viernes, 1 de octubre de 2021

Halloween en Inglés - Activities to prepare Halloween

Halloween

Recursos y materiales gratis en inglés, para Halloween 🎃

Are you looking for devilish activity ideas? Our creative activities will allow you to create a Halloween costume for your children or a Halloween decoration worthy of the scariest haunted house with its inevitable pumpkin lantern, cobwebs, zombies and hanging witches.

You'll also find a candy bag for trick-or-treating door-to-door, games, macabre recipe ideas and a list of movies to watch on Halloween night.

Every year, Halloween is celebrated on October 31. But what exactly do we know about the Halloween date? How was this date chosen and what does it have to do with All Saints' Day? History and origin of Halloween. Find a lot of information about the date of Halloween.

  1. The Samain, ancestor of Halloween and All Saints' Day
  2. Discover the legend of Jack O'Lantern
  3. What are the symbols of Halloween?
  4. The Halloween costume, a thousand-year-old tradition
  5. The true story of Halloween

Activity ideas to prepare your Halloween night! A night that can give you chills.

  1. Poesías en Inglés para Halloween - poems for Halloween
  2. Canciones en Inglés para Halloween - Songs in English for Halloween
  3. Cuentos en Inglés para Halloween- Stories in English for Halloween
  4. Fichas en Inglés Halloween  - Worksheets in English for Halloween
  5. Flashcards en Inglés para Halloween  - Flashcards in English for Halloween
  6. Halloween recipes - Recetas para Halloween
  7. Halloween Jokes for Kids - Humor in English
  8. Dibujos en Inglés para colorear Halloween - Coloring sheets for Halloween in English
  9. Cartel en Inglés Halloween - Halloween poster
  10. Sopas de letras en Inglés Halloween - Wordsearches for Halloween
  11. Bingos en Inglés Halloween - Bingos in English for Halloween
  12. Recursos Educativos Halloween en español

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October - Dibujos Meses del año para Colorear en Inglés

October - Dibujos Profesiones para Colorear en Inglés

Recursos Educativos en inglés - Coloring Pages Months of the Year

Láminas para Colorear en Inglés
Meses del año

10. October - Octubre

Para Imprimir la lámina, se recomienda, guardarla primero en el PC.

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jueves, 30 de septiembre de 2021

The Realm Of The Unreal - Ambrose Bierce

The Realm Of The Unreal

Recursos Educativos en Inglés - Stories in English

Cuentos clásicos en inglés

The Realm Of The Unreal - Ambrose Bierce

For a part of the distance between Auburn and Newcastle the road -- first on one side of a creek and then on the other -- occupies the whole bottom of the ravine, being partly cut out of the steep hillside, and partly built up with boulders removed from the creek-bed by the miners. The hills are wooded, the course of the ravine is sinuous. In a dark night careful driving is required in order not to go off into the water. The night that I have in memory was dark, the creek a torrent, swollen by a recent storm. I had driven up from Newcastle and was within about a mile of Auburn in the darkest and narrowest part of the ravine, looking intently ahead of my horse for the roadway. Suddenly I saw a man almost under the animal's nose, and reined in with a jerk that came near setting the creature upon its haunches.

'I beg your pardon,' I said; 'I did not see you, sir.'

'You could hardly be expected to see me,' the man replied civilly, approaching the side of the vehicle; 'and the noise of the creek prevented my hearing you.'

I at once recognized the voice, although five years had passed since I had heard it. I was not particularly well pleased to hear it now.

'You are Dr. Dorrimore, I think,' said I.

'Yes; and you are my good friend Mr. Manrich. I am more than glad to see you -- the excess,' he added, with a light laugh, 'being due to the fact that I am going your way, and naturally expect an invitation to ride with you.'

'Which I extend with all my heart.'

That was not altogether true.

Dr. Dorrimore thanked me as he seated himself beside me, and I drove cautiously forward, as before. Doubtless it is fancy, but it seems to me now that the remaining distance was made in a chill fog; that I was uncomfortably cold; that the way was longer than ever before, and the town, when we reached it, cheerless, forbidding, and desolate. It must have been early in the evening, yet I do not recollect a light in any of the houses nor a living thing in the streets. Dorrimore explained at some length how he happened to be there, and where he had been during the years that had elapsed since I had seen him. I recall the fact of the narrative, but none of the facts narrated. He had been in foreign countries and had returned -- this is all that my memory retains, and this I already knew. As to myself I cannot remember that I spoke a word, though doubtless I did.
Of one thing I am distinctly conscious: the man's presence at my side was strangely distasteful and disquieting -- so much so that when I at last pulled up under the lights of the Putnam House I experienced a sense of having escaped some spiritual peril of a nature peculiarly forbidding. This sense of relief was somewhat modified by the discovery that Dr. Dorrimore was living at the same hotel.
In partial explanation of my feelings regarding Dr. Dorrimore I will relate briefly the circumstances under which I had met him some years before. One evening a half-dozen men of whom I was one were sitting in the library of the Bohemian Club in San Francisco. The conversation had turned to the subject of sleight-of-hand and the feats of the prestidigitateurs, one of whom was then exhibiting at a local theatre.

'These fellows are pretenders in a double sense,' said one of the party; 'they can do nothing which it is worth one's while to be made a dupe by. The humblest wayside juggler in India could mystify them to the verge of lunacy.'

'For example, how?' asked another, lighting a cigar.

'For example, by all their common and familiar performances -- throwing large objects into the air which never come down; causing plants to sprout, grow visibly and blossom, in bare ground chosen by spectators; putting a man into a wicker basket, piercing him through and through with a sword while he shrieks and bleeds, and then -- the basket being opened nothing is there; tossing the free end of a silken ladder into the air, mounting it and disappearing.'

'Nonsense!' I said, rather uncivilly, I fear. 'You surely do not believe such things?'

'Certainly not: I have seen them too often.'

'But I do,' said a journalist of considerable local fame as a picturesque reporter. 'I have so frequently related them that nothing but observation could shake my conviction. Why, gentlemen, I have my own word for it.'
Nobody laughed -- all were looking at something behind me. Turning in my seat I saw a man in evening dress who had just entered the room. He was exceedingly dark, almost swarthy, with a thin face, black-bearded to the lips, an abundance of coarse black hair in some disorder, a high nose and eyes that glittered with as soulless an expression as those of a cobra. One of the group rose and introduced him as Dr. Dorrimore, of Calcutta. As each of us was presented in turn he acknowledged the fact with a profound bow in the Oriental manner, but with nothing of Oriental gravity. His smile impressed me as cynical and a trifle contemptuous. His whole demeanour I can describe only as disagreeably engaging.

His presence led the conversation into other channels. He said little -- I do not recall anything of what he did say. I thought his voice singularly rich and melodious, but it affected me in the same way as his eyes and smile. In a few minutes I rose to go. He also rose and put on his overcoat.

'Mr. Manrich,' he said, 'I am going your way.'

'The devil you are!' I thought. 'How do you know which way I am going?' Then I said, 'I shall be pleased to have your company.'

We left the building together. No cabs were in sight, the street cars had gone to bed, there was a full moon and the cool night air was delightful; we walked up the California Street Hill. I took that direction thinking he would naturally wish to take another, toward one of the hotels.

'You do not believe what is told of the Hindu jugglers,' he said abruptly.

'How do you know that?' I asked.

Without replying he laid his hand lightly upon my arm and with the other pointed to the stone sidewalk directly in front. There, almost at our feet, lay the dead body of a man, the face upturned and white in the moonlight! A sword whose hilt sparkled with gems stood fixed and upright in the breast; a pool of blood had collected on the stones of the sidewalk.
I was startled and terrified -- not only by what I saw, but by the circumstances under which I saw it. Repeatedly during our ascent of the hill my eyes, I thought, had traversed the whole reach of that sidewalk, from street to street. How could they have been insensible to this dreadful object now so conspicuous in the white moonlight.

As my dazed faculties cleared I observed that the body was in evening dress; the overcoat thrown wide open revealed the dress-coat, the white tie, the broad expanse of shirt front pierced by the sword. And -- horrible revelation! -- the face, except for its pallor, was that of my companion! It was to the minutest detail of dress and feature Dr. Dorrimore himself. Bewildered and horrified, I turned to look for the living man. He was nowhere visible, and with an added terror I retired from the place, down the hill in the direction whence I had come. I had taken but a few strides when a strong grasp upon my shoulder arrested me. I came near crying out with terror: the dead man, the sword still fixed in his breast, stood beside me! Pulling out the sword with his disengaged hand, he flung it from him, the moonlight glinting upon the jewels of its hilt and the unsullied steel of its blade. It fell with a clang upon the sidewalk ahead and -- vanished! The man, swarthy as before, relaxed his grasp upon my shoulder and looked at me with the same cynical regard that I had observed on first meeting him. The dead have not that look -- it partly restored me, and turning my head backward, I saw the smooth white expanse of sidewalk, unbroken from street to street.

'What is all this nonsense, you devil?' I demanded, fiercely enough, though weak and trembling in every limb.

'It is what some are pleased to call jugglery,' he answered, with a light, hard laugh.

He turned down Dupont Street and I saw him no more until we met in the Auburn ravine.
On the day after my second meeting with Dr. Dorrimore I did not see him: the clerk in the Putnam House explained that a slight illness confined him to his rooms. That afternoon at the railway station I was surprised and made happy by the unexpected arrival of Miss Margaret Corray and her mother, from Oakland.
This is not a love story. I am no story-teller, and love as it is cannot be portrayed in a literature dominated and enthralled by the debasing tyranny which 'sentences letters' in the name of the Young Girl. Under the Young Girl's blighting reign -- or rather under the rule of those false Ministers of the Censure who have appointed themselves to the custody of her welfare -- Love

veils her sacred fires,
And, unaware, Morality expires,

famished upon the sifted meal and distilled water of a prudish purveyance.

Let it suffice that Miss Corray and I were engaged in marriage. She and her mother went to the hotel at which I lived, and for two weeks I saw her daily. That I was happy needs hardly be said; the only bar to my perfect enjoyment of those golden days was the presence of Dr. Dorrimore, whom I had felt compelled to introduce to the ladies.

By them he was evidently held in favour. What could I say? I knew absolutely nothing to his discredit. His manners were those of a cultivated and considerate gentleman; and to women a man's manner is the man. On one or two occasions when I saw Miss Corray walking with him I was furious, and once had the indiscretion to protest. Asked for reasons, I had none to give, and fancied I saw in her expression a shade of contempt for the vagaries of a jealous mind. In time I grew morose and consciously disagreeable, and resolved in my madness to return to San Francisco the next day. Of this, however, I said nothing.

There was at Auburn an old, abandoned cemetery. It was nearly in the heart of the town, yet by night it was as gruesome a place as the most dismal of human moods could crave. The railings about the plots were prostrate, decayed, or altogether gone. Many of the graves were sunken, from others grew sturdy pines, whose roots had committed unspeakable sin. The headstones were fallen and broken across; brambles overran the ground; the fence was mostly gone, and cows and pigs wandered there at will; the place was a dishonour to the living, a calumny on the dead, a blasphemy against God.
The evening of the day on which I had taken my madman's resolution to depart in anger from all that was dear to me found me in that congenial spot. The light of the half moon fell ghostly through the foliage of trees in spots and patches, revealing much that was unsightly, and the black shadows seemed conspiracies withholding to the proper time revelations of darker import. Passing along what had been a gravel path, I saw emerging from shadow the figure of Dr. Dorrimore. I was myself in shadow, and stood still with clenched hands and set teeth, trying to control the impulse to leap upon and strangle him. A moment later a second figure joined him and clung to his arm. It was Margaret Corray!

I cannot rightly relate what occurred. I know that I sprang forward, bent upon murder; I know that I was found in the grey of the morning, bruised and bloody, with finger marks upon my throat. I was taken to the Putnam House, where for days I lay in a delirium. All this I know, for I have been told. And of my own knowledge I know that when consciousness returned with convalescence I sent for the clerk of the hotel.

'Are Mrs. Corray and her daughter still here?' I asked.

'What name did you say?'

'Corray.'

'Nobody of that name has been here.'

'I beg you will not trifle with me,' I said petulantly. 'You see that I am all right now; tell me the truth.'

'I give you my word,' he replied with evident sincerity, 'we have had no guests of that name.'

His words stupefied me. I lay for a few moments in silence; then I asked: 'Where is Dr. Dorrimore?'

'He left on the morning of your fight and has not been heard of since. It was a rough deal he gave you.'

Such are the facts of this case. Margaret Corray is now my wife. She has never seen Auburn, and during the weeks whose history as it shaped itself in my brain I have endeavoured to relate, was living at her home in Oakland, wondering where her lover was and why he did not write. The other day I saw in the Baltimore Sun the following paragraph:
'Professor Valentine Dorrimore, the hypnotist, had a large audience last night. The lecturer, who has lived most of his life in India, gave some marvellous exhibitions of his power, hypnotizing anyone who chose to submit himself to the experiment, by merely looking at him. In fact, he twice hypnotized the entire audience (reporters alone exempted), making all entertain the most extraordinary illusions. The most valuable feature of the lecture was the disclosure of the methods of the Hindu jugglers in their famous performances, familiar in the mouths of travellers. The professor declares that these thaumaturgists have acquired such skill in the art which he learned at their feet that they perform their miracles by simply throwing the "spectators" into a state of hypnosis and telling them what to see and hear. His assertion that a peculiarly susceptible subject may be kept in the realm of the unreal for weeks, months, and even years, dominated by whatever delusions and hallucinations the operator may from time to time suggest, is a trifle disquieting.'

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An Inhabitant Of Carcosa - Ambrose Bierce

An Inhabitant Of Carcosa

Recursos Educativos en Inglés - Stories in English

Cuentos clásicos en inglés

An Inhabitant Of Carcosa - Ambrose Bierce

For there be divers sorts of death -- some wherein the body remaineth; and in some it vanisheth quite away with the spirit. This commonly occurreth only in solitude (such is God's will) and, none seeing the end, we say the man is lost, or gone on a long journey -- which indeed he hath; but sometimes it hath happened in sight of many, as abundant testimony showeth. In one kind of death the spirit also dieth, and this it hath been known to do while yet the body was in vigour for many years. Sometimes, as is veritably attested, it dieth with the body, but after a season is raised up again in that place where the body did decay.

Pondering these words of Hali (whom God rest) and questioning their full meaning, as one who, having an intimation, yet doubts if there be not something behind, other than that which he has discerned, I noted not whither I had strayed until a sudden chill wind striking my face revived in me a sense of my surroundings. I observed with astonishment that everything seemed unfamiliar. On every side of me stretched a bleak and desolate expanse of plain, covered with a tall overgrowth of sere grass, which rustled and whistled in the autumn wind with Heaven knows what mysterious and disquieting suggestion. Protruded at long intervals above it, stood strangely shaped and sombrecoloured rocks, which seemed to have an understanding with one another and to exchange looks of uncomfortable significance, as if they had reared their heads to watch the issue of some foreseen event. A few blasted trees here and there appeared as leaders in this malevolent conspiracy of silent expectation.

The day, I thought, must be far advanced, though the sun was invisible; and although sensible that the air was raw and chill my consciousness of that fact was rather mental than physical -- I had no feeling of discomfort. Over all the dismal landscape a canopy of low, lead-coloured clouds hung like a visible curse. In all this there was a menace and a portent -- a hint of evil, an intimation of doom. Bird, beast, or insect there was none. The wind sighed in the bare branches of the dead trees and the grey grass bent to whisper its dread secret to the earth; but no other sound nor motion broke the awful repose of that dismal place.
I observed in the herbage a number of weatherworn stones, evidently shaped with tools. They were broken, covered with moss and half sunken in the earth. Some lay prostrate, some leaned at various angles, none was vertical. They were obviously headstones of graves, though the graves themselves no longer existed as either mounds or depressions; the years had levelled all. Scattered here and there, more massive blocks showed where some pompous tomb or ambitious monument had once flung its feeble defiance at oblivion. So old seemed these relics, these vestiges of vanity and memorials of affection and piety, so battered and worn and stained -- so neglected, deserted, forgotten the place, that I could not help thinking myself the discoverer of the burial-ground of a prehistoric race of men whose very name was long extinct.

Filled with these reflections, I was for some time heedless of the sequence of my own experiences, but soon I thought, 'How came I hither?' A moment's reflection seemed to make this all clear and explain at the same time, though in a disquieting way, the singular character with which my fancy had invested all that I saw or heard. I was ill. I remembered now that I had been prostrated by a sudden fever, and that my family had told me that in my periods of delirium I had constantly cried out for liberty and air, and had been held in bed to prevent my escape out-of-doors. Now I had eluded the vigilance of my attendants and had wandered hither to -- to where? I could not conjecture. Clearly I was at a considerable distance from the city where I dwelt -- the ancient and famous city of Carcosa.

No signs of human life were anywhere visible nor audible; no rising smoke, no watch-dog's bark, no lowing of cattle, no shouts of children at play-nothing but that dismal burial-place, with its air of mystery and dread, due to my own disordered brain. Was I not becoming again delirious, there beyond human aid? Was it not indeed all an illusion of my madness? I called aloud the names of my wives and sons, reached out my hands in search of theirs, even as I walked among the crumbling stones and in the withered grass.
A noise behind me caused me to turn about. A wild animal -- a lynx -- was approaching. The thought came to me: if I break down here in the desert -- if the fever return and I fail, this beast will be at my throat. I sprang toward it, shouting. It trotted tranquilly by within a hand's-breadth of me and disappeared behind a rock.

A moment later a man's head appeared to rise out of the ground a short distance away. He was ascending the farther slope of a low hill whose crest was hardly to be distinguished from the general level. His whole figure soon came into view against the background of grey cloud. He was half naked, half clad in skins. His hair was unkempt, his beard long and ragged. In one hand he carried a bow and arrow; the other held a blazing torch with a long trail of black smoke. He walked slowly and with caution, as if he feared falling into some open grave concealed by the tall grass. This strange apparition surprised but did not alarm, and taking such a course as to intercept him I met him almost face to face, accosting him with the familiar salutation, 'God keep you.'

He gave no heed, nor did he arrest his pace.

'Good stranger,' I continued, 'I am ill and lost. Direct me, I beseech you, to Carcosa.'

The man broke into a barbarous chant in an unknown tongue, passing on and away.

An owl on the branch of a decayed tree hooted dismally and was answered by another in the distance. Looking upward, I saw through a sudden rift in the clouds Aldebaran and the Hyades! In all this there was a hint of night -- the lynx, the man with the torch, the owl. Yet I saw -- I saw even the stars in absence of the darkness. I saw, but was apparently not seen nor heard. Under what awful spell did I exist?

I seated myself at the root of a great tree, seriously to consider what it were best to do. That I was mad I could no longer doubt, yet recognized a ground of doubt in the conviction. Of fever I had no trace. I had, withal, a sense of exhilaration and vigour altogether unknown to me -- a feeling of mental and physical exaltation. My senses seemed all alert; I could feel the air as a ponderous substance; I could hear the silence.
A great root of the giant tree against whose trunk I leaned as I sat held enclosed in its grasp a slab of stone, a part of which protruded into a recess formed by another root. The stone was thus partly protected from the weather, though greatly decomposed. Its edges were worn round, its corners eaten away, its surface deeply furrowed and scaled. Glittering particles of mica were visible in the earth about it-vestiges of its decomposition. This stone had apparently marked the grave out of which the tree had sprung ages ago. The tree's exacting roots had robbed the grave and made the stone a prisoner.

A sudden wind pushed some dry leaves and twigs from the uppermost face of the stone; I saw the lowrelief letters of an inscription and bent to read it. God in heaven! my name in full! -- the date of my birth! -- the date of my death!

A level shaft of light illuminated the whole side of the tree as I sprang to my feet in terror. The sun was rising in the rosy east. I stood between the tree and his broad red disk -- no shadow darkened the trunk!

A chorus of howling wolves saluted the dawn. I saw them sitting on their haunches, singly and in groups, on the summits of irregular mounds and tumuli filling a half of my desert prospect and extending to the horizon. And then I knew that these were ruins of the ancient and famous city of Carcosa.

Such are the facts imparted to the medium Bayrolles by the spirit Hoseib Alar Robardin.

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The Boarded Window - Ambrose Bierce

The Boarded Window

Recursos Educativos en Inglés - Stories in English

Cuentos clásicos en inglés

The Boarded Window - Ambrose Bierce

In 1830, only a few miles away from what is now the great city of Cincinnati, lay an immense and almost unbroken forest. The whole region was sparsely settled by people of the frontier - restless souls who no sooner had hewn fairly habitable homes out of the wilderness and attained to that degree of prosperity which today we should call indigence, than, impelled by some mysterious impulse of their nature, they abandoned all and pushed farther westward, to encounter new perils and privations in the effort to regain the meagre comforts which they had voluntarily renounced. Many of them had already forsaken that region for the remoter settlements, but among those remaining was one who had been of those first arriving. He lived alone in a house of logs surrounded on all sides by the great forest, of whose gloom and silence he seemed a part, for no one had ever known him to smile nor speak a needless word. His simple wants were supplied by the sale or barter of skins of wild animals in the river town, for not a thing did he grow upon the land which, if needful, he might have claimed by right of undisturbed possession. There were evidences of "improvement" - a few acres of ground immediately about the house had once been cleared of its trees, the decayed stumps of which were half concealed by the new growth that had been suffered to repair the ravage wrought by the axe. Apparently the man's zeal for agriculture had burned with a failing flame, expiring in penitential ashes.

The little log house, with its chimney of sticks, its roof of warping clapboards weighted with traversing poles and its "chinking" of clay, had a single door and, directly opposite, a window. The latter, however, was boarded up - nobody could remember a time when it was not. And none knew why it was so closed; certainly not because of the occupant's dislike of light and air, for on those rare occasions when a hunter had passed that lonely spot the recluse had commonly been seen sunning himself on his doorstep if heaven had provided sunshine for his need. I fancy there are few persons living today who ever knew the secret of that window, but I am one, as you shall see.
The man's name was said to be Murlock. He was apparently seventy years old, actually about fifty. Something besides years had had a hand in his ageing. His hair and long, full beard were white, his grey, lustreless eyes sunken, his face singularly seamed with wrinkles which appeared to belong to two intersecting systems. In figure he was tall and spare, with a stoop of the shoulders - a burden bearer. I never saw him; these particulars I learned from my grandfather, from whom also I got the man's story when I was a lad. He had known him when living near by in that early day.

One day Murlock was found in his cabin, dead. It was not a time and place for coroners and newspapers, and I suppose it was agreed that he had died from natural causes or I should have been told, and should remember. I know only that with what was probably a sense of the fitness of things the body was buried near the cabin, alongside the grave of his wife, who had preceded him by so many years that local tradition had retained hardly a hint of her existence. That closes the final chapter of this true story - excepting, indeed, the circumstance that many years afterward, in company with an equally intrepid spirit, I penetrated to the place and ventured near enough to the ruined cabin to throw a stone against it, and ran away to avoid the ghost which every well-informed boy thereabout knew haunted the spot. But there is an earlier chapter - that supplied by my grandfather.

When Murlock built his cabin and began laying sturdily about with his axe to hew out a farm - the rifle, meanwhile, his means of support - he was young, strong and full of hope. In that eastern country whence he came he had married, as was the fashion, a young woman in all ways worthy of his honest devotion, who shared the dangers and privations of his lot with a willing spirit and light heart. There is no known record of her name; of her charms of mind and person tradition is silent and the doubter is at liberty to entertain his doubt; but God forbid that I should share it! Of their affection and happiness there is abundant assurance in every added day of the man's widowed life; for what but the magnetism of a blessed memory could have chained that venturesome spirit to a lot like that?

One day Murlock returned from gunning in a distant part of the forest to find his wife prostrate with fever, and delirious. There was no physician within miles, no neighbour; nor was she in a condition to be left, to summon help. So he set about the task of nursing her back to health, but at the end of the third day she fell into unconsciousness arid so passed away, apparently, with never a gleam of returning reason.

From what we know of a nature like his we may venture to sketch in some of the details of the outline picture drawn by my grandfather. When convinced that she was dead, Murlock had sense enough to remember that the dead must be prepared for burial. In performance of this sacred duty he blundered now and again, did certain things incorrectly, and others which he did correctly were done over and over. His occasional failures to accomplish some simple and ordinary act filled him with astonishment, like that of a drunken man who wonders at the suspension of familiar natural laws. He was surprised, too, that he did not weep - surprised and a little ashamed; surely it is unkind not to weep for the dead. "Tomorrow," he said aloud, "I shall have to make the coffin arid dig the grave; and then I shall miss her, when she is no longer in sight; but now - she is dead, of course, but it is all right - it must be all right, somehow. Things cannot be so bad as they seem."

He stood over the body in the fading light, adjusting the hair and putting the finishing touches to the simple toilet, doing all mechanically, with soulless care. And still through his consciousness ran an undersense of conviction that all was right - that he should have her again as before, and everything explained. He had had no experience in grief; his capacity had not been enlarged by use. His heart could not contain it all, nor his imagination rightly conceive it. He did not know he was so hard struck; that knowledge would come later, and never go. Grief is an artist of powers as various as the instruments upon which he plays his dirges for the dead, evoking from some the sharpest, shrillest notes, from others the low, grave chords that throb recurrent like the slow beating of a distant drum. Some natures it startles; some it stupefies. To one it comes like the stroke of an arrow, stinging all the sensibilities to a keener life; to another as the blow of a bludgeon, which in crushing benumbs. We may conceive Murlock to have been that way affected, for (and here we are upon surer ground than that of conjecture) no sooner had he finished his pious work than, sinking into a chair by the side of the table upon which the body lay, and noting how white the profile showed in the deepening gloom, he laid his arms upon the table's edge, and dropped his face into them, tearless yet and unutterably weary. At that moment came in through the open window a long, wailing sound like the cry of a lost child in the far deeps of the darkening woods! But the man did not move. Again, and nearer than before, sounded that unearthly cry upon his failing sense. Perhaps it was a wild beast; perhaps it was a dream. For Murlock was asleep.
Some hours later, as it afterward appeared, this unfaithful watcher awoke and lifting his head from his arms intently listened - he knew not why. There in the black darkness by the side of the dead, recalling all without a shock, he strained his eyes to see - he knew not what. His senses were all alert, his breath was suspended, his blood had stilled its tides as if to assist the silence. Who - what had waked him, and where was it?

Suddenly the table shook beneath his arms, and at the same moment he heard, or fancied that he heard, a light, soft step - another - sounds as of bare feet upon the floor!

He was terrified beyond the power to cry out or move. Perforce he waited - waited there in the darkness through seeming centuries of such dread as one may know, yet live to tell. He tried vainly to speak the dead woman's name, vainly to stretch forth his hand across the table to learn if she were there. His throat was powerless, his arms and hands were like lead. Then occurred something most frightful. Some heavy body seemed hurled against the table with an impetus that pushed it against his breast so sharply as nearly to overthrow him, and at the same instant he heard and felt the fall of something upon the floor with so violent a thump that the whole house was shaken by the impact. A scuffling ensued, and a confusion of sounds impossible to describe. Murlock had risen to his feet. Fear had by excess forfeited control of his faculties. He flung his hands upon the table. Nothing was there!

There is a point at which terror may turn to madness; and madness incites to action. With no definite intent, from no motive but the wayward impulse of a madman, Murlock sprang to the wall, with a little groping seized his loaded rifle, and without aim discharged it. By the flash which lit up the room with a vivid illumination, he saw an enormous panther dragging the dead woman toward the window, its teeth fixed in her throat! Then there were darkness blacker than before, and silence; and when he returned to consciousness the sun was high and the wood vocal with songs of birds.
The body lay near the window, where the beast had left it when frightened away by the flash and report of the rifle. The clothing was deranged, the long hair in disorder, the limbs lay anyhow. From the throat, dreadfully lacerated, had issued a pool of blood not yet entirely coagulated. The ribbon with which he had bound the wrists was broken; the hands were tightly clenched. Between the teeth was a fragment of the animal's ear.

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miércoles, 29 de septiembre de 2021

Was going to - El futuro en el pasado

What tense is was going to? Uso de was going to

"Sí, iba a hacer la comida, pero finalmente alguien me vino a visitar".

En esta frase "Iba a hacer la comida", es una acción planificada, una intención. Fue una pequeña frase en la que usaste el tiempo futuro en el pasado.

Ahora, lo que aprenderemos es a expresar el mismo tipo de frases en inglés, especialmente con Was going to.

Was going to y el tiempo futuro en el pasado

Podemos utilizar "was going to" para hablar del futuro a partir de un momento del pasado: cuando hablamos de cosas que estaban previstas o de intenciones:

I was going to visit our London house, but my train was delayed. - Iba a visitar nuestra casa de Londres, pero mi tren se retrasó.

*** Es la intención que está en el pasado y que ha cambiado. El tiempo al que se refiere la intención puede ser tanto en el futuro como en el pasado:

Tomorrow we were going to go to the cinema but our car has broken down. Mañana íbamos a ir al cine pero nuestro coche se ha estropeado.

On Monday I was going to meet Anna, but she didn't show up. El lunes iba a quedar con Anna, pero no apareció.

Esta estructura también se utiliza para explicar por qué no se ha producido un hecho, para pedir una disculpa, para explicar un cambio de proyecto, para explicar un contexto:

I was going to invite Anna tonight. Do you think it’s a good idea? - Iba a invitar a Anna esta noche. ¿Crees que es una buena idea?

Hello Anna, I was going to send you a message today, but I totally forgot. Hola Anna, iba a enviarte un mensaje hoy, pero se me olvidó por completo.

We were going to have breakfast together, but we decided to meet for lunch instead. Íbamos a desayunar juntos, pero decidimos reunirnos para almorzar.

Was going to es una forma fácil de recordar para expresar una intención que tenías, o una acción que habías planeado. Por supuesto, hay otras formas de hablar del futuro en el pasado (veremos dos de ellas a continuación), pero si sólo recuerdas Was going to, ya serás capaz de expresarte en la mayoría de las situaciones.

También podemos utilizar los tiempos perfectos con "going to" para expresar diferentes perspectivas en el pasado:

He has been going to clean the garage for months. I don’t think he ever will.

Hay otras estructuras que pueden utilizarse para hablar del futuro en el pasado. El pretérito continuo puede usarse para arreglos en el pasado:

I was meeting the lawyer at 5pm. He quedado con el abogado a las 17h.

En el estilo más formal, "was/were to" puede utilizarse para hablar de planes y acuerdos:

We were to hold a live interview this day, but some technical problems prevented us from doing so. Este día íbamos a realizar una entrevista en directo, pero algunos problemas técnicos nos lo impidieron.

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DO y MAKE en inglés ¿Cuáles son las diferencias?

Do, make: ¿Cuáles son las diferencias?

La diferencia entre Do y Make en inglés

A veces es difícil diferenciar entre Do y Make en inglés. De hecho, podemos traducir ambos por el verbo "hacer".

En este sentido, estos dos verbos son similares. Pero:

Do ⇒ Hacer en el sentido de actuar. Para "hacer" actividades, o cuando se habla de hacer algo en general.
Make ⇒ Hacer en el sentido de fabricar, crear, construir. (A menudo objetos palpables, que podemos tocar).

En general, Do se utiliza en los siguientes casos:

- Cuando alguien realiza una actividad o un trabajo, por ejemplo:

Do your bed.

Do your food.

Do the homework.

- Y cuando se habla de cosas en general, por ejemplo:

I’m not doing anything today.

I do sport with him.

**** Do también se utiliza de otra manera, como auxiliar. Por ejemplo, para hacer una pregunta (por ejemplo: ¿DO you want...?).

Make se utiliza con mayor frecuencia en los siguientes casos:

- Cuando se trata de construir, crear o fabricar. Ejemplos:

I'm making a cake.

To make hocolate.

Con Make, a menudo se pueden tocar los objetos en cuestión, se crea algo tangible.

Sin embargo, hay, por supuesto, excepciones y expresiones específicas. Por ejemplo:

Make a plan.

Make a suggestion.

Make the most of something.

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