jueves, 21 de octubre de 2021

The Samain, ancestor of Halloween and All Saints' Day

What is Samain's party?

Recursos Educativos en Inglés - Stories in English

Lecturas en inglés

The Halloween and All Saints' Day celebrations have their origins partly in the Feast of the Samain. This festival, the ancestor of Halloween, was timeless as it belonged neither to the old nor the new year.

According to tradition, this night belonged to the dead who dressed up as monsters and came to visit the living. We find in this festival the origin of Halloween costumes!

The Samain is a Celtic and therefore Gallic festival (since the Gauls were one of the Celtic peoples) which corresponds to the night of 31 October to the first of November in our Julian calendar. This day marked the end of summer and the beginning of the dark season.

La Samain: a Gallic festival

The Samain festival dates back more than 2500 years. The Saman festival is also called Saman, Samhna, Samhain or Samonios. To give you an idea of what this festival is all about, you should know that the year of the Celts was marked by 4 major events and each of these events was linked to the 4 seasons.

  • IMBOLC celebrated Spring and took place at the beginning of February.
  • BELTANE celebrated Summer and took place at the beginning of May.
  • LUGNASAD celebrated Autumn and took place at the beginning of August.
  • SAMAIN celebrated Winter and took place at the beginning of November.

The Samain was the day when the God of Death informed the dead of the year of their new destination or "reincarnation". The feast therefore had a cultural and religious dimension. This feast marked the beginning of the New Year and its celebration was obligatory! The feast of the Samain lasted 3 days, but the festivities could continue for 15 days:

  • Day 1: the first day was dedicated to the memory of the great missing men.
  • Day 2: This day was the feast of all the dead.
  • Day 3: The last day was the day of revelry and celebration.

when the Samain became All Saints' Day

Traditions and beliefs travel through time and civilisations, they change, transform, evolve and are no longer quite the same. In the 11th century, the Samain, like the majority of pagan festivities, was banned. The church established the Feast of All Saints (All Saints), the date of which corresponds to the first day of the Samain, and the Feast of the Dead, which corresponds to the second day of the Samain.

While most historians agree that the Samain is the ancestor of Halloween, some believe that the Halloween festival practised today bears no resemblance to the Celtic Samain in either form or symbolism.

For historians, All Saints' Day is the real extension of the Samain and not Halloween. What is certain is that Celtic beliefs and practices are at the source of these two celebrations, but it is not certain that either one is the modern extension of the other.

The Irish Legend of the Samain

Another legend, Irish this time, gave birth to Halloween: Jack O Lantern! A very old legend that gave birth to the traditional Halloween pumpkin. It tells the story of a drunken and stingy young man who makes a pact with the devil in the hope of escaping from hell. Unable to go to heaven because of his lifelong attitude, he was turned into embers and trapped forever in a hollowed-out turnip. Do you want to know more about this story?

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Discover the legend of Jack O'Lantern

the true story of Jack O'Lantern

Recursos Educativos en Inglés - Stories in English

Lecturas en inglés

Halloween is also an opportunity to make your child want to read. Discover the story of the Halloween legend: Jack O'Lantern.

To be read from 7 years old.

On Halloween or when we talk about Halloween, we usually think of hollowed-out pumpkins in the shape of a monster's head. But do you know the legendary origin of this tradition? Jack O'Lantern, or Jack of the lantern, is a legendary character associated with Halloween, coming from Irish culture. His story explains the appearance of the very famous Halloween pumpkins.

The true story of Jack O'Lantern

Legend has it that once upon a time in Ireland there lived a man called Jack. He was very stingy and very mean. One day when he had drunk a lot of beer, he met the devil who wanted to take him to hell. Jack invited him for a drink, but he was very stingy and didn't want to pay. So the devil turned himself into a gold coin. As soon as he saw the beautiful coin Jack picked it up and put it in his purse.

The devil was his prisoner! Jack freed the devil against the promise that he would never take him to hell. The day Jack died he went to heaven, but they didn't want him because he was too bad a man. Not knowing where to go, he went to hell, but the devil refused him, reminding him of his promise. The devil gave him a burning ember and sent him away.

Jack put the ember in a hollow turnip to light his way. It is said that he always wanders with this lantern in search of a place to go. Since then, children have also been making lanterns for Halloween, except that the turnips have been replaced by pumpkins.

This traditional Irish story allows us to understand part of the origin of Halloween. But there are many other origins that explain the appearance of this festival as we know it today.

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What are the symbols of Halloween?

What are the symbols of Halloween?

Recursos Educativos en Inglés - Stories in English

Lecturas en inglés

Pumpkins, witches and bats, are you sure you know all the Halloween symbols?

Are you looking for information on Halloween symbols? Here's something to feed your curiosity! Halloween symbols are numerous and start with the pumpkin: the symbol of this colourful holiday. Night animals such as the black cat, bats and owls are also very present. We don't forget the imaginary and fantastic creatures like the witch, the vampire or the ghost. But Halloween is also a party that has its own unique codes and colours. Orange, black, purple. Everything is explained in this article about the symbols of Halloween.

The pumpkin: a true symbol of Halloween

The most popular symbol of Halloween is undoubtedly the pumpkin! As October 31st approaches, it is everywhere. But the story could have been different. If you are told about turnip, you don't see what this vegetable comes here to do. And yet, the origin of Halloween, in symbolic terms, was none other than the latter. It is said that an old drunkard named Jack Stingy defied the devil several times. Satan, in order to take his revenge, refused Mr. Stingy entry to the gates of Hell when he died. He was condemned to wander between the world of the living and the world of the dead for all eternity. As a consolation, the devil offered him an ember that Jack hastily sheltered in a hollowed-out turnip. This is where the legend of Jack-O'-Lantern was born. When the Irish immigrants arrived in the United States, they replaced the turnips with pumpkins, which were much simpler to dig and carve. Thus, the pumpkin took the place of the Halloween symbol.

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miércoles, 20 de octubre de 2021

The Hedgehog - Saki - Classic Stories

The Hedgehog

Recursos Educativos en Inglés - Stories in English

Cuentos clásicos en inglés

The Hedgehog - Saki

A "Mixed Double" of young people were contesting a game of lawn tennis at the Rectory garden party; for the past five-and-twenty years at least mixed doubles of young people had done exactly the same thing on exactly the same spot at about the same time of year. The young people changed and made way for others in the course of time, but very little else seemed to alter. The present players were sufficiently conscious of the social nature of the occasion to be concerned about their clothes and appearance, and sufficiently sport-loving to be keen on the game. Both their efforts and their appearance came under the fourfold scrutiny of a quartet of ladies sitting as official spectators on a bench immediately commanding the court. It was one of the accepted conditions of the Rectory garden party that four ladies, who usually knew very little about tennis and a great deal about the players, should sit at that particular spot and watch the game. It had also come to be almost a tradition that two ladies should be amiable, and that the other two should be Mrs. Dole and Mrs. Hatch-Mallard.

"What a singularly unbecoming way Eva Jonelet has taken to doing her hair in," said Mrs. Hatch-Mallard; "it's ugly hair at the best of times, but she needn't make it look ridiculous as well. Some one ought to tell her."

Eva Jonelet's hair might have escaped Mrs. Hatch-Mallard's condemnation if she could have forgotten the more glaring fact that Eva was Mrs. Dole's favourite niece. It would, perhaps, have been a more comfortable arrangement if Mrs. Hatch-Mallard and Mrs. Dole could have been asked to the Rectory on separate occasions, but there was only one garden party in the course of the year, and neither lady could have been omitted from the list of invitations without hopelessly wrecking the social peace of the parish.

"How pretty the yew trees look at this time of year," interposed a lady with a soft, silvery voice that suggested a chinchilla muff painted by Whistler.

"What do you mean by this time of year?" demanded Mrs. Hatch-Mallard. "Yew trees look beautiful at all times of the year. That is their great charm."

"Yew trees never look anything but hideous under any circumstances or at any time of year," said Mrs. Dole, with the slow, emphatic relish of one who contradicts for the pleasure of the thing. "They are only fit for graveyards and cemeteries."

Mrs. Hatch-Mallard gave a sardonic snort, which, being translated, meant that there were some people who were better fitted for cemeteries than for garden parties.

"What is the score, please?" asked the lady with the chinchilla voice.

The desired information was given her by a young gentleman in spotless white flannels, whose general toilet effect suggested solicitude rather than anxiety.

"What an odious young cub Bertie Dykson has become!" pronounced Mrs. Dole, remembering suddenly that Bertie was a favourite with Mrs. Hatch-Mallard. "The young men of to-day are not what they used to be twenty years ago."

"Of course not," said Mrs. Hatch-Mallard; "twenty years ago Bertie Dykson was just two years old, and you must expect some difference in appearance and manner and conversation between those two periods."

"Do you know," said Mrs. Dole, confidentially, "I shouldn't be surprised if that was intended to be clever."

"Have you any one interesting coming to stay with you, Mrs. Norbury?" asked the chinchilla voice, hastily; "you generally have a house party at this time of year."

"I've got a most interesting woman coming," said Mrs. Norbury, who had been mutely struggling for some chance to turn the conversation into a safe channel; "an old acquaintance of mine, Ada Bleek --"

"What an ugly name," said Mrs. Hatch-Mallard.

"She's descended from the de la Bliques, an old Huguenot family of Touraine, you know."

"There weren't any Huguenots in Touraine," said Mrs. Hatch-Mallard, who thought she might safely dispute any fact that was three hundred years old.

"Well, anyhow, she's coming to stay with me," continued Mrs. Norbury, bringing her story quickly down to the present day, "she arrives this evening, and she's highly clairvoyante, a seventh daughter of a seventh daughter, you now, and all that sort of thing."

"How very interesting," said the chinchilla voice; "Exwood is just the right place for her to come to, isn't it? There are supposed to be several ghosts there."

"That is why she was so anxious to come," said Mrs. Norbury; "she put off another engagement in order to accept my invitation. She's had visions and dreams, and all those sort of things, that have come true in a most marvellous manner, but she's never actually seen a ghost, and she's longing to have that experience. She belongs to that Research Society, you know."

"I expect she'll see the unhappy Lady Cullumpton, the most famous of all the Exwood ghosts," said Mrs. Dole; "my ancestor, you know, Sir Gervase Cullumpton, murdered his young bride in a fit of jealousy while they were on a visit to Exwood. He strangled her in the stables with a stirrup leather, just after they had come in from riding, and she is seen sometimes at dusk going about the lawns and the stable yard, in a long green habit, moaning and trying to get the thong from round her throat. I shall be most interested to hear if your friend sees --"

"I don't know why she should be expected to see a trashy, traditional apparition like the so-called Cullumpton ghost, that is only vouched for by housemaids and tipsy stable-boys, when my uncle, who was the owner of Exwood, committed suicide there under the most tragical circumstances, and most certainly haunts the place."

"Mrs. Hatch-Mallard has evidently never read Popple's County History," said Mrs. Dole icily, "or she would know that the Cullumpton ghost has a wealth of evidence behind it --"

"Oh, Popple!" exclaimed Mrs. Hatch-Mallard scornfully; "any rubbishy old story is good enough for him. Popple, indeed! Now my uncle's ghost was seen by a Rural Dean, who was also a Justice of the Peace. I should think that would be good enough testimony for any one. Mrs. Norbury, I shall take it as a deliberate personal affront if your clairvoyante friend sees any other ghost except that of my uncle."

"I daresay she won't see anything at all; she never has yet, you know," said Mrs. Norbury hopefully.

"It was a most unfortunate topic for me to have broached," she lamented afterwards to the owner of the chinchilla voice; "Exwood belongs to Mrs. Hatch-Mallard, and we've only got it on a short lease. A nephew of hers has been wanting to live there for some time, and if we offend her in any way she'll refuse to renew the lease. I sometimes think these garden-parties are a mistake."

The Norburys played bridge for the next three nights till nearly one o'clock; they did not care for the game, but it reduced the time at their guest's disposal for undesirable ghostly visitations.

"Miss Bleek is not likely to be in a frame of mind to see ghosts," said Hugo Norbury, "if she goes to bed with her brain awhirl with royal spades and no trumps and grand slams."

"I've talked to her for hours about Mrs. Hatch-Mallard's uncle," said his wife, "and pointed out the exact spot where he killed himself, and invented all sorts of impressive details, and I've found an old portrait of Lord John Russell and put it in her room, and told her that it's supposed to be a picture of the uncle in middle age. If Ada does see a ghost at all it certainly ought to be old Hatch-Mallard's. At any rate, we've done our best."

The precautions were in vain. On the third morning of her stay Ada Bleek came down late to breakfast, her eyes looking very tired, but ablaze with excitement, her hair done anyhow, and a large brown volume hugged under her arm.

"At last I've seen something supernatural!" she exclaimed, and gave Mrs. Norbury a fervent kiss, as though in gratitude for the opportunity afforded her.

"A ghost!" cried Mrs. Norbury, "not really!"

"Really and unmistakably!"

"Was it an oldish man in the dress of about fifty years ago?" asked Mrs. Norbury hopefully.

"Nothing of the sort," said Ada; "it was a white hedgehog."

"A white hedgehog!" exclaimed both the Norburys, in tones of disconcerted astonishment.

"A huge white hedgehog with baleful yellow eyes," said Ada; "I was lying half asleep in bed when suddenly I felt a sensation as of something sinister and unaccountable passing through the room. I sat up and looked round, and there, under the window, I saw an evil, creeping thing, a sort of monstrous hedgehog, of a dirty white colour, with black, loathsome claws that clicked and scraped along the floor, and narrow, yellow eyes of indescribable evil. It slithered along for a yard or two, always looking at me with its cruel, hideous eyes, then, when it reached the second window, which was open it clambered up the sill and vanished. I got up at once and went to the window; there wasn't a sign of it anywhere. Of course, I knew it must be something from another world, but it was not till I turned up Popple's chapter on local traditions that I realised what I had seen."

She turned eagerly to the large brown volume and read: "'Nicholas Herison, an old miser, was hung at Batchford in 1763 for the murder of a farm lad who had accidentally discovered his secret hoard. His ghost is supposed to traverse the countryside, appearing sometimes as a white owl, sometimes as a huge white hedgehog."

"I expect you read the Popple story overnight, and that made you think you saw a hedgehog when you were only half awake," said Mrs. Norbury, hazarding a conjecture that probably came very near the truth.

Ada scouted the possibility of such a solution of her apparition.

"This must be hushed up," said Mrs. Norbury quickly; "the servants-"

"Hushed up!" exclaimed Ada, indignantly; "I'm writing a long report on it for the Research Society."

It was then that Hugo Norbury, who is not naturally a man of brilliant resource, had one of the really useful inspirations of his life.

"It was very wicked of us, Miss Bleek," he said, "but it would be a shame to let it go further. That white hedgehog is an old joke of ours; stuffed albino hedgehog, you know, that my father brought home from Jamaica, where they grow to enormous size. We hide it in the room with a string on it, run one end of the string through the window; then we pull if from below and it comes scraping along the floor, just as you've described, and finally jerks out of the window. Taken in heaps of people; they all read up Popple and think it's old Harry Nicholson's ghost; we always stop them from writing to the papers about it, though. That would be carrying matters too far."

Mrs. Hatch-Mallard renewed the lease in due course, but Ada Bleek has never renewed her friendship.

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The Trial For Murder - Charles Dickens - Classic Stories

The Trial For Murder - Charles Dickens

Recursos Educativos en Inglés - Stories in English

Cuentos clásicos en inglés

The Trial For Murder - Charles Dickens

I have always noticed a prevalent want of courage, even among persons of superior intelligence and culture, as to imparting their own psychological experiences when those have been of a strange sort. Almost all men are afraid that what they could relate in such wise would find no parallel or response in a listener's internal life, and might be suspected or laughed at. A truthful traveller, who should have seen some extraordinary creature in the likeness of a sea-serpent, would have no fear of mentioning it; but the same traveller, having had some singular presentiment, impulse, vagary of thought, vision (so-called), dream, or other remarkable mental impression, would hesitate considerably before he would own to it. To this reticence I attribute much of the obscurity in which such subjects are involved. We do not habitually communicate our experiences of these subjective things as we do our experiences of objective creation. The consequence is, that the general stock of experience in this regard appears exceptional, and really is so, in respect of being miserably imperfect.

In what I am going to relate, I have no intention of setting up, opposing, or supporting, any theory whatever. I know the history of the Bookseller of Berlin, I have studied the case of the wife of a late Astronomer Royal as related by Sir David Brewster, and I have followed the minutest details of a much more remarkable case of Spectral Illusion occurring within my private circle of friends. It may be necessary to state as to this last, that the sufferer (a lady) was in no degree, however distant, related to me. A mistaken assumption on that head might suggest an explanation of a part of my own case, -- but only a part, -- which would be wholly without foundation. It cannot be referred to my inheritance of any developed peculiarity, nor had I ever before any at all similar experience, nor have I ever had any at all similar experience since.

It does not signify how many years ago, or how few, a certain murder was committed in England, which attracted great attention. We hear more than enough of murderers as they rise in succession to their atrocious eminence, and I would bury the memory of this particular brute, if I could, as his body was buried, in Newgate Jail. I purposely abstain from giving any direct clue to the criminal's individuality.

When the murder was first discovered, no suspicion fell -- or I ought rather to say, for I cannot be too precise in my facts, it was nowhere publicly hinted that any suspicion fell -- on the man who was afterwards brought to trial. As no reference was at that time made to him in the newspapers, it is obviously impossible that any description of him can at that time have been given in the newspapers. It is essential that this fact be remembered.

Unfolding at breakfast my morning paper, containing the account of that first discovery, I found it to be deeply interesting, and I read it with close attention. I read it twice, if not three times. The discovery had been made in a bedroom, and, when I laid down the paper, I was aware of a flash -- rush -- flow -- I do not know what to call it, -- no word I can find is satisfactorily descriptive, -- in which I seemed to see that bedroom passing through my room, like a picture impossibly painted on a running river. Though almost instantaneous in its passing, it was perfectly clear; so clear that I distinctly, and with a sense of relief, observed the absence of the dead body from the bed.

It was in no romantic place that I had this curious sensation, but in chambers in Piccadilly, very near to the corner of St. James's Street. It was entirely new to me. I was in my easy-chair at the moment, and the sensation was accompanied with a peculiar shiver which started the chair from its position. (But it is to be noted that the chair ran easily on castors.) I went to one of the windows (there are two in the room, and the room is on the second floor) to refresh my eyes with the moving objects down in Piccadilly. It was a bright autumn morning, and the street was sparkling and cheerful. The wind was high. As I looked out, it brought down from the Park a quantity of fallen leaves, which a gust took, and whirled into a spiral pillar. As the pillar fell and the leaves dispersed, I saw two men on the opposite side of the way, going from West to East. They were one behind the other. The foremost man often looked back over his shoulder. The second man followed him, at a distance of some thirty paces, with his right hand menacingly raised. First, the singularity and steadiness of this threatening gesture in so public a thoroughfare attracted my attention; and next, the more remarkable circumstance that nobody heeded it. Both men threaded their way among the other passengers with a smoothness hardly consistent even with the action of walking on a pavement; and no single creature, that I could see, gave them place, touched them, or looked after them. In passing before my windows, they both stared up at me. I saw their two faces very distinctly, and I knew that I could recognise them anywhere. Not that I had consciously noticed anything very remarkable in either face, except that the man who went first had an unusually lowering appearance, and that the face of the man who followed him was of the colour of impure wax.

I am a bachelor, and my valet and his wife constitute my whole establishment. My occupation is in a certain Branch Bank, and I wish that my duties as head of a Department were as light as they are popularly supposed to be. They kept me in town that autumn, when I stood in need of change. I was not ill, but I was not well. My reader is to make the most that can be reasonably made of my feeling jaded, having a depressing sense upon me of a monotonous life, and being "slightly dyspeptic." I am assured by my renowned doctor that my real state of health at that time justifies no stronger description, and I quote his own from his written answer to my request for it.

As the circumstances of the murder, gradually unravelling, took stronger and stronger possession of the public mind, I kept them away from mine by knowing as little about them as was possible in the midst of the universal excitement. But I knew that a verdict of Wilful Murder had been found against the suspected murderer, and that he had been committed to Newgate for trial. I also knew that his trial had been postponed over one Sessions of the Central Criminal Court, on the ground of general prejudice and want of time for the preparation of the defence. I may further have known, but I believe I did not, when, or about when, the Sessions to which his trial stood postponed would come on.

My sitting-room, bedroom, and dressing-room, are all on one floor. With the last there is no communication but through the bedroom. True, there is a door in it, once communicating with the staircase; but a part of the fitting of my bath has been -- and had then been for some years -- fixed across it. At the same period, and as a part of the same arrangement, -- the door had been nailed up and canvased over.

I was standing in my bedroom late one night, giving some directions to my servant before he went to bed. My face was towards the only available door of communication with the dressing-room, and it was closed. My servant's back was towards that door. While I was speaking to him, I saw it open, and a man look in, who very earnestly and mysteriously beckoned to me. That man was the man who had gone second of the two along Piccadilly, and whose face was of the colour of impure wax.

The figure, having beckoned, drew back, and closed the door. With no longer pause than was made by my crossing the bedroom, I opened the dressing-room door, and looked in. I had a lighted candle already in my hand. I felt no inward expectation of seeing the figure in the dressing-room, and I did not see it there.

Conscious that my servant stood amazed, I turned round to him, and said: "Derrick, could you believe that in my cool senses I fancied I saw a --" As I there laid my hand upon his breast, with a sudden start he trembled violently, and said, "O Lord, yes, sir! A dead man beckoning!"

Now I do not believe that this John Derrick, my trusty and attached servant for more than twenty years, had any impression whatever of having seen any such figure, until I touched him. The change in him was so startling, when I touched him, that I fully believe he derived his impression in some occult manner from me at that instant.

I bade John Derrick bring some brandy, and I gave him a dram, and was glad to take one myself. Of what had preceded that night's phenomenon, I told him not a single word. Reflecting on it, I was absolutely certain that I had never seen that face before, except on the one occasion in Piccadilly. Comparing its expression when beckoning at the door with its expression when it had stared up at me as I stood at my window, I came to the conclusion that on the first occasion it had sought to fasten itself upon my memory, and that on the second occasion it had made sure of being immediately remembered.

I was not very comfortable that night, though I felt a certainty, difficult to explain, that the figure would not return. At daylight I fell into a heavy sleep, from which I was awakened by John Derrick's coming to my bedside with a paper in his hand.

This paper, it appeared, had been the subject of an altercation at the door between its bearer and my servant. It was a summons to me to serve upon a Jury at the forthcoming Sessions of the Central Criminal Court at the Old Bailey. I had never before been summoned on such a Jury, as John Derrick well knew. He believed -- I am not certain at this hour whether with reason or otherwise -- that that class of Jurors were customarily chosen on a lower qualification than mine, and he had at first refused to accept the summons. The man who served it had taken the matter very coolly. He had said that my attendance or non-attendance was nothing to him; there the summons was; and I should deal with it at my own peril, and not at his.

For a day or two I was undecided whether to respond to this call, or take no notice of it. I was not conscious of the slightest mysterious bias, influence, or attraction, one way or other. Of that I am as strictly sure as of every other statement that I make here. Ultimately I decided, as a break in the monotony of my life, that I would go.

The appointed morning was a raw morning in the month of November. There was a dense brown fog in Piccadilly, and it became positively black and in the last degree oppressive East of Temple Bar. I found the passages and staircases of the Court-House flaringly lighted with gas, and the Court itself similarly illuminated. I THINK that, until I was conducted by officers into the Old Court and saw its crowded state, I did not know that the Murderer was to be tried that day. I THINK that, until I was so helped into the Old Court with considerable difficulty, I did not know into which of the two Courts sitting my summons would take me. But this must not be received as a positive assertion, for I am not completely satisfied in my mind on either point.

I took my seat in the place appropriated to Jurors in waiting, and I looked about the Court as well as I could through the cloud of fog and breath that was heavy in it. I noticed the black vapour hanging like a murky curtain outside the great windows, and I noticed the stifled sound of wheels on the straw or tan that was littered in the street; also, the hum of the people gathered there, which a shrill whistle, or a louder song or hail than the rest, occasionally pierced. Soon afterwards the Judges, two in number, entered, and took their seats. The buzz in the Court was awfully hushed. The direction was given to put the Murderer to the bar. He appeared there. And in that same instant I recognised in him the first of the two men who had gone down Piccadilly.

If my name had been called then, I doubt if I could have answered to it audibly. But it was called about sixth or eighth in the panel, and I was by that time able to say, "Here!" Now, observe. As I stepped into the box, the prisoner, who had been looking on attentively, but with no sign of concern, became violently agitated, and beckoned to his attorney. The prisoner's wish to challenge me was so manifest, that it occasioned a pause, during which the attorney, with his hand upon the dock, whispered with his client, and shook his head. I afterwards had it from that gentleman, that the prisoner's first affrighted words to him were, "AT ALL HAZARDS, CHALLENGE THAT MAN!" But that, as he would give no reason for it, and admitted that he had not even known my name until he heard it called and I appeared, it was not done.

Both on the ground already explained, that I wish to avoid reviving the unwholesome memory of that Murderer, and also because a detailed account of his long trial is by no means indispensable to my narrative, I shall confine myself closely to such incidents in the ten days and nights during which we, the Jury, were kept together, as directly bear on my own curious personal experience. It is in that, and not in the Murderer, that I seek to interest my reader. It is to that, and not to a page of the Newgate Calendar, that I beg attention.

I was chosen Foreman of the Jury. On the second morning of the trial, after evidence had been taken for two hours (I heard the church clocks strike), happening to cast my eyes over my brother jurymen, I found an inexplicable difficulty in counting them. I counted them several times, yet always with the same difficulty. In short, I made them one too many.

I touched the brother jurymen whose place was next me, and I whispered to him, "Oblige me by counting us." He looked surprised by the request, but turned his head and counted. "Why," says he, suddenly, "we are Thirt-; but no, it's not possible. No. We are twelve."

According to my counting that day, we were always right in detail, but in the gross we were always one too many. There was no appearance -- no figure -- to account for it; but I had now an inward foreshadowing of the figure that was surely coming.

The Jury were housed at the London Tavern. We all slept in one large room on separate tables, and we were constantly in the charge and under the eye of the officer sworn to hold us in safe-keeping. I see no reason for suppressing the real name of that officer. He was intelligent, highly polite, and obliging, and (I was glad to hear) much respected in the City. He had an agreeable presence, good eyes, enviable black whiskers, and a fine sonorous voice. His name was Mr. Harker.

When we turned into our twelve beds at night, Mr. Harker's bed was drawn across the door. On the night of the second day, not being disposed to lie down, and seeing Mr. Harker sitting on his bed, I went and sat beside him, and offered him a pinch of snuff. As Mr. Harker's hand touched mine in taking it from my box, a peculiar shiver crossed him, and he said, "Who is this?"

Following Mr. Harker's eyes, and looking along the room, I saw again the figure I expected, -- the second of the two men who had gone down Piccadilly. I rose, and advanced a few steps; then stopped, and looked round at Mr. Harker. He was quite unconcerned, laughed, and said in a pleasant way, "I thought for a moment we had a thirteenth juryman, without a bed. But I see it is the moonlight."

Making no revelation to Mr. Harker, but inviting him to take a walk with me to the end of the room, I watched what the figure did. It stood for a few moments by the bedside of each of my eleven brother jurymen, close to the pillow. It always went to the right-hand side of the bed, and always passed out crossing the foot of the next bed. It seemed, from the action of the head, merely to look down pensively at each recumbent figure. It took no notice of me, or of my bed, which was that nearest to Mr. Harker's. It seemed to go out where the moonlight came in, through a high window, as by an aerial flight of stairs.

Next morning at breakfast, it appeared that everybody present had dreamed of the murdered man last night, except myself and Mr. Harker.

I now felt as convinced that the second man who had gone down Piccadilly was the murdered man (so to speak), as if it had been borne into my comprehension by his immediate testimony. But even this took place, and in a manner for which I was not at all prepared.

On the fifth day of the trial, when the case for the prosecution was drawing to a close, a miniature of the murdered man, missing from his bedroom upon the discovery of the deed, and afterwards found in a hiding-place where the Murderer had been seen digging, was put in evidence. Having been identified by the witness under examination, it was handed up to the Bench, and thence handed down to be inspected by the Jury. As an officer in a black gown was making his way with it across to me, the figure of the second man who had gone down Piccadilly impetuously started from the crowd, caught the miniature from the officer, and gave it to me with his own hands, at the same time saying, in a low and hollow tone, -- before I saw the miniature, which was in a locket, --"I WAS YOUNGER THEN, AND MY FACE WAS NOT THEN DRAINED OF BLOOD." It also came between me and the brother juryman to whom I would have given the miniature, and between him and the brother juryman to whom he would have given it, and so passed it on through the whole of our number, and back into my possession. Not one of them, however, detected this.

At table, and generally when we were shut up together in Mr. Harker's custody, we had from the first naturally discussed the day's proceedings a good deal. On that fifth day, the case for the prosecution being closed, and we having that side of the question in a completed shape before us, our discussion was more animated and serious. Among our number was a vestryman, -- the densest idiot I have ever seen at large, -- who met the plainest evidence with the most preposterous objections, and who was sided with by two flabby parochial parasites; all the three impanelled from a district so delivered over to Fever that they ought to have been upon their own trial for five hundred Murders. When these mischievous blockheads were at their loudest, which was towards midnight, while some of us were already preparing for bed, I again saw the murdered man. He stood grimly behind them, beckoning to me. On my going towards them, and striking into the conversation, he immediately retired. This was the beginning of a separate series of appearances, confined to that long room in which we were confined. Whenever a knot of my brother jurymen laid their heads together, I saw the head of the murdered man among theirs. Whenever their comparison of notes was going against him, he would solemnly and irresistibly beckon to me.

It will be borne in mind that down to the production of the miniature, on the fifth day of the trial, I had never seen the Appearance in Court. Three changes occurred now that we entered on the case for the defence. Two of them I will mention together, first. The figure was now in Court continually, and it never there addressed itself to me, but always to the person who was speaking at the time. For instance: the throat of the murdered man had been cut straight across. In the opening speech for the defence, it was suggested that the deceased might have cut his own throat. At that very moment, the figure, with its throat in the dreadful condition referred to (this it had concealed before), stood at the speaker's elbow, motioning across and across its windpipe, now with the right hand, now with the left, vigorously suggesting to the speaker himself the impossibility of such a wound having been self-inflicted by either hand. For another instance: a witness to character, a woman, deposed to the prisoner's being the most amiable of mankind. The figure at that instant stood on the floor before her, looking her full in the face, and pointing out the prisoner's evil countenance with an extended arm and an outstretched finger.

The third change now to be added impressed me strongly as the most marked and striking of all. I do not theorise upon it; I accurately state it, and there leave it. Although the Appearance was not itself perceived by those whom it addressed, its coming close to such persons was invariably attended by some trepidation or disturbance on their part. It seemed to me as if it were prevented, by laws to which I was not amenable, from fully revealing itself to others, and yet as if it could invisibly, dumbly, and darkly overshadow their minds. When the leading counsel for the defence suggested that hypothesis of suicide, and the figure stood at the learned gentleman's elbow, frightfully sawing at its severed throat, it is undeniable that the counsel faltered in his speech, lost for a few seconds the thread of his ingenious discourse, wiped his forehead with his handkerchief, and turned extremely pale. When the witness to character was confronted by the Appearance, her eyes most certainly did follow the direction of its pointed finger, and rest in great hesitation and trouble upon the prisoner's face. Two additional illustrations will suffice. On the eighth day of the trial, after the pause which was every day made early in the afternoon for a few minutes' rest and refreshment, I came back into Court with the rest of the Jury some little time before the return of the Judges. Standing up in the box and looking about me, I thought the figure was not there, until, chancing to raise my eyes to the gallery, I saw it bending forward, and leaning over a very decent woman, as if to assure itself whether the Judges had resumed their seats or not. Immediately afterwards that woman screamed, fainted, and was carried out. So with the venerable, sagacious, and patient Judge who conducted the trial. When the case was over, and he settled himself and his papers to sum up, the murdered man, entering by the Judges' door, advanced to his Lordship's desk, and looked eagerly over his shoulder at the pages of his notes which he was turning. A change came over his Lordship's face; his hand stopped; the peculiar shiver, that I knew so well, passed over him; he faltered, "Excuse me, gentlemen, for a few moments. I am somewhat oppressed by the vitiated air;" and did not recover until he had drunk a glass of water.

Through all the monotony of six of those interminable ten days, -- the same Judges and others on the bench, the same Murderer in the dock, the same lawyers at the table, the same tones of question and answer rising to the roof of the court, the same scratching of the Judge's pen, the same ushers going in and out, the same lights kindled at the same hour when there had been any natural light of day, the same foggy curtain outside the great windows when it was foggy, the same rain pattering and dripping when it was rainy, the same footmarks of turnkeys and prisoner day after day on the same sawdust, the same keys locking and unlocking the same heavy doors, -- through all the wearisome monotony which made me feel as if I had been Foreman of the Jury for a vast cried of time, and Piccadilly had flourished coevally with Babylon, the murdered man never lost one trace of his distinctness in my eyes, nor was he at any moment less distinct than anybody else. I must not omit, as a matter of fact, that I never once saw the Appearance which I call by the name of the murdered man look at the Murderer. Again and again I wondered, "Why does he not?" But he never did.

Nor did he look at me, after the production of the miniature, until the last closing minutes of the trial arrived. We retired to consider, at seven minutes before ten at night. The idiotic vestryman and his two parochial parasites gave us so much trouble that we twice returned into Court to beg to have certain extracts from the Judge's notes re-read. Nine of us had not the smallest doubt about those passages, neither, I believe, had any one in the Court; the dunder-headed triumvirate, having no idea but obstruction, disputed them for that very reason. At length we prevailed, and finally the Jury returned into Court at ten minutes past twelve.

The murdered man at that time stood directly opposite the Jury-box, on the other side of the Court. As I took my place, his eyes rested on me with great attention; he seemed satisfied, and slowly shook a great gray veil, which he carried on his arm for the first time, over his head and whole form. As I gave in our verdict, "Guilty," the veil collapsed, all was gone, and his place was empty.

The Murderer, being asked by the Judge, according to usage, whether he had anything to say before sentence of Death should be passed upon him, indistinctly muttered something which was described in the leading newspapers of the following day as "a few rambling, incoherent, and half-audible words, in which he was understood to complain that he had not had a fair trial, because the Foreman of the Jury was prepossessed against him." The remarkable declaration that he really made was this: "MY LORD, I KNEW I WAS A DOOMED MAN, WHEN THE FOREMAN OF MY JURY CAME INTO THE BOX. MY LORD, I KNEW HE WOULD NEVER LET ME OFF, BECAUSE, BEFORE I WAS TAKEN, HE SOMEHOW GOT TO MY BEDSIDE IN THE NIGHT, WOKE ME, AND PUT A ROPE ROUND MY NECK."

🔆 Otros cuentos:

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martes, 19 de octubre de 2021

Expresarte cortésmente - Usos del lenguaje

Gramática - Fórmulas de cortesía en inglés

Iniciación al inglés – Repaso de conceptos para conversaciones básicas

1. Read

Conversación entre tres personas y un camarero en un restaurante.

A: Excuse me waiter.

B: Can I help you?

A: Yes, please. What can we have for dinner?

B: You can have some nice meat, vegetables and potatoes.

A: Is there any fish?

B: I'm afraid we haven't, sorry, sir.

A: Can you bring us two salads and some meat and vegetables?

B: Certainly, sir.

C: Eddie, pass me the butter, please.

A: Pardon?

C: The butter, please.

A: Here you are

C: Thank you very much. Look! Here's the waiter with our dinner.

  • waiter = camarero.
  • pass = pasar, dar.
  • here you are = aquí tienes.

Gramática - Fórmulas de cortesía

En términos generales, los británicos otorgan una gran importancia a la cortesía, por lo que no solo prestan atención al idioma utilizado, sino que también prestan atención al tono que se les da. Sin embargo, no olvides que todo depende del contexto y de cuánto confiamos en el interlocutor.

PASS ME THE BUTTER, PLEASE - Pásame la mantequilla, por favor

Con esta fórmula utilizamos el imperativo para pedir algo o suavizar una orden. Es una fórmula muy común que se emplea con personas de confianza. Casi nunca se omite la palabra please con el imperativo. Ten en cuenta que un tono brusco o impaciente puede convertir una petición en una orden autoritaria o impertinente.

CAN YOU PASS ME THE BUTTER, PLEASE? - ¿Me puedes pasar la mantequilla, por favor?

Esta fórmula se utiliza mucho para hacer una petición cortés. Existen otras fórmulas de cortesía que aprenderás más adelante.

Can también aparece en muchas expresiones. Algunas de éstas son:

  • CAN YOU TELL ME THE TIME, PLEASE?
  • CAN YOU TELL ME THE WAY, PLEASE?
  • CAN YOU SPELL IT, PLEASE?

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Routine and spare time - Usos del lenguaje

Routine and spare time - Usos del lenguaje

Iniciación al inglés – Repaso de conceptos para conversaciones básicas

Rutina diaria

He reads a lot. She doesn't.

I go shopping...

What do you do...?

I don't listen to the radio... every day, in the evenings, at night...

Pero...

I'm reading.

What are you doing?

What's he writing...?

Now, at the moment, this morning...

Despedidas

  • Durante el día:

Bye; Good-bye; See you soon; Cheerio!

  • Por la noche:

Good night

Transportes

How do you go to work? (habitualmente)

- I go by bus / car / underground...

- I walk.

Gustos y preferencias

I love

You hate > children, cats, pottery, them

They don't like > children, cats, pottery, them

(personas, animales o cosas, en general)

He doesn't mind going to concerts.

Does she like walking?

He loves playing tennis.

(hacer cosas, habitualmente)

Comer, beber, tomar...

Un solo verbo: to have (sin got)

l have coffee every morning.

She has lunch at a restaurant on Mondays. |

Pero...

Does Katie have lunch at home every day? No, she doesn't.

John has a shower early in the morning.

Saber o no saber (hacer algo)

What can they do? What can't they do?

You can cook - I can't read English

Can he swim? - She can't speak German

¿A qué distancia está...?

How far is the town / the cinema / your work?

It isn't very far / It's quite near / It's 2 kilometres from here.

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  • Cuándo usar Since, For, Ago: ¿Cuáles son las diferencias?
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  • Preguntas con WH-Questions 02 - When, Which, Whose, How
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  • Uso de some / any acompañando nombres contables/incontables
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  • El tiempo futuro en inglés
  • Present Perfect Progressive - Presente perfecto progresivo
  • Present perfect - El presente perfecto inglés
  • Pretérito progresivo o continuo en inglés
  • Simple past - El pretérito o pasado simple en inglés
  • Presente continuo - Forma Afirmativa - English grammar
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