domingo, 26 de septiembre de 2021

Halloween Jokes for Kids - Humor in English

Best Halloween Jokes for Children

Chistes de Halloween para niños en inglés

Recursos educativos en inglés - Humor

  1. What room does a ghost not need? A living room.
  2. What’s a witch’s favorite subject in school? Spelling.
  3. What's big, scary and has three wheels? A monster riding a tricycle!
  4. What kinds of pants do ghosts wear? Boo-jeans.
  5. Where do baby ghosts go during the day? Dayscare centers!
  6. What do birds say on Halloween? Trick or Tweet!
  7. Why didn’t the skeleton cross the road? He didn't have the guts.
  8. What is a zombie's favorite thing to eat? Brain food.
  9. Why was there thunder and lightning inside the laboratory? Because Dr. Frankenstein and Igor were brain"storming."
  10. Why do pumpkins do so badly in school? Because they had all their brains scooped out.

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  1. Why didn't the skeleton go to school? His heart wasn't in it.
  2. How do you fix a cracked pumpkin? A pumpkin patch.
  3. Why did the zombie skip school? He felt rotten.
  4. Are black cats bad luck? Only if you're a mouse.
  5. What kind of tests do vampires give their students? Blood tests.
  6. What kind of music do mummies love? Wrap music.
  7. Why do skeletons stay so calm? Because nothing gets under their skin.
  8. What does a pumpkin like to read? Pulp fiction.
  9. Why are ghosts bad liars? Because you can see right through them.
  10. What did the orange pumpkin say to the green pumpkin? “You look a little sick.”

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  1. What happens when you stay up all night on Halloween? Something dawns on you.
  2. Where do vampires keep their money? The blood bank.
  3. How do ghosts wash their hair? With shamboo.
  4. What happens when a vampire goes in the snow? Frost bite!
  5. What instrument does a skeleton play? The trombone.
  6. Why didn’t the skeleton cross the road? Because there was noBody on the other side.
  7. What time is it when the clock strikes 13? Time to get a new clock.
  8. Have you heard how popular the local cemetery is? People are just dying to get in.
  9. What happens when a ghost gets lost in the fog? He is mist.
  10. Why do pumpkins sit on people’s porches? They have no hands to knock on the door.

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  1. What kind of dog does Dracula have? A blood hound.
  2. What is a ghost's nose full of? Boooooogers!
  3. What fruit do scarecrows love the most? Straw-berries.
  4. What does an evil hen lay? Deviled eggs.
  5. What does a witch use to do her hair? Scarespray!
  6. Why don’t vampires have more friends? Because they are a pain in the neck.
  7. What do you call a witch who goes to the beach? A sand-witch.
  8. Why didn't the skeleton go to the dance? Because he had no "body" to dance with.
  9. Why was the broom late? It over swept.
  10. Why did the Headless Horseman get a job? He was trying to get ahead in life.

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  1. Why did the scarecrow get a promotion? He was outstanding in his field.
  2. What’s the best thing to put into pumpkin pie? Your teeth.
  3. Why do vampires always seem sick? They’re always coffin.
  4. How does a witch style her hair? With scare-spray.
  5. What kind of monster likes to dance? The boogeyman.
  6. What does a ghost keep in his stable? Nightmares.
  7. What did the werewolf eat after his teeth cleaning? The dentist.
  8. What did the skeleton buy at the grocery store? Spare ribs.
  9. Where does the zombie live? On a dead-end street.
  10. Why don’t skeletons watch horror movies? They don’t have the guts.
  11. Where do ghosts go on holidays? The Boohamas.
  12. How do ghosts search the web? They use “Ghoul-gle.”

Hemos recopilado chistes divertidos de Halloween en inglés que pueden ser un poco fuera de lugar para los adultos, ¡pero definitivamente divertidos para los niños! Para obtener los mejores resultados, puedes añadir algunos efectos de fondo para aumentar el miedo y el temor.

👻🎃 Recursos educativos en inglés para halloween

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sábado, 25 de septiembre de 2021

10 activities to do with your children in autumn

Activities to do with your children in autumn

Autumn is the third season of the year after summer and just before winter. Recursos Educativos y actividades en inglés Otoño - Activities Autumn 🍂🍁🍄

With autumn comes rain, wind and therefore mushrooms! Children especially like the colours of the trees, which go from red to orange and yellow.

  1. Playing in the leaves

In autumn, children especially love to play in the leaves and collect them in large quantities to fight with friends, draw mazes on the ground or make piles to throw themselves into.
Let them take advantage of this season so that they can run and be in the wild.

  1. Making an herbarium

Autumn is also an opportunity to teach children to recognize trees. Suggest that they make a pretty herbarium of tree leaves.
Remember to dry your leaves and flowers well in a newspaper under a large book before sticking them in your herbarium.

  1. Playing in puddles

Children love water and when it rains, they have the ability to turn it into a fun activity like jumping into puddles.
So don't resist any longer: equip your children warmly, bring boots and good trousers and off you go to jump from puddle to puddle.

  1. Making nesting boxes

From the very first frost, the little birds encounter some difficulties in finding food, which always saddens the children.
Suggest that they make a pretty nesting box or decorate one. They will be doing a good deed and may get a chance to observe the birds more closely.

Choose a nesting box and a suitable place (away from cats), at a reasonable distance from a small water point and add some seeds to attract them.

  1. Going to the cinema

When the weather is too bad, go to the darkened rooms for a family or friends movie session for the older children.

With autumn comes an anthology of films and you will be spoilt for choice when it comes to animated films.

  1. Walking in the forest

Away from the screens and the stress of the week, take advantage of the weekends and days off to head off to the forest with your family.
Observe the mushrooms, collect nature's treasures and leaves to add to your herbarium, run and take pretty pictures. Quite a programme!
And we can only advise you to vary the walks and, if you can, go to the sea, which also has all its charm in autumn.

  1. Preparing for Halloween

When autumn sets in, it also means that the Halloween party is not far away. Whether you are for or against this festival, whether you decide to participate in the distribution of sweets or not, Halloween remains a time of the year when children's imaginations are particularly solicited.

  1. Playing games with the family

Is it raining, is it windy? How would you like to spend Sunday playing board games with your family?
Children love these relaxing times where we all play and have fun together. It keeps them away from the screens and builds nice family memories.

  1. Making cakes

In autumn, we spend less time outdoors and much more at home. Cooking is the star activity for children.
They love mixing, tasting, putting it everywhere, seeing a cake take shape through the oven window and above all tasting it. Fascinating steps to be carried out as a family!

  1. Preparing the Advent calendar

It is possible to have as a project in autumn to prepare the Advent calendar which the children will be able to discover on a day-to-day basis. What a delight!

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jueves, 23 de septiembre de 2021

The Skeleton Dance - Canciones Niños Inglés

The Skeleton Dance, Canciones Niños Inglés, Halloween Song, Kids Songs and Nursery Rhymes

Canciones para Niños en Inglés: Halloween - Songs for Children in English: Halloween

The Skeleton Dance

Canciones para niños en inglés para Halloween. Ideales para favorecer el aprendizaje del idioma, adquirir vocabulario, practicar la pronunciación, etc.

👻🎃 Recursos educativos en inglés para halloween

Lyric:

Dem bones, dem bones, dem dancing bones.
Dem bones, dem bones, dem dancing bones.
Dem bones, dem bones, dem dancing bones.
Doin' the skeleton dance.

The foot bone's connected to the leg bone.
The leg bone's connected to the knee bone.
The knee bone's connected to the thigh bone.
Doin' the skeleton dance.

The thigh bone's connected to the hip bone.
The hip bone's connected to the backbone.
The backbone's connected to the neck bone.
Doin' the skeleton dance.

Shake your hands to the left.
Shake your hands to the right.
Put your hands in the air.
Put your hands out of sight.
Shake your hands to the left.
Shake your hands to the right.
Put your hands in the air.
Wiggle, wiggle, wiggle, wiggle, wiggle,
wiggle, wiggle, wiggle, wiggle, wiggle,
wiggle, wiggle...wiggle your knees.

Dem bones, dem bones, dem dancing bones.
Dem bones, dem bones, dem dancing bones.
Dem bones, dem bones, dem dancing bones.
Doin' the skeleton dance.

👻🎃 Recursos educativos en inglés para halloween

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Halloween Baby Shark - Canciones Niños Inglés

Halloween Baby Shark, Canciones Niños Inglés, Halloween Song, Kids Songs and Nursery Rhymes

Canciones para Niños en Inglés: Halloween - Songs for Children in English: Halloween

Halloween Baby Shark

Canciones para niños en inglés para Halloween. Ideales para favorecer el aprendizaje del idioma, adquirir vocabulario, practicar la pronunciación, etc.

👻🎃 Recursos educativos en inglés para halloween

Lyric:

Boo boo, boo boo boo, boo boo BOO!!

Baby shark doo doo, doo doo, doo doo Baby shark doo doo, doo doo, doo doo

Baby shark doo doo, doo doo, doo doo Baby Shark

Mummy shark doo doo, doo doo, doo doo Mummy shark doo doo, doo doo, doo doo

Mummy shark doo doo, doo doo, doo doo Mummy Shark

Daddy shark doo doo, doo doo, doo doo Daddy shark doo doo, doo doo, doo doo

Daddy shark doo doo, doo doo, doo doo Daddy shark

Grandma shark doo doo, doo doo, doo doo Grandma shark doo doo, doo doo, doo doo

Grandma shark doo doo, doo doo, doo doo Grandma shark

Grandpa shark doo doo, doo doo, doo doo Grandpa shark doo doo, doo doo, doo doo

Grandpa shark doo doo, doo doo, doo doo Grandpa shark

It's Halloween doo doo, doo doo, doo doo Halloween doo doo, doo doo, doo doo

Halloween doo doo, doo doo, doo doo Halloween

Look! A spooky ghost doo doo, doo doo, doo doo Spooky ghost doo doo, doo doo, doo doo

Spooky ghost doo doo, doo doo, doo doo Spooky ghost

And a skeleton doo doo, doo doo, doo doo Skeleton doo doo, doo doo, doo doo

Skeleton doo doo, doo doo, doo doo Skeleton

There's a wicked witch doo doo, doo doo, doo doo Wicked witch doo doo, doo doo, doo doo

Wicked witch doo doo, doo doo, doo doo Wicked witch

And a flying bat doo doo, doo doo, doo doo Flying bat doo doo, doo doo, doo doo

Flying bat doo doo, doo doo, doo doo Flying bat, yay!

Baby baby baby shark, Baby baby baby shark, Baby baby baby shark,

Spooky, spooky baby shark doo doo, doo doo, doo doo Baby shark doo doo, doo doo, doo doo

Baby shark doo doo, doo doo, doo doo Baby Shark

Mummy shark doo doo, doo doo, doo doo Mummy shark doo doo, doo doo, doo doo

Mummy shark doo doo, doo doo, doo doo Mummy shark

Daddy shark doo doo, doo doo, doo doo Daddy shark doo doo, doo doo, doo doo

Daddy shark doo doo, doo doo, doo doo Daddy shark

Grandma shark doo doo, doo doo, doo doo Grandma shark doo doo, doo doo, doo doo

Grandma shark doo doo, doo doo, doo doo Grandma shark

Grandpa shark doo doo, doo doo, doo doo Grandpa shark doo doo, doo doo, doo doo

Grandpa shark doo doo, doo doo, doo doo Grandpa shark

Baby shark doo doo, doo doo, doo doo Baby shark doo doo, doo doo, doo doo

Baby shark doo doo, doo doo, doo doo Baby shark

Mummy shark doo doo, doo doo, doo doo Mummy shark doo doo, doo doo, doo doo

Mummy shark doo doo, doo doo, doo doo Mummy shark

Daddy shark doo doo, doo doo, doo doo Daddy shark doo doo, doo doo, doo doo

Daddy shark doo doo, doo doo, doo doo Daddy shark

Grandma shark doo doo, doo doo, doo doo Grandma shark doo doo, doo doo, doo doo

Grandma shark doo doo, doo doo, doo doo Grandma shark

Grandpa shark doo doo, doo doo, doo doo Grandpa shark doo doo, doo doo, doo doo

Grandpa shark doo doo, doo doo, doo doo Grandpa shark

All the sharks doo doo, doo doo, doo doo All the sharks doo doo, doo doo, doo doo

All the sharks doo doo, doo doo, doo doo All the sharks

Let's dress up doo doo, doo doo, doo doo Let's dress up doo doo, doo doo, doo doo

Let's dress up doo doo, doo doo, doo doo Let's dress up

Trick or treat doo doo, doo doo, doo doo Trick or treat doo doo, doo doo, doo doo

Trick or treat doo doo, doo doo, doo doo Trick or treat!

Happy Halloween doo doo, doo doo, doo doo Halloween doo doo, doo doo, doo doo

Halloween doo doo, doo doo, doo doo Halloween

It’s the end doo doo, doo doo, doo doo It’s the end doo doo, doo doo, doo doo

It’s the end doo doo, doo doo, doo doo It's the end!

Boo boo, boo boo boo, boo boo BOO!!

👻🎃 Recursos educativos en inglés para halloween

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Who Took The Candy? - Canciones Niños Inglés

Who Took The Candy? Canciones Niños Inglés, Halloween Song

Canciones para Niños en Inglés: Halloween - Songs for Children in English: Halloween

Who Took The Candy?

Canciones para niños en inglés para Halloween. Ideales para favorecer el aprendizaje del idioma, adquirir vocabulario, practicar la pronunciación, etc.

👻🎃 Recursos educativos en inglés para halloween

Lyric:

Who took the candy from the trick-or-treat bag?
The monster took the candy from the trick-or-treat bag.
Who me?
Yes, you!
Not me!
Then who?
The ghost!

Who took the candy from the trick-or-treat bag?
The ghost took the candy from the trick-or-treat bag.
Who me?
Yes, you!
Not me!
Then who?
The witch!

Who took the candy from the trick-or-treat bag?
The witch took the candy from the trick-or-treat bag.
Who me?
Yes, you!
Not me!
Then who?
The pirate!

Who took the candy from the trick-or-treat bag?
The pirate took the candy from the trick-or-treat bag.
Who me?
Yes, you!
Not me!
Then who?
The vampire!

Who took the candy from the trick-or-treat bag?
The vampire took the candy from the trick-or-treat bag.
Who me?
Yes, you!
Okay, okay... I took the candy.

👻🎃 Recursos educativos en inglés para halloween

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miércoles, 22 de septiembre de 2021

The Night Doings At 'Deadman's' - Ambrose Bierce - Horror

The Night Doings At 'Deadman's'

Recursos Educativos en Inglés - Stories in English

Cuentos clásicos en inglés de miedo, suspense, halloween

The Night Doings At 'Deadman's' - Ambrose Bierce - Horror

It was a singularly sharp night, and clear as the heart of a diamond. Clear nights have a trick of being keen. In darkness you may be cold and not know it; when you see, you suffer. This night was bright enough to bite like a serpent. The moon was moving mysteriously along behind the giant pines crowning the South Mountain, striking a cold sparkle from the crusted snow, and bringing out against the black west and ghostly outlines of the Coast Range, beyond which lay the invisible Pacific. The snow had piled itself, in the open spaces along the bottom of the gulch, into long ridges that seemed to heave, and into hills that appeared to toss and scatter spray. The spray was sunlight, twice reflected: dashed once from the moon, once from the snow.

In this snow many of the shanties of the abandoned mining camp were obliterated (a sailor might have said they had gone down), and at irregular intervals it had overtopped the tall trestles which had once supported a river called a flume; for, of course, 'flume' is flumen. Among the advantages of which the mountains cannot deprive the gold-hunter is the privilege of speaking Latin. He says of his dead neighbour, 'He has gone up the flume.' This is not a bad way to say, 'His life has returned to the Fountain of Life.'

While putting on its armour against the assaults of the wind, this snow had neglected no coign of vantage. Snow pursued by the wind is not wholly unlike a retreating army. In the open field it ranges itself in ranks and battalions; where it can get a foothold it makes a stand; where it can take cover it does so. You may see whole platoons of snow cowering behind a bit of broken wall. The devious old road, hewn out of the mountainside, was full of it. Squadron upon squadron had struggled to escape by this line, when suddenly pursuit had ceased. A more desolate and dreary spot than Deadman's Gulch in a winter midnight it is impossible to imagine. Yet Mr. Hiram Beeson elected to live there, the sole inhabitant.

Away up the side of the North Mountain his little pine-log shanty projected from its single pane of glass a long, thin beam of light, and looked not altogether unlike a black beetle fastened to the hillside with a bright new pin. Within it sat Mr. Beeson himself, before a roaring fire, staring into its hot heart as if he had never before seen such a thing in all his life. He was not a comely man. He was grey; he was ragged and slovenly in his attire; his face was wan and haggard; his eyes were too bright. As to his age, if one had attempted to guess it, one might have said forty-seven, then corrected himself and said seventy-four. He was really twenty-eight. Emaciated he was; as much, perhaps, as he dared be, with a needy undertaker at Bentley's Flat and a new and enterprising coroner at Sonora. Poverty and zeal are an upper and a nether millstone. It is dangerous to make a third in that kind of sandwich.
As Mr. Beeson sat there, with his ragged elbows on his ragged knees, his lean jaws buried in his lean hands, and with no apparent intention of going to bed, he looked as if the slightest movement would tumble him to pieces. Yet during the last hour he had winked no fewer than three times.

There was a sharp rapping at the door. A rap at that time of night and in that weather might have surprised an ordinary mortal who had dwelt two years in the gulch without seeing a human face, and could not fail to know that the country was impassable; but Mr. Beeson did not so much as pull his eyes out of the coals. And even when the door was pushed open he only shrugged a little more closely into himself, as one does who is expecting something that he would rather not see. You may observe this movement in women when, in a mortuary chapel, the coffin is borne up the aisle behind them.

But when a long old man in a blanket overcoat, his head tied up in a handkerchief and nearly his entire face in a muffler, wearing green goggles and with a complexion of glittering whiteness where it could be seen, strode silently into the room, laying a hard, gloved hand on Mr. Beeson's shoulder, the latter so far forgot himself as to look up with an appearance of no small astonishment; whomever he may have been expecting, he had evidently not counted on meeting anyone like this. Nevertheless, the sight of this unexpected guest produced in Mr. Beeson the following sequence: a feeling of astonishment; a sense of gratification; a sentiment of profound good will. Rising from his seat, he took the knotty hand from his shoulder, and shook it up and down with a fervour quite unaccountable; for in the old man's aspect was nothing to attract, much to repel. However, attraction is too general a property for repulsion to be without it. The most attractive object in the world is the face we instinctively cover with a cloth. When it becomes still more attractive -- fascinating -- we put seven feet of earth above it.
'Sir,' said Mr. Beeson, releasing the old man's hand, which fell passively against his thigh with a quiet clack, 'it is an extremely disagreeable night. Pray be seated; I am very glad to see you.'

Mr. Beeson spoke with an easy good breeding that one would hardly have expected, considering all things. Indeed, the contrast between his appearance and his manner was sufficiently surprising to be one of the commonest of social phenomena in the mines. The old man advanced a step toward the fire, glowing cavernously in the green goggles. Mr. Beeson resumed.

'You bet your life I am!'

Mr. Beeson's elegance was not too refined; it had made reasonable concessions to local taste. He paused a moment, letting his eyes drop from the muffled head of his guest, down along the row of mouldy buttons confining the blanket overcoat, to the greenish cowhide boots powdered with snow, which had begun to melt and run along the floor in little rills. He took an inventory of his guest, and appeared satisfied. Who would not have been? Then he continued:

'The cheer I can offer you is, unfortunately, in keeping with my surroundings; but I shall esteem myself highly favoured if it is your pleasure to partake of it, rather than seek better at Bentley's Flat.'

With a singular refinement of hospitable humility Mr. Beeson spoke as if a sojourn in his warm cabin on such a night, as compared with walking fourteen miles up to the throat in snow with a cutting crust, would be an intolerable hardship. By way of reply, his guest unbuttoned the blanket overcoat. The host laid fresh fuel on the fire, swept the hearth with the tail of a wolf, and added:

'But I think you'd better skedaddle.'

The old man took a seat by the fire, spreading his broad soles to the heat without removing his hat. In the mines the hat is seldom removed except when the boots are. Without further remark Mr. Beeson also seated himself in a chair which had been a barrel, and which, retaining much of its original character, seemed to have been designed with a view to preserving his dust if it should please him to crumble. For a moment there was silence; then, from somewhere among the pines, came the snarling yelp of a coyote; and simultaneously the door rattled in its frame. There was no other connection between the two incidents than that the coyote has an aversion to storms, and the wind was rising; yet there seemed somehow a kind of supernatural conspiracy between the two, and Mr. Beeson shuddered with a vague sense of terror. He recovered himself in a moment and again addressed his guest.
'There are strange doings here. I will tell you everything, and then if you decide to go I shall hope to accompany you over the worst of the way; as far as where Baldy Peterson shot Ben Hike -- I dare say you know the place.'

The old man nodded emphatically, as intimating not merely that he did, but that he did indeed.

'Two years ago,' began Mr. Beeson, 'I, with two companions, occupied this house; but when the rush to the Flat occurred we left, along with the rest. In ten hours the gulch was deserted. That evening, however, I discovered I had left behind me a valuable pistol (that is it) and returned for it, passing the night here alone, as I have passed every night since. I must explain that a few days before we left, our Chinese domestic had the misfortune to die while the ground was frozen so hard that it was impossible to dig a grave in the usual way. So, on the day of our hasty departure, we cut through the floor there, and gave him such burial as we could. But before putting him down I had the extremely bad taste to cut off his pigtail and spike it to that beam above his grave, where you may see it at this moment, or, preferably, when warmth has given you leisure for observation.

'I stated, did I not, that the Chinaman came to his death from natural causes? I had, of course, nothing to do with that, and returned through no irresistible attraction, or morbid fascination, but only because I had forgotten a pistol. That is clear to you, is it not, sir?'

The visitor nodded gravely. He appeared to be a man of few words, if any. Mr. Beeson continued:

'According to the Chinese faith, a man is like a kite: he cannot go to heaven without a tail. Well, to shorten this tedious story -- which, however, I thought it my duty to relate -- on that night, while I was here alone and thinking of anything but him, that Chinaman came back for his pigtail.
'He did not get it.'

At this point Mr. Beeson relapsed into blank silence. Perhaps he was fatigued by the unwonted exercise of speaking; perhaps he had conjured up a memory that demanded his undivided attention. The wind was now fairly abroad, and the pines along the mountainside sang with singular distinctness. The narrator continued:

'You say you do not see much in that, and I must confess I do not myself.

'But he keeps coming!'

There was another long silence, during which both stared into the fire without the movement of a limb. Then Mr. Beeson broke out, almost fiercely, fixing his eyes on what he could see of the impassive face of his auditor:

'Give it him? Sir, in this matter I have no intention of troubling anyone for advice. You will pardon me, I am sure' -- here he became singularly persuasive -- 'but I have ventured to nail that pigtail fast, and have assumed that somewhat onerous obligation of guarding it. So it is quite impossible to act on your considerate suggestion.

'Do you play me for a Modoc?'

Nothing could exceed the sudden ferocity with which he thrust this indignant remonstrance into the ear of his guest. It was as if he had struck him on the side of the head with a steel gauntlet. It was a protest, but it was a challenge. To be mistaken for a coward -- to be played for a Modoc: these two expressions are one. Sometimes it is a Chinaman. Do you play me for a Chinaman? is a question frequently addressed to the ear of the suddenly dead.

Mr. Beeson's buffet produced no effect, and after a moment's pause, during which the wind thundered in the chimney like the sound of clods upon a coffin, he resumed:

'But, as you say, it is wearing me out. I feel that the life of the last two years has been a mistake -- a mistake that corrects itself; you see how. The grave! No; there is no one to dig it. The ground is frozen, too. But you are very welcome. You may say at Bentley's -- but that is not important. It was very tough to cut; they braid silk into their pigtails. Kwaagh.'
Mr. Beeson was speaking with his eyes shut, and he wandered. His last word was a snore. A moment later he drew a long breath, opened his eyes with an effort, made a single remark, and fell into a deep sleep. What he said was this:

'They are swiping my dust!'

Then the aged stranger, who had not uttered one word since his arrival, arose from his seat and deliberately laid off his outer clothing, looking as angular in his flannels as the late Signorina Festorazzi, an Irish woman, six feet in height, and weighing fifty-six pounds, who used to exhibit herself in her chemise to the people of San Francisco. He then crept into one of the 'bunks,' having first placed a revolver in easy reach, according to the custom of the country. This revolver he took from a shelf, and it was the one which Mr. Beeson had mentioned as that for which he had returned to the gulch two years before.

In a few moments Mr. Beeson awoke, and seeing that his guest had retired he did likewise. But before doing so he approached the long, plaited wisp of pagan hair and gave it a powerful tug, to assure himself that it was fast and firm. The two beds-mere shelves covered with blankets not overclean-faced each other from opposite sides of the room, the little square trap-door that had given access to the Chinaman's grave being midway between. This, by the way, was crossed by a double row of spikeheads. In his resistance to the supernatural, Mr. Beeson had not disdained the use of material precautions.

The fire was now low, the flames burning bluely and petulantly, with occasional flashes, projecting spectral shadows on the walls -- shadows that moved mysteriously about, now dividing, now uniting. The shadow of the pendent queue, however, kept moodily apart, near the roof at the farther end of the room, looking like a note of admiration. The song of the pines outside had now risen to the dignity of a triumphal hymn. In the pauses the silence was dreadful.
It was during one of these intervals that the trap in the floor began to lift. Slowly and steadily it rose, and slowly and steadily rose the swaddled head of the old man in the bunk to observe it. Then, with a clap that shook the house to its foundation, it was thrown clean back, where it lay with its unsightly spikes pointing threateningly upward. Mr. Beeson awoke, and without rising, pressed his fingers into his eyes. He shuddered; his teeth chattered. His guest was now reclining on one elbow, watching the proceedings with the goggles that glowed like lamps.

Suddenly a howling gust of wind swooped down the chimney, scattering ashes and smoke in all directions, for a moment obscuring everything. When the fire-light again illuminated the room there was seen, sitting gingerly on the edge of a stool by the hearth-side, a swarthy little man of prepossessing appearance and dressed with faultless taste, nodding to the old man with a friendly and engaging smile.

'From San Francisco, evidently,' thought Mr. Beeson, who having somewhat recovered from his fright was groping his way to a solution of the evening's events.

But now another actor appeared upon the scene. Out of the square black hole in the middle of the floor protruded the head of the departed Chinaman, his glassy eyes turned upward in their angular slits and fastened on the dangling queue above with a look of yearning unspeakable. Mr. Beeson groaned, and again spread his hands upon his face. A mild odour of opium pervaded the place. The phantom, clad only in a short blue tunic quilted and silken but covered with grave-mould, rose slowly, as if pushed by a weak spiral spring. Its knees were at the level of the floor, when with a quick upward impulse like the silent leaping of a flame it grasped the queue with both hands, drew up its body and took the tip in its horrible yellow teeth. To this it clung in a seeming frenzy, grimacing ghastly, surging and plunging from side to side in its efforts to disengage its property from the beam, but uttering no sound. It was like a corpse artificially convulsed by means of a galvanic battery. The contrast between its superhuman activity and its silence was no less than hideous!
Mr. Beeson cowered in his bed. The swarthy little gentleman uncrossed his legs, beat an impatient tattoo with the toe of his boot and consulted a heavy gold watch. The old man sat erect and quietly laid hold of the revolver.

Bang!

Like a body cut from the gallows the Chinaman plumped into the black hole below, carrying his tail in his teeth. The trap-door turned over, shutting down with a snap. The swarthy little gentleman from San Francisco sprang nimbly from his perch, caught something in the air with his hat, as a boy catches a butterfly, and vanished into the chimney as if drawn up by suction.

From away somewhere in the outer darkness floated in through the open door a faint, far cry -- a long, sobbing wail, as of a child death-strangled in the desert, or a lost soul borne away by the Adversary. It may have been the coyote.

In the early days of the following spring a party of miners on their way to new diggings passed along the gulch, and straying through the deserted shanties found in one of them the body of Hiram Beeson, stretched upon a bunk, with a bullet hole through the heart. The ball had evidently been fired from the opposite side of the room, for in one of the oaken beams overhead was a shallow blue dint, where it had struck a knot and been deflected downward to the breast of its victim. Strongly attached to the same beam was what appeared to be an end of a rope of braided horsehair, which had been cut by the bullet in its passage to the knot. Nothing else of interest was noted, excepting a suit of mouldy and incongruous clothing, several articles of which were afterward identified by respectable witnesses as those in which certain deceased citizen's of Deadman's had been buried years before. But it is not easy to understand how that could be, unless, indeed, the garments had been worn as a disguise by Death himself -- which is hardly credible.

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A Tough Tussle - Ambrose Bierce - Horror

A Tough Tussle

Recursos Educativos en Inglés - Stories in English

Cuentos clásicos en inglés de miedo, suspense, halloween

A Tough Tussle - Ambrose Bierce - Horror

One night in the autumn of 1861 a man sat alone in the heart of a forest in western Virginia. The region was one of the wildest on the continent -- the Cheat Mountain country. There was no lack of people close at hand, however; within a mile of where the man sat was the now silent camp of a whole Federal brigade. Somewhere about -- it might be still nearer -- was a force of the enemy, the numbers unknown. It was this uncertainty as to its numbers and position that accounted for the man's presence in that lonely spot; he was a young officer of a Federal infantry regiment and his business there was to guard his sleeping comrades in the camp against a surprise. He was in command of a detachment of men constituting a picket-guard. These men he had stationed just at nightfall in an irregular line, determined by the nature of the ground, several hundred yards in front of where he now sat. The line ran through the forest, among the rocks and laurel thickets, the men fifteen or twenty paces apart, all in concealment and under injunction of strict silence and unremitting vigilance. In four hours, if nothing occurred, they would be relieved by a fresh detachment from the reserve now resting in care of its captain some distance away to the left and rear. Before stationing his men the young officer of whom we are writing had pointed out to his two sergeants the spot at which he would be found if it should be necessary to consult him, or if his presence at the front line should be required.

It was a quiet enough spot -- the fork of an old wood-road, on the two branches of which, prolonging themselves deviously forward in the dim moonlight, the sergeants were themselves stationed, a few paces in rear of the line. If driven sharply back by a sudden onset of the enemy -- the pickets are not expected to make a stand after firing -- the men would come into the converging roads and naturally following them to their point of intersection could be rallied and 'formed.' In his small way the author of these dispositions was something of a strategist; if Napoleon had planned as intelligently at Waterloo he would have won that memorable battle and been overthrown later.
Second-Lieutenant Brainerd Byring was a brave and efficient officer, young and comparatively inexperienced as he was in the business of killing his fellow-men. He had enlisted in the very first days of the war as a private, with no military knowledge whatever, had been made first-sergeant of his company on account of his education and engaging manner, and had been lucky enough to lose his captain by a Confederate bullet; in the resulting promotions he had gained a commission. He had been in several engagements, such as they were -- at Philippi, Rich Mountain, Carrick's Ford and Greenbrier -- and had borne himself with such gallantry as not to attract the attention of his superior officers. The exhilaration of battle was agreeable to him, but the sight of the dead, with their clay faces, blank eyes and stiff bodies, which when not unnaturally shrunken were unnaturally swollen, had always intolerably affected him. He felt toward them a kind of reasonless antipathy that was something more than the physical and spiritual repugnance common to us all. Doubtless this feeling was due to his unusually acute sensibilities -- his keen sense of the beautiful, which these hideous things outraged. Whatever may have been the cause, he could not look upon a dead body without a loathing which had in it an element of resentment. What others have respected as the dignity of death had to him no existence -- was altogether unthinkable. Death was a thing to be hated. It was not picturesque, it had no tender and solemn side -- a dismal thing, hideous in all its manifestations and suggestions. Lieutenant Byring was a braver man than anybody knew, for nobody knew his horror of that which he was ever ready to incur.

Having posted his men, instructed his sergeants and retired to his station, he seated himself on a log, and with senses all alert began his vigil. For greater ease he loosened his sword-belt and taking his heavy revolver from his holster laid it on the log beside him. He felt very comfortable, though he hardly gave the fact a thought, so intently did he listen for any sound from the front which might have a menacing significance -- a shout, a shot, or the footfall of one of his sergeants coming to apprise him of something worth knowing. From the vast, invisible ocean of moonlight overhead fell, here and there, a slender, broken stream that seemed to plash against the intercepting branches and trickle to earth, forming small white pools among the clumps of laurel. But these leaks were few and served only to accentuate the blackness of his environment, which his imagination found it easy to people with all manner of unfamiliar shapes, menacing, uncanny, or merely grotesque.
He to whom the portentous conspiracy of night and solitude and silence in the heart of a great forest is not an unknown experience needs not to be told what another world it all is -- how even the most commonplace and familiar objects take on another character. The trees group themselves differently; they draw closer together, as if in fear. The very silence has another quality than the silence of the day. And it is full of half-heard whispers -- whispers that startle -- ghosts of sounds long dead. There are living sounds, too, such as are never heard under other conditions: notes of strange night-birds, the cries of small animals in sudden encounters with stealthy foes or in their dreams, a rustling in the dead leaves -- it may be the leap of a wood-rat, it may be the footfall of a panther. What caused the breaking of that twig? -- what the low, alarmed twittering in that bushful of birds? There are sounds without a name, forms without substance, translations in space of objects which have not been seen to move, movements wherein nothing is observed to change its place. Ah, children of the sunlight and the gaslight, how little you know of the world in which you live!

Surrounded at a little distance by armed and watchful friends, Byring felt utterly alone. Yielding himself to the solemn and mysterious spirit of the time and place, he had forgotten the nature of his connection with the visible and audible aspects and phases of the night. The forest was boundless; men and the habitations of men did not exist. The universe was one primeval mystery of darkness, without form and void, himself the sole, dumb questioner of its eternal secret. Absorbed in thoughts born of this mood, he suffered the time to slip away unnoted. Meantime the infrequent patches of white light lying amongst the tree-trunks had undergone changes of size, form and place. In one of them near by, just at the roadside, his eye fell upon an object that he had not previously observed. It was almost before his face as he sat; he could have sworn that it had not before been there. It was partly covered in shadow, but he could see that it was a human figure. Instinctively he adjusted the clasp of his swordbelt and laid hold of his pistol -- again he was in a world of war, by occupation an assassin.
The figure did not move. Rising, pistol in hand, he approached. The figure lay upon its back, its upper part in shadow, but standing above it and looking down upon the face, he saw that it was a dead body. He shuddered and turned from it with a feeling of sickness and disgust, resumed his seat upon the log, and forgetting military prudence struck a match and lit a cigar. In the sudden blackness that followed the extinction of the flame he felt a sense of relief; he could no longer see the object of his aversion. Nevertheless, he kept his eyes in that direction until it appeared again with growing distinctness. It seemed to have moved a trifle nearer.

'Damn the thing!' he muttered. 'What does it want?'

It did not appear to be in need of anything but a soul.

Byring turned away his eyes and began humming a tune, but he broke off in the middle of a bar and looked at the dead body. Its presence annoyed him, though he could hardly have had a quieter neighbour. He was conscious, too, of a vague, indefinable feeling that was new to him. It was not fear, but rather a sense of the supernatural -- in which he did not at all believe.

'I have inherited it,' he said to himself. 'I suppose it will require a thousand ages -- perhaps ten thousand -- for humanity to outgrow this feeling. Where and when did it originate? Away back, probably, in what is called the cradle of the human race -- the plains of Central Asia. What we inherit as a superstition our barbarous ancestors must have held as a reasonable conviction. Doubtless they believed themselves justified by facts whose nature we cannot even conjecture in thinking a dead body a malign thing endowed with some strange power of mischief, with perhaps a will and a purpose to exert it. Possibly they had some awful form of religion of which that was one of the chief doctrines, sedulously taught by their priesthood, as ours teach the immortality of the soul. As the Aryans moved slowly on, to and through the Caucasus passes, and spread over Europe, new conditions of life must have resulted in the formulation of new religions. The old belief in the malevolence of the dead body was lost from the creeds and even perished from tradition but it left its heritage of terror, which is transmitted from generation to generation -- is as much a part of us as are our blood and bones.'
In following out his thought he had forgotten that which suggested it; but now his eye fell again upon the corpse. The shadow had now altogether uncovered it. He saw the sharp profile, the chin in the air, the whole face, ghastly white in the moonlight. The clothing was grey, the uniform of a Confederate soldier. The coat and waistcoat, unbuttoned, had fallen away on each side, exposing the white shirt. The chest seemed unnaturally prominent, but the abdomen had sunk in, leaving a sharp projection at the line of the lower ribs. The arms were extended, the left knee was thrust upward. The whole posture impressed Byring as having been studied with a view to the horrible.

'Bah!' he exclaimed; 'he was an actor -- he knows how to be dead.'

He drew away his eyes, directing them resolutely along one of the roads leading to the front, and resumed his philosophizing where he had left off.

'It may be that our Central Asian ancestors had not the custom of burial. In that case it is easy to understand their fear of the dead, who really were a menace and an evil. They bred pestilences. Children were taught to avoid the places where they lay, and to run away if by inadvertence they came near a corpse. I think, indeed, I'd better go away from this chap.'

He half rose to do so, then remembered that he had told his men in front and the officer in the rear who was to relieve him that he could at any time be found at that spot. It was a matter of pride, too. If he abandoned his post he feared they would think he feared the corpse. He was no coward and he was unwilling to incur anybody's ridicule. So he again seated himself, and to prove his courage looked boldly at the body. The right arm -- the one farthest from him -- was now in shadow. He could hardly see the hand which, he had before observed, lay at the root of a clump of laurel. There had been no change, a fact which gave him a certain comfort, he could not have said why. He did not at once remove his eyes; that which we do not wish to see has a strange fascination, sometimes irresistible. Of the woman who covers her eyes with her hands and looks between the fingers let it be said that the wits have dealt with her not altogether justly.
Byring suddenly became conscious of a pain in his right hand. He withdrew his eyes from his enemy and looked at it. He was grasping the hilt of his drawn sword so tightly that it hurt him. He observed, too, that he was leaning forward in a strained attitude-crouching like a gladiator ready to spring at the throat of an antagonist. His teeth were clenched and he was breathing hard. This matter was soon set right, and as his muscles relaxed and he drew a long breath he felt keenly enough the ludicrousness of the incident. It affected him to laughter. Heavens! what sound was that? what mindless devil was uttering an unholy glee in mockery of human merriment? He sprang to his feet and looked about him, not recognizing his own laugh.

He could no longer conceal from himself the horrible fact of his cowardice; he was thoroughly frightened! He would have run from the spot, but his legs refused their office; they gave way beneath him and he sat again upon the log, violently trembling. His face was wet, his whole body bathed in a chill perspiration. He could not even cry out. Distinctly he heard behind him a stealthy tread, as of some wild animal, and dared not look over his shoulder. Had the soulless living joined forces with the soulless dead? -- was it an animal? Ah, if he could but be assured of that! But by no effort of will could he now unfix his gaze from the face of the dead man.

I repeat that Lieutenant Byring was a brave and intelligent man. But what would you have? Shall a man cope, single-handed, with so monstrous an alliance as that of night and solitude and silence and the dead -- while an incalculable host of his own ancestors shriek into the ear of his spirit their coward counsel, sing their doleful death-songs in his heart, and disarm his very blood of all its iron? The odds are too great -- courage was not made for so rough use as that.

One sole conviction now had the man in possession: that the body had moved. It lay nearer to the edge of its plot of light -- there could be no doubt of it. It had also moved its arms, for, look, they are both in the shadow! A breath of cold air struck Byring full in the face; the boughs of trees above him stirred and moaned. A strongly defined shadow passed across the face of the dead, left it luminous, passed back upon it and left it half obscured. The horrible thing was visibly moving! At that moment a single shot rang out upon the picket-line -- a lonelier and louder, though more distant, shot than ever had been heard by mortal ear! It broke the spell of that enchanted man; it slew the silence and the solitude, dispersed the hindering host from Central Asia and released his modern manhood. With a cry like that of some great bird pouncing upon its prey he sprang forward, hot-hearted for action!
Shot after shot now came from the front. There were shoutings and confusion, hoof-beats and desultory cheers. Away to the rear, in the sleeping camp, were a singing of bugles and grumble of drums. Pushing through the thickets on either side the roads came the Federal pickets, in full retreat, firing backward at random as they ran. A straggling group that had followed back one of the roads, as instructed, suddenly sprang away into the bushes as half a hundred horsemen thundered by them, striking wildly with their sabres as they passed. At headlong speed these mounted madmen shot past the spot where Byring had sat, and vanished round an angle of the road, shouting and firing their pistols. A moment later there was a roar of musketry, followed by dropping shots -- they had encountered the reserve-guard in line; and back they came in dire confusion, with here and there an empty saddle and many a maddened horse, bullet-stung, snorting and plunging with pain. It was all over -- 'an affair of out-posts.'

The line was re-established with fresh men, the roll called, the stragglers were re-formed. The Federal commander, with a part of his staff, imperfectly clad, appeared upon the scene, asked a few questions, looked exceedingly wise and retired. After standing at arms for an hour the brigade in camp 'swore a prayer or two' and went to bed.

Early the next morning a fatigue-party, commanded by a captain and accompanied by a surgeon, searched the ground for dead and wounded. At the fork of the road, a little to one side, they found two bodies lying close together -- that of a Federal officer and that of a Confederate private. The officer had died of a sword-thrust through the heart, but not, apparently, until he had inflicted upon his enemy no fewer than five dreadful wounds. The dead officer lay on his face in a pool of blood, the weapon still in his heart. They turned him on his back and the surgeon removed it.

'Gad!' said the captain -- 'It is Byring!' -- adding, with a glance at the other, 'They had a tough tussle.'
The surgeon was examining the sword. It was that of a line officer of Federal infantry -- exactly like the one worn by the captain. It was, in fact, Byring's own. The only other weapon discovered was an undischarged revolver in the dead officer's belt.

The surgeon laid down the sword and approached the other body. It was frightfully gashed and stabbed, but there was no blood. He took hold of the left foot and tried to straighten the leg. In the effort the body was displaced. The dead do not wish to be moved -- it protested with a faint, sickening odour. Where it had lain were a few maggots, manifesting an imbecile activity.

The surgeon looked at the captain. The captain looked at the surgeon.

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