turkey and pumpkin cake.

Originally, Thanksgiving was a religious holiday, as it was an opportunity to thank God for allowing the land to be worked and therefore to have something to survive on. Today, even if it has lost some of its original meaning, Americans are still very attached to this special day.

The 4-day weekend, Thursday is a holiday and most people take a day off on Friday, is above all an excellent opportunity to get together as a family and share moments together.

Wherever they are, the majority of Americans gather as a family for Thanksgiving, causing huge traffic jams on the roads and delays at airports. It is customary for each guest to literally get their hands dirty by bringing a portion of the meal.

El último jueves de noviembre los americanos se reúnen en familia para compartir el tradicional pavo y pastel de calabaza.

Originalmente, el Día de Acción de Gracias era un día festivo religioso, ya que era una oportunidad para dar gracias a Dios por las cosechas del otoño y por lo tanto tener algo con lo que sobrevivir. Hoy en día, aunque ha perdido algo de su significado original, los americanos todavía están muy apegados a este día especial.

Dondequiera que estén, la mayoría de los estadounidenses se reúnen en familia para el Día de Acción de Gracias, causando enormes atascos en las carreteras y retrasos en los aeropuertos.

🔆 Recursos y materiales gratis en inglés, para Acción de gracias.

Thanksgiving Day: history

The Pilgrim Fathers at the origin of this festival

Acción de gracias - Thanksgiving

Legend has it that the first pilgrims from England settled in Plymouth Rock on 11th December 1620. The first winter they spent was so devastating that they lost almost half of their numbers. By early autumn of the following year, 46 of the 102 who had come on the 'Mayflower' had died. But the harvest of 1621 was one of the most successful, so the remaining colonists decided to celebrate. At first, this was more of an English harvest festival than a real Thanksgiving tradition.

The ancestor of "Thanksgiving" will not be repeated the following year. However, in 1623, during a drought, pilgrims gathered together to pray and invoke the rain. When the rain came the next day, Governor Bradford proclaimed a new Thanksgiving day, again inviting the Indians. It wasn't until June 1676 that Thanksgiving appeared on the calendar again.

This year, the council of Charlestown, Massachusetts, met to determine the best time of year to express gratitude for the good fortune that had enabled the first generation of pilgrims to settle. All responded on June 29th as "Thanksgiving" day.

One date is anchored in the memories of Americans: October 1777. It was the first time that the 13 colonies came together to celebrate a "Thanksgiving" on the occasion of their victory over the English in Saratoga.

Thanksgiving in the calendar

Later, a famous character will anchor Thanksgiving a little more in the habits of Americans. George Washington, the first president of the United States, proclaimed a national Thanksgiving day in 1789, although some were opposed to it. Indeed, many believed that the beliefs of the few pilgrims did not deserve a national day.

Thanksgiving Day is credited to magazine publisher Sarah Josepha Hale. She wrote many articles advocating her cause in her magazines, and it was finally in 1863 that President Lincoln proclaimed the last Thursday of November as National Thanksgiving Day.

Finally, it was during President Roosevelt's term in 1941 that Thanksgiving was finally declared a "Legal Holiday" by Congress and was established on the fourth Thursday of November.

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Thanksgiving Day - Poesías en inglés Acción de Gracias

Thanksgiving day

Recursos Educativos en Inglés - Poems in English - Thanksgiving Poems

Poesías en inglés Acción de Gracias

Thanksgiving day

Over the river and through the wood,
To Grandfather's house we go;
The horse knows the way
To carry the sleigh
Through the white and drifted snow.

Over the river and through the wood,
Oh, how the wind does blow!
It stings the toes,
And bites the nose,
As over the ground we go.

Over the river and through the wood,
Trot fast, my dapple gray!
Spring over the ground,
Like a hunting hound,
For this is Thanksgiving-Day.

Over the river and through the wood,
And straight through the barnyard gate!
We seem to go
Extremely slow, It is so hard to wait!

Over the river and through the wood;
Now Grandmother's cap I spy!
Hurrah for the fun!
Is the pudding done?
Hurrah for the pumpkin pie!

Thanks so much to Leo_81, for sending in this poem

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