lunes, 27 de septiembre de 2021

Beyond the Wall - Ambrose Bierce - Horror

Beyond the Wall

Recursos Educativos en Inglés - Stories in English

Cuentos clásicos en inglés de miedo, suspense, halloween

Beyond the Wall - Ambrose Bierce - Horror

Many years ago, on my way from Hong Kong to New York, I passed a week in San Francisco. A long time had gone by since I had been in that city, during which my ventures in the Orient had prospered beyond my hope; I was rich and could afford to revisit my own country to renew my friendship with such of the companions of my youth as still lived and remembered me with the old affection. Chief of these, I hoped, was Mohun Dampier, an old schoolmate with whom I had held a desultory correspondence which had long ceased, as is the way of correspondence between men. You may have observed that the indisposition to write a merely social letter is in the ratio of the square of the distance between you and your correspondent. It is a law.

I remembered Dampier as a handsome, strong young fellow of scholarly tastes, with an aversion to work and a marked indifference to many of the things that the world cares for, including wealth, of which, however, he had inherited enough to put him beyond the reach of want. In his family, one of the oldest and most aristocratic in the country, it was, I think, a matter of pride that no member of it had ever been in trade nor politics, nor suffered any kind of distinction. Mohan was a trifle sentimental, and had in him a singular element of superstition, which led him to the study of all manner of occult subjects, although his sane mental health safeguarded him against fantastic and perilous faiths. He made daring incursions into the realm of the unreal without renouncing his residence in the partly surveyed and charted region of what we are pleased to call certitude.

The night of my visit to him was stormy. The Californian winter was on, and the incessant rain splashed in the deserted streets, or, lifted by irregular gusts of wind, was hurled against the houses with incredible fury. With no small difficulty my cabman found the right place, away out toward the ocean beach, in a sparsely populated suburb. The dwelling, a rather ugly one, apparently, stood in the centre of its grounds, which as nearly as I could make out in the gloom were destitute of either flowers or grass. Three or four trees, writhing and moaning in the torment of the tempest, appeared to be trying to escape from their dismal environment and take the chance of finding a better one out at sea. The house was a two-story brick structure with a tower, a story higher, at one corner. In a window of that was the only visible light. Something in the appearance of the place made me shudder, a performance that may have been assisted by a rill of rainwater down my back as I scuttled to cover in the doorway.
In answer to my note apprising him of my wish to call, Dampier had written, 'Don't ring - open the door and come up.' I did so. The staircase was dimly lighted by a single gas-jet at the top of the second flight. I managed to reach the landing without disaster and entered by an open door into the lighted square room of the tower. Dampier came forward in gown and slippers to receive me, giving me the greeting that I wished, and if I had held a thought that it might more fitly have been accorded me at the front door the first look at him dispelled any sense of his inhospitality.

He was not the same. Hardly past middle age, he had gone grey and had acquired a pronounced stoop. His figure was thin and angular, his face deeply lined, his complexion dead-white, without a touch of colour. His eyes, unnaturally large, glowed with a fire that was almost uncanny.

He seated me, proffered a cigar, and with grave and obvious sincerity assured me of the pleasure that it gave him to meet me. Some unimportant conversation followed, but all the while I was dominated by a melancholy sense of the great change in him. This he must have perceived, for he suddenly said with a bright enough smile, 'You are disappointed in me - non sum qualis eram.'

I hardly knew what to reply, but managed to say: 'Why, really, I don't know: your Latin is about the same.'

He brightened again. 'No,' he said, 'being a dead language, it grows in appropriateness. But please have the patience to wait: where I am going there is perhaps a better tongue. Will you care to have a message in it?'

The smile faded as he spoke, and as he concluded he was looking into my eyes with a gravity that distressed me. Yet I would not surrender myself to his mood, nor permit him to see how deeply his prescience of death affected me.
'I fancy that it will be long,' I said, 'before human speech will cease to serve our need; and then the need, with its possibilities of service, will have passed.'

He made no reply, and I too was silent, for the talk had taken a dispiriting turn, yet I knew not how to give it a more agreeable character. Suddenly, in a pause of the storm, when the dead silence was almost startling by contrast with the previous uproar, I heard a gentle tapping, which appeared to come from the wall behind my chair. The sound was such as might have been made by a human hand, not as upon a door by one asking admittance, but rather, I thought, as an agreed signal, an assurance of someone's presence in an adjoining room; most of us, I fancy, have had more experience of such communications than we should care to relate. I glanced at Dampier. If possibly there was something of amusement in the look he did not observe it. He appeared to have forgotten my presence, and was staring at the wall behind me with an expression in his eyes that I am unable to name, although my memory of it is as vivid to-day as was my sense of it then. The situation was embarrassing! ; I rose to take my leave. At this he seemed to recover himself.

'Please be seated,' he said; 'it is nothing - no one is there.'

But the tapping was repeated, and with the same gentle, slow insistence as before.

'Pardon me,' I said, 'it is late. May I call tomorrow?'

He smiled - a little mechanically, I thought. 'It is very delicate of you,' said he, 'but quite needless. Really, this is the only room in the tower, and no one is there. At least -' He left the sentence incomplete, rose, and threw up a window, the only opening in the wall from which the sound seemed to come. 'See.'
Not clearly knowing what else to do I followed him to the window and looked out. A street-lamp some little distance away gave enough light through the murk of the rain that was again falling in torrents to make it entirely plain that 'no one was there.' In truth there was nothing but the sheer blank wall of the tower.

Dampier closed the window and signing me to my seat resumed his own.

The incident was not in itself particularly mysterious; any one of a dozen explanations was possible (though none has occurred to me), yet it impressed me strangely, the more, perhaps, from my friend's effort to reassure me, which seemed to dignify it with a certain significance and importance. He had proved that no one was there, but in that fact lay all the interest; and he proffered no explanation. His silence was irritating and made me resentful.

'My good friend,' I said, somewhat ironically, I fear, 'I am not disposed to question your right to harbour as many spooks as you find agreeable to your taste and consistent with your notions of companionship; that is no business of mine. But being just a plain man of affairs, mostly of this world, I find spooks needless to my peace and comfort. I am going to my hotel, where my fellow-guests are still in the flesh.'

It was not a very civil speech, but he manifested no feeling about it. 'Kindly remain', he said. 'I am grateful for your presence here. What you have heard to-night I believe myself to have heard twice before. Now I know it was no illusion. That is much to me - more than you know. Have a fresh cigar and a good stock of patience while I tell you the story.'

The rain was now falling more steadily, with a low, monotonous susurration, interrupted at long intervals by the sudden slashing of the boughs of the trees as the wind rose and failed. The night was well advanced, but both sympathy and curiosity held me a willing listener to my friend's monologue, which I did not interrupt by a single word from beginning to end.
'Ten years ago,' he said, 'I occupied a ground-floor apartment in one of a row of houses, all alike, away at the other end of the town, on what we call Rincon Hill. This had been the best quarter of San Francisco, but had fallen into neglect and decay, partly because the primitive character of its domestic architecture no longer suited the maturing tastes of our wealthy citizens, partly because certain public improvements had made a wreck of it. The row of dwellings in one of which I lived stood a little way back from the street, each having a miniature garden, separated from its neighbours by low iron fences and bisected with mathematical precision by a box-bordered gravel walk from gate to door.

'One morning as I was leaving my lodging I observed a young girl entering the adjoining garden on the left. It was a warm day in June, and she was lightly gowned in white. From her shoulders hung a broad straw hat profusely decorated with flowers and wonderfully beribboned in the fashion of the time. My attention was not long held by the exquisite simplicity of her costume, for no one could look at her face and think of anything earthly. Do not fear; I shall not profane it by description; it was beautiful exceedingly. All that I had ever seen or dreamed of loveliness was in that matchless living picture by the hand of the Divine Artist. So deeply did it move me that, without a thought of the impropriety of the act, I unconsciously bared my head, as a devout Catholic or well-bred Protestant uncovers before an image of the Blessed Virgin. The maiden showed no displeasure; she merely turned her glorious dark eyes upon me with a look that made me catch my breath, and without other recognition of my act passed into the house. For a moment I stood motionless, hat in hand, painfully conscious of my rudeness, yet so dominated by the emotion inspired by that vision of incomparable beauty that my penitence was less poignant than it should have been. Then I went my way, leaving my heart behind. In the natural course of things I should probably have remained away until nightfall, but by the middle of the afternoon I was back in the little garden, affecting an interest in the few foolish flowers that I had never before observed. My hope was vain; she did not appear.
'To a night of unrest succeeded a day of expectation and disappointment, but on the day after, as I wandered aimlessly about the neighbourhood, I met her. Of course I did not repeat my folly of uncovering, nor venture by even so much as too long a look to manifest an interest in her; yet my heart was beating audibly. I trembled and consciously coloured as she turned her big black eyes upon me with a look of obvious recognition entirely devoid of boldness or coquetry.

'I will not weary you with particulars; many times afterward I met the maiden, yet never either addressed her or sought to fix her attention. Nor did I take any action toward making her acquaintance. Perhaps my forbearance, requiring so supreme an effort of self-denial, will not be entirely clear to you. That I was heels over head in love is true, but who can overcome his habit of thought, or reconstruct his character?

'I was what some foolish persons are pleased to call, and others, more foolish, are pleased to be called - an aristocrat; and despite her beauty, her charms and graces, the girl was not of my class. I had learned her name - which it is needless to speak - and something of her family. She was an orphan, a dependent niece of the impossible elderly fat woman in whose lodging-house she lived. My income was small and I lacked the talent for marrying; it is perhaps a gift. An alliance with that family would condemn me to its manner of life, part me from my books and studies, and in a social sense reduce me to the ranks. It is easy to deprecate such considerations as these and I have not retained myself for the defence. Let judgement be entered against me, but in strict justice all my ancestors for generations should be made co-defendants and I be permitted to plead in mitigation of punishment the imperious mandate of heredity. To a mésalliance of that kind every globule of my ancestral blood spoke in opposition. In brief, my tastes, habits, instinct, with whatever of reason my love had left me - all fought against it. Moreover, I was an irreclaimable sentimentalist, and found a subtle charm in an impersonal and spiritual relation which acquaintance might vulgarise and marriage would certainly dispel. No woman, I argued, is what this lovely creature seems. Love is a delicious dream; why should I bring about my own awakening?
'The course dictated by all this sense and sentiment was obvious. Honour, pride, prudence, preservation of my ideals - all commanded me to go away, but for that I was too weak. The utmost that I could do by a mighty effort of will was to cease meeting the girl, and that I did. I even avoided the chance encounters of the garden, leaving my lodging only when I knew that she had gone to her music lessons, and returning after nightfall. Yet all the while I was as one in a trance, indulging the most fascinating fancies and ordering my entire intellectual life in accordance with my dream. Ah, my friend, as one whose actions have a traceable relation to reason, you cannot know the fool's paradise in which I lived.

'One evening the devil put it into my head to be an unspeakable idiot. By apparently careless and purposeless questioning I learned from my gossipy landlady that the young woman's bedroom adjoined my own, a partywall between. Yielding to a sudden and coarse impulse I gently rapped on the wall. There was no response, naturally, but I was in no mood to accept a rebuke. A madness was upon me and I repeated the folly, the offence, but again ineffectually, and I had the decency to desist.

'An hour later, while absorbed in some of my infernal studies, I heard, or thought I heard, my signal answered. Flinging down my books I sprang to the wall and as steadily as my beating heart would permit gave three slow taps upon it. This time the response was distinct, unmistakable: one, two, three - an exact repetition of my signal. That was all I could elicit, but it was enough - too much.

'The next evening, and for many evenings afterward, that folly went on, I always having "the last word". During the whole period I was deliriously happy, but with the perversity of my nature I persevered in my resolution not to see her. Then, as I should have expected, I got no further answers. "She is disgusted," I said to myself, "with what she thinks my timidity in making no more definite advances"; and I resolved to seek her and make her acquaintance and - what? I did not know, nor do I now know, what might have come of it. I know only that I passed days and days trying to meet her, and all in vain; she was invisible as well as inaudible. I haunted the streets where we had met, but she did not come. From my window I watched the garden in front of her house, but she passed neither in nor out. I fell into the deepest dejection, believing that she had gone away , yet took no steps to resolve my doubt by inquiry of my landlady, to whom, indeed, I had taken an unconquerable aversion from her having once spoken of the girl with less of reverence than I thought befitting.
'There came a fateful night. Worn out with emotion, irresolution and despondency, I had retired early and fallen into such sleep as was still possible to me. In the middle of the night something - some malign power bent upon the wrecking of my peace forever - caused me to open my eyes and sit up, wide awake and listening intently for I knew not what. Then I thought I heard a faint tapping on the wall - the mere ghost of the familiar signal. In a few moments it was repeated: one, two, three - no louder than before, but addressing a sense alert and strained to receive it. I was about to reply when the Adversary of Peace again intervened in my affairs with a rascally suggestion of retaliation. She had long and cruelly ignored me; now I would ignore her. Incredible fatuity - may God forgive it! All the rest of the night I lay awake, fortifying my obstinacy with shameless justifications and - listening.

'Late the next morning, as I was leaving the house, I met my landlady, entering.

' "Good morning, Mr. Dampier," she said. "Have you heard the news?"

'I replied in words that I had heard no news; in manner, that I did not care to hear any. The manner escaped her observation.

' "About the sick young lady next door," she babbled on. "What! you did not know? Why, she has been ill for weeks. And now - "

'I almost sprang upon her. "And now," I cried, "now what?'

' "She is dead."

'That is not the whole story. In the middle of the night, as I learned later, the patient, awakening from a long stupor after a week of delirium, had asked - it was her last utterance - that her bed be moved to the opposite side of the room. Those in attendance had thought the request a vagary of her delirium, but had complied. And there the poor passing soul had exerted its failing will to restore a broken connection - a golden thread of sentiment between its innocence and a monstrous baseness owing a blind, brutal allegiance to the Law of Self.
'What reparation could I make? Are there masses that can be said for the repose of souls that are abroad such nights as this - spirits "blown about by the viewless winds" - coming in the storm and darkness with signs and portents, hints of memory and presages of doom?

'This is the third visitation. On the first occasion I was too sceptical to do more than verify by natural methods the character of the incident; on the second, I responded to the signal after it had been several times repeated, but without result. To-night's recurrence completes the 'fatal triad' expounded by Parapelius Necromantius. There is no more to tell.'

When Dampier had finished his story I could think of nothing relevant that I cared to say, and to question him would have been a hideous impertinence. I rose and bade him good night in a way to convey to him a sense of my sympathy, which he silently acknowledged by a pressure of the hand. That night, alone with his sorrow and remorse, he passed into the Unknown.

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domingo, 26 de septiembre de 2021

Halloween Jokes for Kids - Humor in English

Best Halloween Jokes for Children

Chistes de Halloween para niños en inglés

Recursos educativos en inglés - Humor

  1. What room does a ghost not need? A living room.
  2. What’s a witch’s favorite subject in school? Spelling.
  3. What's big, scary and has three wheels? A monster riding a tricycle!
  4. What kinds of pants do ghosts wear? Boo-jeans.
  5. Where do baby ghosts go during the day? Dayscare centers!
  6. What do birds say on Halloween? Trick or Tweet!
  7. Why didn’t the skeleton cross the road? He didn't have the guts.
  8. What is a zombie's favorite thing to eat? Brain food.
  9. Why was there thunder and lightning inside the laboratory? Because Dr. Frankenstein and Igor were brain"storming."
  10. Why do pumpkins do so badly in school? Because they had all their brains scooped out.

👻🎃💀👻🎃💀👻🎃💀

  1. Why didn't the skeleton go to school? His heart wasn't in it.
  2. How do you fix a cracked pumpkin? A pumpkin patch.
  3. Why did the zombie skip school? He felt rotten.
  4. Are black cats bad luck? Only if you're a mouse.
  5. What kind of tests do vampires give their students? Blood tests.
  6. What kind of music do mummies love? Wrap music.
  7. Why do skeletons stay so calm? Because nothing gets under their skin.
  8. What does a pumpkin like to read? Pulp fiction.
  9. Why are ghosts bad liars? Because you can see right through them.
  10. What did the orange pumpkin say to the green pumpkin? “You look a little sick.”

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  1. What happens when you stay up all night on Halloween? Something dawns on you.
  2. Where do vampires keep their money? The blood bank.
  3. How do ghosts wash their hair? With shamboo.
  4. What happens when a vampire goes in the snow? Frost bite!
  5. What instrument does a skeleton play? The trombone.
  6. Why didn’t the skeleton cross the road? Because there was noBody on the other side.
  7. What time is it when the clock strikes 13? Time to get a new clock.
  8. Have you heard how popular the local cemetery is? People are just dying to get in.
  9. What happens when a ghost gets lost in the fog? He is mist.
  10. Why do pumpkins sit on people’s porches? They have no hands to knock on the door.

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  1. What kind of dog does Dracula have? A blood hound.
  2. What is a ghost's nose full of? Boooooogers!
  3. What fruit do scarecrows love the most? Straw-berries.
  4. What does an evil hen lay? Deviled eggs.
  5. What does a witch use to do her hair? Scarespray!
  6. Why don’t vampires have more friends? Because they are a pain in the neck.
  7. What do you call a witch who goes to the beach? A sand-witch.
  8. Why didn't the skeleton go to the dance? Because he had no "body" to dance with.
  9. Why was the broom late? It over swept.
  10. Why did the Headless Horseman get a job? He was trying to get ahead in life.

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  1. Why did the scarecrow get a promotion? He was outstanding in his field.
  2. What’s the best thing to put into pumpkin pie? Your teeth.
  3. Why do vampires always seem sick? They’re always coffin.
  4. How does a witch style her hair? With scare-spray.
  5. What kind of monster likes to dance? The boogeyman.
  6. What does a ghost keep in his stable? Nightmares.
  7. What did the werewolf eat after his teeth cleaning? The dentist.
  8. What did the skeleton buy at the grocery store? Spare ribs.
  9. Where does the zombie live? On a dead-end street.
  10. Why don’t skeletons watch horror movies? They don’t have the guts.
  11. Where do ghosts go on holidays? The Boohamas.
  12. How do ghosts search the web? They use “Ghoul-gle.”

Hemos recopilado chistes divertidos de Halloween en inglés que pueden ser un poco fuera de lugar para los adultos, ¡pero definitivamente divertidos para los niños! Para obtener los mejores resultados, puedes añadir algunos efectos de fondo para aumentar el miedo y el temor.

👻🎃 Recursos educativos en inglés para halloween

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sábado, 25 de septiembre de 2021

10 activities to do with your children in autumn

Activities to do with your children in autumn

Autumn is the third season of the year after summer and just before winter. Recursos Educativos y actividades en inglés Otoño - Activities Autumn 🍂🍁🍄

With autumn comes rain, wind and therefore mushrooms! Children especially like the colours of the trees, which go from red to orange and yellow.

  1. Playing in the leaves

In autumn, children especially love to play in the leaves and collect them in large quantities to fight with friends, draw mazes on the ground or make piles to throw themselves into.
Let them take advantage of this season so that they can run and be in the wild.

  1. Making an herbarium

Autumn is also an opportunity to teach children to recognize trees. Suggest that they make a pretty herbarium of tree leaves.
Remember to dry your leaves and flowers well in a newspaper under a large book before sticking them in your herbarium.

  1. Playing in puddles

Children love water and when it rains, they have the ability to turn it into a fun activity like jumping into puddles.
So don't resist any longer: equip your children warmly, bring boots and good trousers and off you go to jump from puddle to puddle.

  1. Making nesting boxes

From the very first frost, the little birds encounter some difficulties in finding food, which always saddens the children.
Suggest that they make a pretty nesting box or decorate one. They will be doing a good deed and may get a chance to observe the birds more closely.

Choose a nesting box and a suitable place (away from cats), at a reasonable distance from a small water point and add some seeds to attract them.

  1. Going to the cinema

When the weather is too bad, go to the darkened rooms for a family or friends movie session for the older children.

With autumn comes an anthology of films and you will be spoilt for choice when it comes to animated films.

  1. Walking in the forest

Away from the screens and the stress of the week, take advantage of the weekends and days off to head off to the forest with your family.
Observe the mushrooms, collect nature's treasures and leaves to add to your herbarium, run and take pretty pictures. Quite a programme!
And we can only advise you to vary the walks and, if you can, go to the sea, which also has all its charm in autumn.

  1. Preparing for Halloween

When autumn sets in, it also means that the Halloween party is not far away. Whether you are for or against this festival, whether you decide to participate in the distribution of sweets or not, Halloween remains a time of the year when children's imaginations are particularly solicited.

  1. Playing games with the family

Is it raining, is it windy? How would you like to spend Sunday playing board games with your family?
Children love these relaxing times where we all play and have fun together. It keeps them away from the screens and builds nice family memories.

  1. Making cakes

In autumn, we spend less time outdoors and much more at home. Cooking is the star activity for children.
They love mixing, tasting, putting it everywhere, seeing a cake take shape through the oven window and above all tasting it. Fascinating steps to be carried out as a family!

  1. Preparing the Advent calendar

It is possible to have as a project in autumn to prepare the Advent calendar which the children will be able to discover on a day-to-day basis. What a delight!

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jueves, 23 de septiembre de 2021

The Skeleton Dance - Canciones Niños Inglés

The Skeleton Dance, Canciones Niños Inglés, Halloween Song, Kids Songs and Nursery Rhymes

Canciones para Niños en Inglés: Halloween - Songs for Children in English: Halloween

The Skeleton Dance

Canciones para niños en inglés para Halloween. Ideales para favorecer el aprendizaje del idioma, adquirir vocabulario, practicar la pronunciación, etc.

👻🎃 Recursos educativos en inglés para halloween

Lyric:

Dem bones, dem bones, dem dancing bones.
Dem bones, dem bones, dem dancing bones.
Dem bones, dem bones, dem dancing bones.
Doin' the skeleton dance.

The foot bone's connected to the leg bone.
The leg bone's connected to the knee bone.
The knee bone's connected to the thigh bone.
Doin' the skeleton dance.

The thigh bone's connected to the hip bone.
The hip bone's connected to the backbone.
The backbone's connected to the neck bone.
Doin' the skeleton dance.

Shake your hands to the left.
Shake your hands to the right.
Put your hands in the air.
Put your hands out of sight.
Shake your hands to the left.
Shake your hands to the right.
Put your hands in the air.
Wiggle, wiggle, wiggle, wiggle, wiggle,
wiggle, wiggle, wiggle, wiggle, wiggle,
wiggle, wiggle...wiggle your knees.

Dem bones, dem bones, dem dancing bones.
Dem bones, dem bones, dem dancing bones.
Dem bones, dem bones, dem dancing bones.
Doin' the skeleton dance.

👻🎃 Recursos educativos en inglés para halloween

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Halloween Baby Shark - Canciones Niños Inglés

Halloween Baby Shark, Canciones Niños Inglés, Halloween Song, Kids Songs and Nursery Rhymes

Canciones para Niños en Inglés: Halloween - Songs for Children in English: Halloween

Halloween Baby Shark

Canciones para niños en inglés para Halloween. Ideales para favorecer el aprendizaje del idioma, adquirir vocabulario, practicar la pronunciación, etc.

👻🎃 Recursos educativos en inglés para halloween

Lyric:

Boo boo, boo boo boo, boo boo BOO!!

Baby shark doo doo, doo doo, doo doo Baby shark doo doo, doo doo, doo doo

Baby shark doo doo, doo doo, doo doo Baby Shark

Mummy shark doo doo, doo doo, doo doo Mummy shark doo doo, doo doo, doo doo

Mummy shark doo doo, doo doo, doo doo Mummy Shark

Daddy shark doo doo, doo doo, doo doo Daddy shark doo doo, doo doo, doo doo

Daddy shark doo doo, doo doo, doo doo Daddy shark

Grandma shark doo doo, doo doo, doo doo Grandma shark doo doo, doo doo, doo doo

Grandma shark doo doo, doo doo, doo doo Grandma shark

Grandpa shark doo doo, doo doo, doo doo Grandpa shark doo doo, doo doo, doo doo

Grandpa shark doo doo, doo doo, doo doo Grandpa shark

It's Halloween doo doo, doo doo, doo doo Halloween doo doo, doo doo, doo doo

Halloween doo doo, doo doo, doo doo Halloween

Look! A spooky ghost doo doo, doo doo, doo doo Spooky ghost doo doo, doo doo, doo doo

Spooky ghost doo doo, doo doo, doo doo Spooky ghost

And a skeleton doo doo, doo doo, doo doo Skeleton doo doo, doo doo, doo doo

Skeleton doo doo, doo doo, doo doo Skeleton

There's a wicked witch doo doo, doo doo, doo doo Wicked witch doo doo, doo doo, doo doo

Wicked witch doo doo, doo doo, doo doo Wicked witch

And a flying bat doo doo, doo doo, doo doo Flying bat doo doo, doo doo, doo doo

Flying bat doo doo, doo doo, doo doo Flying bat, yay!

Baby baby baby shark, Baby baby baby shark, Baby baby baby shark,

Spooky, spooky baby shark doo doo, doo doo, doo doo Baby shark doo doo, doo doo, doo doo

Baby shark doo doo, doo doo, doo doo Baby Shark

Mummy shark doo doo, doo doo, doo doo Mummy shark doo doo, doo doo, doo doo

Mummy shark doo doo, doo doo, doo doo Mummy shark

Daddy shark doo doo, doo doo, doo doo Daddy shark doo doo, doo doo, doo doo

Daddy shark doo doo, doo doo, doo doo Daddy shark

Grandma shark doo doo, doo doo, doo doo Grandma shark doo doo, doo doo, doo doo

Grandma shark doo doo, doo doo, doo doo Grandma shark

Grandpa shark doo doo, doo doo, doo doo Grandpa shark doo doo, doo doo, doo doo

Grandpa shark doo doo, doo doo, doo doo Grandpa shark

Baby shark doo doo, doo doo, doo doo Baby shark doo doo, doo doo, doo doo

Baby shark doo doo, doo doo, doo doo Baby shark

Mummy shark doo doo, doo doo, doo doo Mummy shark doo doo, doo doo, doo doo

Mummy shark doo doo, doo doo, doo doo Mummy shark

Daddy shark doo doo, doo doo, doo doo Daddy shark doo doo, doo doo, doo doo

Daddy shark doo doo, doo doo, doo doo Daddy shark

Grandma shark doo doo, doo doo, doo doo Grandma shark doo doo, doo doo, doo doo

Grandma shark doo doo, doo doo, doo doo Grandma shark

Grandpa shark doo doo, doo doo, doo doo Grandpa shark doo doo, doo doo, doo doo

Grandpa shark doo doo, doo doo, doo doo Grandpa shark

All the sharks doo doo, doo doo, doo doo All the sharks doo doo, doo doo, doo doo

All the sharks doo doo, doo doo, doo doo All the sharks

Let's dress up doo doo, doo doo, doo doo Let's dress up doo doo, doo doo, doo doo

Let's dress up doo doo, doo doo, doo doo Let's dress up

Trick or treat doo doo, doo doo, doo doo Trick or treat doo doo, doo doo, doo doo

Trick or treat doo doo, doo doo, doo doo Trick or treat!

Happy Halloween doo doo, doo doo, doo doo Halloween doo doo, doo doo, doo doo

Halloween doo doo, doo doo, doo doo Halloween

It’s the end doo doo, doo doo, doo doo It’s the end doo doo, doo doo, doo doo

It’s the end doo doo, doo doo, doo doo It's the end!

Boo boo, boo boo boo, boo boo BOO!!

👻🎃 Recursos educativos en inglés para halloween

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Who Took The Candy? - Canciones Niños Inglés

Who Took The Candy? Canciones Niños Inglés, Halloween Song

Canciones para Niños en Inglés: Halloween - Songs for Children in English: Halloween

Who Took The Candy?

Canciones para niños en inglés para Halloween. Ideales para favorecer el aprendizaje del idioma, adquirir vocabulario, practicar la pronunciación, etc.

👻🎃 Recursos educativos en inglés para halloween

Lyric:

Who took the candy from the trick-or-treat bag?
The monster took the candy from the trick-or-treat bag.
Who me?
Yes, you!
Not me!
Then who?
The ghost!

Who took the candy from the trick-or-treat bag?
The ghost took the candy from the trick-or-treat bag.
Who me?
Yes, you!
Not me!
Then who?
The witch!

Who took the candy from the trick-or-treat bag?
The witch took the candy from the trick-or-treat bag.
Who me?
Yes, you!
Not me!
Then who?
The pirate!

Who took the candy from the trick-or-treat bag?
The pirate took the candy from the trick-or-treat bag.
Who me?
Yes, you!
Not me!
Then who?
The vampire!

Who took the candy from the trick-or-treat bag?
The vampire took the candy from the trick-or-treat bag.
Who me?
Yes, you!
Okay, okay... I took the candy.

👻🎃 Recursos educativos en inglés para halloween

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miércoles, 22 de septiembre de 2021

The Night Doings At 'Deadman's' - Ambrose Bierce - Horror

The Night Doings At 'Deadman's'

Recursos Educativos en Inglés - Stories in English

Cuentos clásicos en inglés de miedo, suspense, halloween

The Night Doings At 'Deadman's' - Ambrose Bierce - Horror

It was a singularly sharp night, and clear as the heart of a diamond. Clear nights have a trick of being keen. In darkness you may be cold and not know it; when you see, you suffer. This night was bright enough to bite like a serpent. The moon was moving mysteriously along behind the giant pines crowning the South Mountain, striking a cold sparkle from the crusted snow, and bringing out against the black west and ghostly outlines of the Coast Range, beyond which lay the invisible Pacific. The snow had piled itself, in the open spaces along the bottom of the gulch, into long ridges that seemed to heave, and into hills that appeared to toss and scatter spray. The spray was sunlight, twice reflected: dashed once from the moon, once from the snow.

In this snow many of the shanties of the abandoned mining camp were obliterated (a sailor might have said they had gone down), and at irregular intervals it had overtopped the tall trestles which had once supported a river called a flume; for, of course, 'flume' is flumen. Among the advantages of which the mountains cannot deprive the gold-hunter is the privilege of speaking Latin. He says of his dead neighbour, 'He has gone up the flume.' This is not a bad way to say, 'His life has returned to the Fountain of Life.'

While putting on its armour against the assaults of the wind, this snow had neglected no coign of vantage. Snow pursued by the wind is not wholly unlike a retreating army. In the open field it ranges itself in ranks and battalions; where it can get a foothold it makes a stand; where it can take cover it does so. You may see whole platoons of snow cowering behind a bit of broken wall. The devious old road, hewn out of the mountainside, was full of it. Squadron upon squadron had struggled to escape by this line, when suddenly pursuit had ceased. A more desolate and dreary spot than Deadman's Gulch in a winter midnight it is impossible to imagine. Yet Mr. Hiram Beeson elected to live there, the sole inhabitant.

Away up the side of the North Mountain his little pine-log shanty projected from its single pane of glass a long, thin beam of light, and looked not altogether unlike a black beetle fastened to the hillside with a bright new pin. Within it sat Mr. Beeson himself, before a roaring fire, staring into its hot heart as if he had never before seen such a thing in all his life. He was not a comely man. He was grey; he was ragged and slovenly in his attire; his face was wan and haggard; his eyes were too bright. As to his age, if one had attempted to guess it, one might have said forty-seven, then corrected himself and said seventy-four. He was really twenty-eight. Emaciated he was; as much, perhaps, as he dared be, with a needy undertaker at Bentley's Flat and a new and enterprising coroner at Sonora. Poverty and zeal are an upper and a nether millstone. It is dangerous to make a third in that kind of sandwich.
As Mr. Beeson sat there, with his ragged elbows on his ragged knees, his lean jaws buried in his lean hands, and with no apparent intention of going to bed, he looked as if the slightest movement would tumble him to pieces. Yet during the last hour he had winked no fewer than three times.

There was a sharp rapping at the door. A rap at that time of night and in that weather might have surprised an ordinary mortal who had dwelt two years in the gulch without seeing a human face, and could not fail to know that the country was impassable; but Mr. Beeson did not so much as pull his eyes out of the coals. And even when the door was pushed open he only shrugged a little more closely into himself, as one does who is expecting something that he would rather not see. You may observe this movement in women when, in a mortuary chapel, the coffin is borne up the aisle behind them.

But when a long old man in a blanket overcoat, his head tied up in a handkerchief and nearly his entire face in a muffler, wearing green goggles and with a complexion of glittering whiteness where it could be seen, strode silently into the room, laying a hard, gloved hand on Mr. Beeson's shoulder, the latter so far forgot himself as to look up with an appearance of no small astonishment; whomever he may have been expecting, he had evidently not counted on meeting anyone like this. Nevertheless, the sight of this unexpected guest produced in Mr. Beeson the following sequence: a feeling of astonishment; a sense of gratification; a sentiment of profound good will. Rising from his seat, he took the knotty hand from his shoulder, and shook it up and down with a fervour quite unaccountable; for in the old man's aspect was nothing to attract, much to repel. However, attraction is too general a property for repulsion to be without it. The most attractive object in the world is the face we instinctively cover with a cloth. When it becomes still more attractive -- fascinating -- we put seven feet of earth above it.
'Sir,' said Mr. Beeson, releasing the old man's hand, which fell passively against his thigh with a quiet clack, 'it is an extremely disagreeable night. Pray be seated; I am very glad to see you.'

Mr. Beeson spoke with an easy good breeding that one would hardly have expected, considering all things. Indeed, the contrast between his appearance and his manner was sufficiently surprising to be one of the commonest of social phenomena in the mines. The old man advanced a step toward the fire, glowing cavernously in the green goggles. Mr. Beeson resumed.

'You bet your life I am!'

Mr. Beeson's elegance was not too refined; it had made reasonable concessions to local taste. He paused a moment, letting his eyes drop from the muffled head of his guest, down along the row of mouldy buttons confining the blanket overcoat, to the greenish cowhide boots powdered with snow, which had begun to melt and run along the floor in little rills. He took an inventory of his guest, and appeared satisfied. Who would not have been? Then he continued:

'The cheer I can offer you is, unfortunately, in keeping with my surroundings; but I shall esteem myself highly favoured if it is your pleasure to partake of it, rather than seek better at Bentley's Flat.'

With a singular refinement of hospitable humility Mr. Beeson spoke as if a sojourn in his warm cabin on such a night, as compared with walking fourteen miles up to the throat in snow with a cutting crust, would be an intolerable hardship. By way of reply, his guest unbuttoned the blanket overcoat. The host laid fresh fuel on the fire, swept the hearth with the tail of a wolf, and added:

'But I think you'd better skedaddle.'

The old man took a seat by the fire, spreading his broad soles to the heat without removing his hat. In the mines the hat is seldom removed except when the boots are. Without further remark Mr. Beeson also seated himself in a chair which had been a barrel, and which, retaining much of its original character, seemed to have been designed with a view to preserving his dust if it should please him to crumble. For a moment there was silence; then, from somewhere among the pines, came the snarling yelp of a coyote; and simultaneously the door rattled in its frame. There was no other connection between the two incidents than that the coyote has an aversion to storms, and the wind was rising; yet there seemed somehow a kind of supernatural conspiracy between the two, and Mr. Beeson shuddered with a vague sense of terror. He recovered himself in a moment and again addressed his guest.
'There are strange doings here. I will tell you everything, and then if you decide to go I shall hope to accompany you over the worst of the way; as far as where Baldy Peterson shot Ben Hike -- I dare say you know the place.'

The old man nodded emphatically, as intimating not merely that he did, but that he did indeed.

'Two years ago,' began Mr. Beeson, 'I, with two companions, occupied this house; but when the rush to the Flat occurred we left, along with the rest. In ten hours the gulch was deserted. That evening, however, I discovered I had left behind me a valuable pistol (that is it) and returned for it, passing the night here alone, as I have passed every night since. I must explain that a few days before we left, our Chinese domestic had the misfortune to die while the ground was frozen so hard that it was impossible to dig a grave in the usual way. So, on the day of our hasty departure, we cut through the floor there, and gave him such burial as we could. But before putting him down I had the extremely bad taste to cut off his pigtail and spike it to that beam above his grave, where you may see it at this moment, or, preferably, when warmth has given you leisure for observation.

'I stated, did I not, that the Chinaman came to his death from natural causes? I had, of course, nothing to do with that, and returned through no irresistible attraction, or morbid fascination, but only because I had forgotten a pistol. That is clear to you, is it not, sir?'

The visitor nodded gravely. He appeared to be a man of few words, if any. Mr. Beeson continued:

'According to the Chinese faith, a man is like a kite: he cannot go to heaven without a tail. Well, to shorten this tedious story -- which, however, I thought it my duty to relate -- on that night, while I was here alone and thinking of anything but him, that Chinaman came back for his pigtail.
'He did not get it.'

At this point Mr. Beeson relapsed into blank silence. Perhaps he was fatigued by the unwonted exercise of speaking; perhaps he had conjured up a memory that demanded his undivided attention. The wind was now fairly abroad, and the pines along the mountainside sang with singular distinctness. The narrator continued:

'You say you do not see much in that, and I must confess I do not myself.

'But he keeps coming!'

There was another long silence, during which both stared into the fire without the movement of a limb. Then Mr. Beeson broke out, almost fiercely, fixing his eyes on what he could see of the impassive face of his auditor:

'Give it him? Sir, in this matter I have no intention of troubling anyone for advice. You will pardon me, I am sure' -- here he became singularly persuasive -- 'but I have ventured to nail that pigtail fast, and have assumed that somewhat onerous obligation of guarding it. So it is quite impossible to act on your considerate suggestion.

'Do you play me for a Modoc?'

Nothing could exceed the sudden ferocity with which he thrust this indignant remonstrance into the ear of his guest. It was as if he had struck him on the side of the head with a steel gauntlet. It was a protest, but it was a challenge. To be mistaken for a coward -- to be played for a Modoc: these two expressions are one. Sometimes it is a Chinaman. Do you play me for a Chinaman? is a question frequently addressed to the ear of the suddenly dead.

Mr. Beeson's buffet produced no effect, and after a moment's pause, during which the wind thundered in the chimney like the sound of clods upon a coffin, he resumed:

'But, as you say, it is wearing me out. I feel that the life of the last two years has been a mistake -- a mistake that corrects itself; you see how. The grave! No; there is no one to dig it. The ground is frozen, too. But you are very welcome. You may say at Bentley's -- but that is not important. It was very tough to cut; they braid silk into their pigtails. Kwaagh.'
Mr. Beeson was speaking with his eyes shut, and he wandered. His last word was a snore. A moment later he drew a long breath, opened his eyes with an effort, made a single remark, and fell into a deep sleep. What he said was this:

'They are swiping my dust!'

Then the aged stranger, who had not uttered one word since his arrival, arose from his seat and deliberately laid off his outer clothing, looking as angular in his flannels as the late Signorina Festorazzi, an Irish woman, six feet in height, and weighing fifty-six pounds, who used to exhibit herself in her chemise to the people of San Francisco. He then crept into one of the 'bunks,' having first placed a revolver in easy reach, according to the custom of the country. This revolver he took from a shelf, and it was the one which Mr. Beeson had mentioned as that for which he had returned to the gulch two years before.

In a few moments Mr. Beeson awoke, and seeing that his guest had retired he did likewise. But before doing so he approached the long, plaited wisp of pagan hair and gave it a powerful tug, to assure himself that it was fast and firm. The two beds-mere shelves covered with blankets not overclean-faced each other from opposite sides of the room, the little square trap-door that had given access to the Chinaman's grave being midway between. This, by the way, was crossed by a double row of spikeheads. In his resistance to the supernatural, Mr. Beeson had not disdained the use of material precautions.

The fire was now low, the flames burning bluely and petulantly, with occasional flashes, projecting spectral shadows on the walls -- shadows that moved mysteriously about, now dividing, now uniting. The shadow of the pendent queue, however, kept moodily apart, near the roof at the farther end of the room, looking like a note of admiration. The song of the pines outside had now risen to the dignity of a triumphal hymn. In the pauses the silence was dreadful.
It was during one of these intervals that the trap in the floor began to lift. Slowly and steadily it rose, and slowly and steadily rose the swaddled head of the old man in the bunk to observe it. Then, with a clap that shook the house to its foundation, it was thrown clean back, where it lay with its unsightly spikes pointing threateningly upward. Mr. Beeson awoke, and without rising, pressed his fingers into his eyes. He shuddered; his teeth chattered. His guest was now reclining on one elbow, watching the proceedings with the goggles that glowed like lamps.

Suddenly a howling gust of wind swooped down the chimney, scattering ashes and smoke in all directions, for a moment obscuring everything. When the fire-light again illuminated the room there was seen, sitting gingerly on the edge of a stool by the hearth-side, a swarthy little man of prepossessing appearance and dressed with faultless taste, nodding to the old man with a friendly and engaging smile.

'From San Francisco, evidently,' thought Mr. Beeson, who having somewhat recovered from his fright was groping his way to a solution of the evening's events.

But now another actor appeared upon the scene. Out of the square black hole in the middle of the floor protruded the head of the departed Chinaman, his glassy eyes turned upward in their angular slits and fastened on the dangling queue above with a look of yearning unspeakable. Mr. Beeson groaned, and again spread his hands upon his face. A mild odour of opium pervaded the place. The phantom, clad only in a short blue tunic quilted and silken but covered with grave-mould, rose slowly, as if pushed by a weak spiral spring. Its knees were at the level of the floor, when with a quick upward impulse like the silent leaping of a flame it grasped the queue with both hands, drew up its body and took the tip in its horrible yellow teeth. To this it clung in a seeming frenzy, grimacing ghastly, surging and plunging from side to side in its efforts to disengage its property from the beam, but uttering no sound. It was like a corpse artificially convulsed by means of a galvanic battery. The contrast between its superhuman activity and its silence was no less than hideous!
Mr. Beeson cowered in his bed. The swarthy little gentleman uncrossed his legs, beat an impatient tattoo with the toe of his boot and consulted a heavy gold watch. The old man sat erect and quietly laid hold of the revolver.

Bang!

Like a body cut from the gallows the Chinaman plumped into the black hole below, carrying his tail in his teeth. The trap-door turned over, shutting down with a snap. The swarthy little gentleman from San Francisco sprang nimbly from his perch, caught something in the air with his hat, as a boy catches a butterfly, and vanished into the chimney as if drawn up by suction.

From away somewhere in the outer darkness floated in through the open door a faint, far cry -- a long, sobbing wail, as of a child death-strangled in the desert, or a lost soul borne away by the Adversary. It may have been the coyote.

In the early days of the following spring a party of miners on their way to new diggings passed along the gulch, and straying through the deserted shanties found in one of them the body of Hiram Beeson, stretched upon a bunk, with a bullet hole through the heart. The ball had evidently been fired from the opposite side of the room, for in one of the oaken beams overhead was a shallow blue dint, where it had struck a knot and been deflected downward to the breast of its victim. Strongly attached to the same beam was what appeared to be an end of a rope of braided horsehair, which had been cut by the bullet in its passage to the knot. Nothing else of interest was noted, excepting a suit of mouldy and incongruous clothing, several articles of which were afterward identified by respectable witnesses as those in which certain deceased citizen's of Deadman's had been buried years before. But it is not easy to understand how that could be, unless, indeed, the garments had been worn as a disguise by Death himself -- which is hardly credible.

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